How Many Kamen Rider Shows Aired Each Decade?

The Heisei era of Kamen Rider is a goldmine for tokusatsu fans, and I've spent way too many weekends binge-watching these shows. From 2000's 'Kamen Rider Kuuga' to 2018's 'Kamen Rider Zi-O', there are a total of 20 main series in this era. What's fascinating is how each one experiments with themes—like 'Kamen Rider W' blending noir detective vibes with environmental commentary, or 'Kamen Rider Gaim' using fruit armor to explore class warfare. The Heisei era also split into two phases: Phase 1 (2000-2009) had 10 shows, while Phase 2 (2010-2018) introduced another 10, each with evolving suit designs and darker storytelling. My personal favorite? 'Kamen Rider OOO'—those combo transformations still live in my head rent-free. Fun detail: 'Zi-O' serves as an anniversary season, weaving callbacks to previous Heisei Riders. It's a love letter to the era, though some fans debate whether its time-travel plot holds up. Either way, the Heisei lineup is a wild ride—pun intended—with something for everyone, from kids to adults dissecting its social metaphors.

The 2000s were an absolute goldmine for Kamen Rider. I mean, 'Kamen Rider Ryuki' alone was a game-changer with its battle royale premise and morally gray characters—totally flipped the script on traditional hero tropes. Then you had 'Kamen Rider Blade', which started slow but built one of the most emotionally satisfying payoffs in the franchise. And let’s not forget 'Kamen Rider Kabuto', with its cool-factor dialed to 11 thanks to Tendou’s swagger and that iconic clock-up gimmick. Even the lighter stuff like 'Kamen Rider Den-O' had this infectious charm, blending comedy and time-travel chaos. The era just had this perfect balance of experimentation and heart—writers weren’t afraid to take risks, and the suits? Peak design. That said, the 2010s gave us gems too. 'Kamen Rider W' nailed the detective noir vibe, and 'Kamen Rider Gaim' went full Shakespearean with its fruit-armored dystopia. But the 2000s? They defined what modern Rider could be. The storytelling felt raw and unfiltered, like the creators were throwing everything at the wall—and most of it stuck. Even the weaker entries had personality. It’s the decade I keep revisiting when I need that hit of nostalgia mixed with legit great TV.

I still get a little giddy thinking about how wild 'Kamen Rider Decade' plays with continuity. Watching it felt like opening a book of alternate histories: each world is a fully-formed take on a Rider’s story, sometimes faithful, sometimes wildly divergent. The main mechanic is simple and brilliant — the protagonist carries Rider Cards that let him transform into other Riders or access their powers, and each episode drops him into a new Rider World where that hero’s life has taken a different turn. That makes it a literal multiverse show, where timelines are represented as distinct realities rather than one linear history. From a fan’s-eye view, the connection to other Rider timelines is intentionally loose and playful. Some worlds are clearly alternate retellings of 'Kamen Rider Kuuga', 'Kamen Rider Agito', or 'Kamen Rider W', while others are almost metafictional — riffs that explore themes or what-ifs rather than trying to slot into strict continuity. Then there are the movies, like 'Kamen Rider Decade: All Riders vs. Dai-Shocker' and 'The Next', which stitch things together more directly; they treat Decade as a bridge that can summon or merge Riders from different realities. That’s why debates about what’s "canon" can get heated: Decade doesn’t so much collapse timelines into one chain as it creates a web where crossovers, cameos, and retellings all have room to exist. Personally, I love that ambiguity. It turned every episode into a mini event for me — you never knew whether you were getting a reboot, a tribute, or a completely new spin on a familiar Rider, and that kept the series feeling fresh even after multiple rewatches.

The first 'Kamen Rider' series burst onto the scene in the 1970s, and man, what a game-changer it was! I've dug into a lot of tokusatsu shows, but there's something about the raw, gritty charm of that original 1971 series that still holds up. Shotaro Ishinomori's creation blended motorcycle stunts, sci-fi body horror (those cyborg transformations were wild for their time), and a rebellious antihero vibe that felt totally fresh. The show's iconic 'henshin' poses and the buzzing sound of the Rider Kick became cultural touchstones overnight. What's fascinating is how 'Kamen Rider' mirrored Japan's postwar anxieties—chemical weapons, human experimentation—while delivering popcorn entertainment. That first decade gave us not just Ichigo and Nigo, but also V3, X Rider, and Amazon, each with distinct flavors. The 70s Rider shows had this rough-around-the-edges practicality, using real locations and minimal CGI that made the fights feel visceral. Even now, when I rewatch those early episodes, I can see why it sparked a 50-year franchise—it wasn't just about the suit design (though oh boy, that grasshopper motif slaps), but the way it made kids feel like justice could literally come roaring in on a cyclone.

Man, trying to count all the 'Kamen Rider' seasons feels like herding electrified grasshoppers—it’s chaotic but thrilling! Officially, as of now, there are over 40 distinct seasons if you count everything from the original 1971 series to the latest Reiwa era entries like 'Kamen Rider Geats.' But here’s the twist: some spin-offs, movies, and even those weird crossovers like 'Kamen Rider Decade' blur the lines. The Showa era alone had 10, Heisei Phase 1 added another 10, and Phase 2 piled on 10 more before Reiwa kicked in. And let’s not forget the standalone gems like 'Kamen Rider Shin' or the SD shorts—those count for hardcore fans too! What’s wild is how each era reflects its time. Showa Riders were gritty vigilantes, Heisei leaned into tragic backstories ('Kamen Rider Faiz' still hurts), and Reiwa? They’re experimenting with gameshow themes and corporate satire. If you’re new, I’d say start with 'Kamen Rider W'—it’s the perfect mix of detective noir and monster-of-the-week fun. But be warned: once you fall down this rabbit hole, you’ll be debating Rider systems and belt jingles for life.

