Are There Official Music Videos For Mrs Green Apple Inferno?

That first guitar stab in 'Inferno' still gives me goosebumps every time. The song was written and composed by Motoki Omori, the lead singer and main songwriter of Mrs. GREEN APPLE. He’s the one who usually brings the lyrical ideas and melodies for the band, and 'Inferno' is a pretty vivid example of his style—urgent, melodic, and emotionally direct. From what I’ve picked up in interviews and from listening closely, Omori drew heavy inspiration from the manga and anime 'Fire Force' ('En'en no Shouboutai'). He read the source material before writing, and wanted to translate that world of flames, struggle, and strange heroism into music—so the lyrics and the intense chorus reflect both destruction and hope. The band and the production team then shaped it into the driving rock track that syncs so perfectly with the animation. Personally, I first heard 'Inferno' during a late-night binge of the series, and it felt like the song was narrating the main character’s fight in real time. If you like songs that wear their inspiration on their sleeve, this one nails it.

I got hit hard by 'Inferno' the first time I saw the opening for 'Fire Force'—it feels like a living thing that breathes fire and then softens into something heartbreakingly human. Motoki Omori, who writes a lot of Mrs. GREEN APPLE's songs, wrote the lyrics and has mentioned in interviews that the band was inspired by the anime’s world: the flame motifs, the moral questions around duty and salvation, and the raw urgency of characters running into burning buildings. You can hear that tension in the words—lines that juggle disaster imagery with intimate pleas, like someone trying to keep hope while everything around them burns. On a personal note, when I play the acoustic riff from the bridge late at night I think of stubbornness and warmth at the same time. The song mixes pop-rock hooks with darker metaphors, which makes it perfect for an action anime but also standalone as a song about facing inner infernos. That blend of spectacle and feeling is exactly what Omori aimed for: a soundtrack to both physical and emotional survival. I love how it doesn't just narrate the show; it complements it. The lyrics feel like a companion voice for the characters—cheering them on, warning them, and sometimes consoling them. For me, that multi-layered inspiration is what makes 'Inferno' keep playing in my head days after the episode ends.

Hearing 'Inferno' hit during that first episode of 'Fire Force' felt like a match made in heaven — the drums kicked in and everything about the anime’s visuals suddenly clicked for me. From what I followed at the time, the usual route is that the show's production team or the production committee reaches out to artists whose vibe matches the series; sometimes they commission a brand-new track, and sometimes they pick a pre-existing song. In this case, Mrs. GREEN APPLE ended up tied to the project and released 'Inferno' as the opening, and you can hear why: the song’s energy, lyrical imagery of flames and struggle, and the hook fit the show’s tone almost perfectly. I was watching late at night with a friend and we kept rewinding the OP because the sync between the visuals and the chorus felt intentional — like the band knew exactly what the anime wanted. Labels and management usually coordinate these deals, and the band gets early visuals or a story pitch so they can tailor the song. Whether it was written specifically for the series or adapted to fit, the end result boosted both the show’s hype and the single’s reach, and honestly, it’s one of those openings I still sing along to on bad commutes.

I get a rush every time 'Inferno' starts — it feels like someone turned the lights up on my chest. To me, the song uses fire as a living thing: not just destruction, but a pulsing energy that consumes and clarifies. The lyrics often juxtapose frantic motion with moments of clarity, so the inferno becomes both an obstacle and a forge where identity gets remade. That duality is what hooks me; it’s violent but necessary, like a character arc where the protagonist has to face their worst flame to become someone cleaner, sharper. On a more personal note, I’ve blasted this track on long bike rides when I wanted to shake off a bad week — the burning motif matched the sweat and wind, and by the end I felt oddly purified. There’s also a social layer: the song hints at collective pressure and performance, as if society’s inferno is pushing everyone to burn brighter or burn out. So symbolically, 'Inferno' stands for inner fire, painful growth, and the tension between being consumed and being reborn. Musically it supports that: rising melodic lines paired with urgent drums make the flame feel alive. I love that ambiguity; it lets me hear my own story inside the song, whether I’m grieving, angry, or just trying to move forward.

I get excited whenever 'Inferno' by 'Mrs. GREEN APPLE' comes up in my playlist — that song rode the 'Fire Force' hype so hard it basically became a gateway for non-Japanese listeners to discover the band. From what I followed closely at the time, it definitely charted strongly in Japan on the usual places like Oricon and Billboard Japan, where anime tie-ins tend to spike sales and streams. Internationally, it didn’t suddenly dominate the mainstream US pop charts, but it did show up on digital and streaming charts in other regions: iTunes genre charts in a few Asian territories and on global anime/rock playlists on Spotify and Apple Music. I also noticed YouTube views climbing from countries across Southeast Asia and Europe whenever the opening sequence trended on Twitter. If you want the precise peak positions, checking old Oricon and Billboard Japan listings or the release week snapshots on streaming platforms will give exact numbers — I used to screenshot those when I was tracking anime openings for a blog, and it’s fun to see how a show’s popularity maps onto music charts.

When I want to listen to a specific Japanese single like 'Inferno' by Mrs. GREEN APPLE, I usually check the big music platforms first because they're the easiest and legal way to stream. Spotify, Apple Music, Amazon Music, YouTube Music, Deezer and Tidal almost always carry their singles, so searching for 'Mrs. GREEN APPLE Inferno' on those apps is my first move. If you want the music video or official upload, the band's official YouTube channel often has the MV or a short version, and that’s fully legal. For folks in Japan, services like LINE MUSIC, RecoChoku and mora are also common places to purchase or stream J-pop tracks. If you prefer owning the track, iTunes/Apple Store or Amazon MP3 will let you buy it outright. If your curiosity comes from hearing it in the anime, the opening that features 'Inferno' appears in 'Fire Force' episodes—so you can also stream the show legally on services that hold the anime in your region (try Crunchyroll or check Netflix in your country). One tip: always follow the band’s official social links to find the exact official uploads and support the artists if you enjoy the song.

I got chills the first time I heard the opening of 'Fire Force' and then found out the release details — it felt like summer 2019 all over again. Mrs. GREEN APPLE's song 'Inferno' was officially released in Japan on July 24, 2019. The timing made perfect sense since the anime premiered in early July that year, so the single dropping a few weeks into the season helped it ride that hype wave. I still play the full single when I want something energizing; the production and the way the band matched the song to the anime's fire-and-action vibe is just infectious. If you’re digging nostalgia or tracking release timelines, that late-July date is the one stamped on the single’s Japanese release info, and it’s the version that popped up on local charts and physical copies at record shops back then.

Oh, this one always gets me hyped — 'Inferno' by Mrs. GREEN APPLE is featured on the album 'Attitude'. I first heard it as the punchy opening theme for 'Fire Force' Season 2, and then tracked it down on 'Attitude' because I loved how crisp the production felt compared to the single edit. The album version sits nicely among the other tracks, so if you enjoy full-length listening sessions (I do, especially on late-night walks), 'Attitude' is where it belongs. If you only know the TV size from the anime, give the album cut a spin; there’s a little extra warmth and layering in the chorus that makes the song click in a different way for me.