How Does An MC'S Death Change A Story'S Impact?

The real heiress, Alicia Grant, gets reunited with the Grant family and is scheduled to marry Cory Dawson, who's supposed to be my fiance. On the very same day, I, the vile fake heiress, get kicked out of my home. When I'm about to take my own life out of despair, I go through an awakening all of a sudden. It turns out that I'm just a vicious supporting character in a sappy romance novel whose tragic fate is already penned by the author. After I die, Alicia decides to adopt my daughter out of "kindness", only to let her get bullied from a young age. In the end, my poor daughter dies tragically in an alley. I throw the knife away immediately. With stumbling steps, I whisk my daughter into my arms and quickly immigrate elsewhere. As a supporting character, my life is already filled with misfortune. I mustn't let my daughter go down the same path as well. Initially, I thought I wouldn't see the Grants anymore. Unexpectedly, when I step into Carmont five years later, I end up bumping into them again.

After I transmigrate into a Gary Stu novel as the evil male supporting lead, a system appears in my mind. It tells me that as long as I can conquer one of the female leads, I will be able to return to my original world with a healthy body. But I've failed in my conquest. There are a few female leads in this novel. There's the fake heiress, Leslie Jackman, who I have grown up with and have viewed as my older sister. The true heiress, Miranda Suller, is a boxer who happens to be seatmates with me during our high school times. My childhood sweetheart, Catherine Langdon, who's also a genius surgeon, happens to be one of the female leads too. Heck, even my own daughter, Natalie Jackman… my own flesh and blood… All of them are quick to fall for Gabriel Linner, the poor yet strong-willed young man who's also known as the Gary Stu of this novel. Because of that, they hate me deeply. The system sighs before telling me that as long as I can die in the hands of any of the female leads, it will let me return to my original world. Later on, I use all of the tricks up my sleeve and succeed in getting killed by the female leads. But why is it that they've lost their minds after I die?

After being reincarnated as the villain in a story where everyone doted on the heroine, the system appeared. It told me that if I could win over any one of the male leads, I would regain a healthy body and return to my original world. But I failed to win over any of them. There was my adoptive brother, the fake heir, who grew up with me. My rebellious high school deskmate, the real heir, who became a boxer. And my childhood sweetheart, the genius surgeon. Even my own son, whom I carried for ten months. Without exception, they all fell in love with that cold, stubborn damsel while growing to deeply despise me. The system sighed and told me that if I could die at the hands of any one of the male leads, I would be able to see my parents in the original world. In the end, I used every method possible and was finally killed by them, with their own hands. But why did they all go mad afterward?

I am dead. Only before my death do I realize that I am the sidekick in a tragic coming-of-age story, while my best friend Tinsley Wood is the female lead. I am destined to be disgraced and meet a miserable end, all to highlight her innocence, kindness, and endless good luck. When I open my eyes again, I am reborn on the very first day Tinsley asks me to take the blame for her.

I'm the fake heiress of a wealthy family. The system has given me three conquest targets to choose. As long as the affection score belonging to any of them becomes full, I can change my predestined death at the age of 23. But I've completely failed in my mission. The conquest targets have fallen for the true heiress, Evelyn Swanson, who has reunited with the family at the age of 18. As long as Evelyn says something, they can easily aim their malice and hatred at me. That's why I choose to take my own life in advance. Strangely enough, everyone is filled with remorse after I die.

As the male lead, Henry Johnston, forces himself on me, a row of comments suddenly appears before my eyes. "Henry is about to misunderstand and think Aria drugged him! The angst is about to begin!" "I'm thrilled just thinking about Henry regretting dearly after Aria dies!" "Keep up the act, Henry. After she dies, you'll be hugging her corpse and crying every day." That is when I realize that I am the tragic female lead in a story where I am destined to be tormented until I die. The readers treat my death as a highlight to push the plot forward. They are counting down to my death. As I look at Henry, who is panting on top of me, anger courses through me. I grab a table lamp and smash it into him, killing him on the spot. Who says that the one who dies in a toxic romance story must always be the female lead?