The villains in 'Kamen Rider Decade: Movie' are a wild mix that really keeps you on your toes! The main antagonist is Apollo Geist, a revived Shocker Rider who's got this eerie, almost robotic vibe going on. He's backed by the Super Shocker army, which feels like a throwback to classic 'Kamen Rider' tropes but with a modern twist. Then there's Narutaki, that mysterious guy who keeps popping up across the series, always spouting cryptic warnings about Decade destroying worlds. He's less of a direct villain and more of a chaotic observer, but his presence adds so much tension. What I love about this movie's villains is how they blend nostalgia with fresh threats. The Diend exclusives like Chinomanako and the Bee Woman are these fun yet dangerous one-offs, while the Shadow Moon cameo ties into the Black RX lore, making longtime fans geek out. The way the film juggles these elements—some campy, some genuinely menacing—creates this rollercoaster of stakes. By the final showdown, you're equally hyped for the action and low-key sad when Apollo Geist gets that dramatic final explosion. Classic Rider villain demise!

Kamen Rider has evolved in wild ways since the 70s, and as someone who binge-watched the entire franchise during lockdown, the shifts are fascinating. The original 'Kamen Rider' from 1971 was gritty and raw, with a focus on body horror and tragic heroes—Shocker’s human experiments felt like something out of a dystopian novel. Fast-forward to the 2000s, and shows like 'Kamen Rider Den-O' leaned into comedy and time-travel shenanigans, almost feeling like a Saturday morning cartoon. Then you get modern entries like 'Kamen Rider Geats,' which blends reality TV tropes with existential stakes. The core themes of justice and transformation remain, but the tone? It’s like watching different genres under the same name. What’s really cool is how the suits and tech reflect each era. Early Riders had these minimalist, insect-inspired designs with practical effects, while newer ones are CGI-heavy with flashy armor and gimmicks like 'Kamen Rider Zi-O’s' decade-switching powers. Merchandising also plays a bigger role now—transformation belts are basically mini consoles. But even with all the glitter, some things never change: that iconic henshin pose and the Rider Kick still give me chills.

Kamen Rider has been a staple of Japanese tokusatsu since the 70s, and keeping track of all the series feels like trying to count stars sometimes! The franchise officially kicked off in 1971 with the original 'Kamen Rider,' and since then, it's exploded into dozens of iterations. As of now, there are over 30 mainline series, not counting spin-offs, movies, or alternate universe takes like 'Kamen Rider Amazons.' The Heisei era alone gave us 20 Riders, from 'Kuuga' to 'Zi-O,' and Reiwa's already added a handful more like 'Zero-One' and 'Geats.' What's wild is how each series reinvents the formula—some lean into gritty drama ('Black Sun'), others embrace goofy charm ('Fourze'). I love digging into the lore behind lesser-known ones like 'Shin Kamen Rider' or the manga adaptations. Honestly, binge-watching them all would take months, but the variety is half the fun! If you're new to the franchise, 'W' or 'Build' are great entry points before diving into the deep end.

Man, picking the 'strongest' Kamen Rider is like debating which flavor of ice cream reigns supreme—it’s subjective but oh-so-fun to argue! For me, Kamen Rider Geats from 'Kamen Rider Geats' stands out. His Desire Driver system lets him adapt to nearly any battle scenario, and his strategic mind makes him unpredictable. The way he turns the Desire Grand Prix into his own playground is terrifyingly impressive. But then there’s Kamen Rider Zero-One, whose Ark-One form embodies raw, unchecked power. That final arc where he struggles with his own darkness? Chilling. Both riders redefine what 'strength' means—one through intellect, the other through sheer emotional turmoil. Honorable mention to Kamen Rider Ex-Aid’s Hyper Muteki form, though. Infinite invincibility sounds broken until you realize Geats’s plot armor might outshine even that. What really fascinates me is how each Rider’s strength reflects their series’ themes. Zero-One’s power is tied to his humanity, while Geats thrives on chaos. It’s less about who hits harder and more about whose narrative weight leaves you breathless.

Man, diving into the world of 'All Kamen Rider' stuff feels like opening a treasure chest of tokusatsu goodness! From what I've pieced together through years of geeking out, the 'All Kamen Rider' series isn't just one show—it's a collection of crossover movies and specials celebrating the franchise. The big ones that come to mind are 'Kamen Rider: All Riders vs. Dai-Shocker' (2009) and 'Kamen Rider: All Riders vs. Great Shocker' (2012). There's also 'Super Hero Taisen' films where Riders team up with Super Sentai, but those are more like bonus feasts for fans. What's wild is how these films juggle dozens of Riders at once, like a superhero family reunion with way more belt gadgets. I lose track of who's who after Heisei Phase 2, but the sheer scale always hypes me up. The production team must have a nightmare coordinating all those suits! Still, nothing beats seeing Ichigo and Decade sharing screen time—it's like watching history shake hands.