Which Ngaio Marsh Novel Is Most Important For Understanding Her Career?

Beatrice is back to face her greatest threat since. . .well, the last time! In Cooper’s Cove a hapless team of archaeologists unleash the vengeful spirit of a 16th Century witch on the sleepy seaside town of Dorsal Finn. Hexes and curses fly as Beatrice and her friends must find out what links the appearance of this incredible foe and The Spirit of the Ocean, a super-yacht hosting the biggest celebrity charity event the town has ever seen. As the population of Dorsal Finn succumbs to witchcraft, so Beatrice must gate-crash the party with her motley-crew of friends and allies in the hope of stopping the witch's sinister plan, and save everyone from endless oblivion. . . Again. ©️ Crystal Lake Publishing

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

The Mother That Fed the Dark is a study of inherited guilt, ritual, and the long reach of a mother's choices. Amahle, a woman who practices the old rituals in secret, believes that her younger son , Sipho, was born as a spiritual "door" to be sacrificed for the sake of power and protection. During the ritual she performed , she got interrupted by the older son, Thando, who died instead. While the community believes Thando's death was accidental, Amahle knows better: it was the wrong son who died, and the ritual was left unfinished. Drenched in fear and resentment , Amahle raises Sipho as if he is the love of her life, while at the same time working to destroy him. Behind closed doors, she feeds the supernatural force from the failed ritual, which weakens Sipho, making him fearful and dependent. As Sipho grows, so do the misfortunes that follow him, and an unseen entity begins to present itself-first in dreams and whispers, then in the physical world . What we see is that the ritual did not bind to the house but to Sipho's bloodline. When Sipho leaves home, the haunting grows stronger. After Amahle's death, Sipho finds her secret notebooks , which reveal to him the shocking truth: that his brother's death was a mistake and, in fact, Sipho was never meant to die but to be the vehicle for the ritual, which he indeed is. Setting the family home on fire brings only temporary relief , but the curse does not break. In the final revelation, Sipho realizes that he is not the offering but the keeper, the living portal through which harmony, hardship, and magical power flow. Unlike his mother, he comes to the realization that he has a choice.

“Pray tell, Emily, what is it you plan to gain from this marriage?” The vehemence of that word—the way it rolled out harshly from his lips—implied she had tricked him, that she had wanted something from him. A belief Emily hadn’t known he held. Her eyes widened in realization, and she sought to correct it at once. Good Lord, was she married to a man who despised her? *** When the earl of Tonfield, Cole Fletcher decided to drop his newly wedded wife at the steps of Blakewood Manor with as much respect as would be given a sack of potatoes, the last thing he expected was for her to move into his ancestral home and do the one thing he rather her not do. As if that wasn't enough, news of his wife's exploits was beginning to circulate around the ton, while Cole wants to keep an eye on his wife and put her firmly in her place. Emily wants her husband to understand she exists. As a wife, as a countess, as a woman! It's a clash of wills!

Maeve Cross has but one reason to enter the Blood Hunt... to be brought down by the most feared Alpha alive. For three years, she has been searching for her missing sister, Mara, whose secret letters describe starvation, torture, and imprisonment beneath the pack house of Alpha Ronan Caine. Maeve knows the rules of the Hunt: get to the sanctuary before sunrise and win protection, wealth or a favor from each Alpha who hunted her. If they get caught the one who lays claim to her gets to mate her. Maeve has no intention of fleeing. She means to let Ronan take her, get into his area, save Mara and kill him before he can finish the bonding. But Ronan is waiting for her. Years ago, Mara betrayed his family, opened the gates to enemy wolves, and murdered the Luna chosen to save him from the deadly Sovereign Hunger. Ronan's wolf was starving, violent, and dangerously close to overriding the interrupted ritual. Then Maeve comes into his woods. Her smell soothes the beast inside him. It is her hate that rouses it. And once Ronan has her, he has no intention of letting her go. Maeve is trapped in his estate, looking for her sister and battling a dangerous attraction to the ruthless Alpha she came to destroy. But the more she digs the clearer the truth becomes. Maybe Ronan isn’t the monster who destroyed Mara’s life. Ronan went into the Hunt for revenge. Now he wants Maeve. And whether she hates him or not, his starving wolf has already chosen her.

My grandmother is, as far as the law is concerned, a dead woman. She faked her own death so she could go off with the boy she'd grown up beside, and she left evidence behind that made my grandfather her killer. He went away for twenty years. She sold his house and ran to Port Halcyon with the other man. One of them became a famous attorney who talks about justice in courtrooms. The other became a philanthropist who talks about compassion under television lights. My grandfather carried the word wife-killer for the rest of his life. My father grew up on whatever the neighbors could spare. He never spent a day in school, and he wore his hands raw laying brick until he'd put me through college. Two generations, two pairs of ruined hands, lifting me one step at a time out of Pinebarrow. Fifty years after my grandmother's fake death. I sit on the felony bench of the Dunstone Superior Court. In front of me are five young women charged in a murder. The case against the first four is airtight. Against the fifth, there's half a fingerprint at the scene and a witness who accounts for her entire night. Even the police call her the least likely of them. The murder charge won't hold. I go through her file. Under family, there's a name. Evelyn Harrow. My grandmother. I look at how much the two of them resemble each other. And when her lawyer moves to have her released from this courtroom a free woman, I bring the gavel down lightly. "This court denies the defense motion for dismissal. This court further recommends that the district attorney formally charge the defendant with murder."