Who Are The Main Characters In 'There There'?

2025-06-26 01:54:22 160

2 Answers

Bella
Bella
2025-06-27 15:46:00
The characters in 'There There' are a vibrant, interconnected tapestry of urban Native Americans, each bringing their own struggles and dreams to the story. Tommy Orange doesn’t just give us protagonists; he crafts a chorus of voices that reflect the complexity of Indigenous identity in Oakland. There’s Tony Loneman, a young man grappling with fetal alcohol syndrome and his role in a chaotic powwow robbery. Dene Oxendene channels his grief into art, filming stories for a project that echoes the book’s own fragmented structure. Opal Viola Victoria Bear Shield carries generations of trauma, while her sister Jacquie Red Feather battles addiction and searches for redemption. Edwin Black, a mixed-race man obsessed with his roots, and Orvil Red Feather, a teenager discovering tradition through YouTube, round out this unforgettable ensemble.

What makes these characters extraordinary is how their lives collide—sometimes violently—at the Big Oakland Powwow. Orange’s brilliance lies in showing how their individual paths weave together like urban legends, full of raw humor and devastating truth. The women—Opal, Jacquie, and young Blue—are particularly compelling, embodying resilience amid systemic erasure. Even secondary characters like Calvin Johnson, a drifter pulled into the robbery, or Thomas Frank, the drum group’s earnest MC, leave deep impressions. This isn’t just a cast; it’s a community navigating erasure, violence, and the messy beauty of survival.
Brianna
Brianna
2025-06-28 16:28:31
Tommy Orange’s 'There There' has this unforgettable lineup of Native characters all heading toward the same powwow. Tony Loneman stands out—he’s got this distorted self-image due to FASD, yet he’s weirdly endearing even as he gets tangled in crime. Dene Oxendene’s my favorite, a filmmaker trying to preserve stories you won’t find in history books. Then there’s Orvil, a kid teaching himself powwow dances from videos, which hits hard about cultural disconnect. The women—Opal, Jacquie, Blue—carry the emotional weight, juggling inherited pain with fierce love. Each character feels so real, like someone you’d meet at a bus stop in Oakland, carrying whole worlds inside them.
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