Why Is McTeague: A Story Of San Francisco Considered A Classic?

2025-11-13 01:35:45 227

3 Jawaban

Helena
Helena
2025-11-14 12:09:22
What grabs me about 'McTeague' is how damn human it feels, despite being over a century old. Norris packed it with grotesque details—the gold teeth, the Canary, the murderous finale—but beneath the shock value, there’s a heartbreaking study of how people trap themselves. McTeague isn’t some cartoon villain; he’s a guy who never had the tools to escape his own nature, and Trina’s obsession with money is just as tragic.

It’s also a sneaky critique of the American Dream. San Francisco’s boomtown chaos reflects the characters’ futile scrambles for stability. The novel’s brutality might feel over-the-top now, but back then? It was a slap in the face to genteel literature. That audacity cemented its status.
Harper
Harper
2025-11-14 21:37:09
McTeague: A Story of San Francisco' has this raw, unfiltered energy that sticks with you long after you turn the last page. Frank Norris didn’t just write a novel; he carved out a brutal slice of life in late 19th-century San Francisco, exposing human greed and primal instincts with almost surgical precision. The way he contrasts McTeague’s descent into animalistic behavior with the glittering but hollow promises of wealth—it’s like watching a train wreck in slow motion, horrifying yet impossible to look away from.

The setting itself becomes a character, with the city’s chaotic growth mirroring the moral decay of its inhabitants. Norris’s naturalist style—no sugarcoating, no romantic escapes—forces readers to confront uncomfortable truths about ambition and fate. That’s why it endures: it’s not just a story, but a warning etched in ink.
Mila
Mila
2025-11-16 15:32:18
Ever read something that makes you squirm but you can’t stop? That’s 'McTeague' for me. Norris throws you into this grimy world where love curdles into obsession and money poisons everything. The symbolism—like the gold tooth representing greed—is so heavy-handed it loops back to genius.

What seals its classic rep is how it bridges genres. Part tragedy, part horror, part social commentary, it defies easy labels. And that ending in Death Valley? Pure bleak poetry. It’s not a 'pleasant' read, but classics rarely are—they’re the ones that haunt you.
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