Do Modern Library 100 Novels Include International Authors?

2025-07-15 04:33:29 300

3 Answers

Claire
Claire
2025-07-19 09:50:12
I recently stumbled upon the 'Library 100 Novels' list while hunting for my next read, and the international picks stood out to me. Yes, there are global authors, but the selection feels curated for a Western audience. Muriel Barbery's 'The Elegance of the Hedgehog' and Kazuo Ishiguro's 'Never Let Me Go' are brilliant inclusions, yet they’re already widely known in English-speaking circles. I was pleasantly surprised to see Yōko Ogawa’s 'the memory police,' a haunting Japanese dystopian novel, but where’s the love for lesser-translated gems?

Latin America gets some spotlight with Roberto Bolaño’s '2666,' but African and Indigenous voices feel sparse. The list could’ve embraced more works like 'Things Fall Apart' by Chinua Achebe or 'Season of Migration to the North' by Tayeb Salih. It’s a decent snapshot, but not the full global mosaic I hoped for.
Hazel
Hazel
2025-07-20 15:43:36
the 'Library 100 Novels' is one I keep revisiting. From what I've seen, it does include a decent mix of international authors, though the balance leans toward English-speaking writers. I spotted Haruki Murakami's 'Norwegian Wood' and Gabriel García Márquez's 'Love in the Time of Cholera' in there, which are absolute masterpieces. There's also Chimamanda Ngozi Adichie's 'Half of a Yellow Sun,' which brings such a powerful Nigerian perspective. While it's not as diverse as I'd like, the inclusion of these works shows an effort to represent global voices. I wish there were more from Southeast Asia and the Middle East, though—authors like Orhan Pamuk or Viet Thanh Nguyen would've been great additions.
Zoe
Zoe
2025-07-20 22:26:59
I took a deep dive into the 'Library 100 Novels' list. The international representation is there, but it feels like a sprinkle rather than a flood. You'll find classics like Milan Kundera's 'The Unbearable Lightness of Being' and contemporary hits like Elena Ferrante's 'My Brilliant Friend,' which are fantastic picks. Latin American magic realism gets a nod with Isabel Allende's 'The House of the Spirits,' and African literature shines through Ngũgĩ wa Thiong'o's 'Wizard of the Crow.'

That said, the list skews heavily toward Western canon. While it includes standout works like Arundhati Roy's 'The God of Small Things,' many regions are underrepresented. South Asian and Middle Eastern authors, for instance, get minimal space. I'd love to see more from Mohsin Hamid or Han Kang. The list is a starting point, but it could do better in reflecting the richness of world literature without tokenism.
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