Which Onyx Group Members Left And Why Did They Depart?

2025-09-05 23:31:38 263

3 Answers

Bryce
Bryce
2025-09-08 10:04:55
Man, I still get chills when I listen to 'Bacdafucup' — and thinking about who left gives that record a little bittersweet edge. The two members people most often talk about as having left are Big DS and Sonny Seeza. Big DS departed earlier, driven by a desire to go solo and by dissatisfaction with management and financial arrangements; that was a recurring topic for groups in the 90s. Sonny Seeza didn’t stage a dramatic exit so much as step back: he went after his own music, stayed independent, and gradually reduced his role in group activities, though he’s remained part of the Onyx story through collaborations.

Fredro and Sticky have been the steady presence and have both chased solo projects and acting, which muddled the lines between full group work and individual pursuits. So the core reasons were creative freedom, money/management disputes, and the pull of solo careers — the usual mix that reshapes many classic hip‑hop crews. If you want the nitty‑gritty, interviews from the mid‑90s and reissues usually point to those themes, and they make the group's later projects feel like chapters rather than a clean restart.
Rhett
Rhett
2025-09-09 01:17:02
I've spent a lot of time reading old magazine pieces and watching interviews, and what stands out to me is how human the departures were — not sudden betrayals, but people following different careers and coping with industry pressure.

Big DS was the most clear‑cut departure: after the group's initial breakthrough, he left to pursue solo projects and because he was reportedly unhappy with how money and management were handled. Those conversations about royalties and control are everywhere in 90s hip‑hop stories. Sonny Seeza’s situation is more gradual. He never did a big public breakup; he just scaled back his participation. He maintained ties and occasionally collaborated, but prioritized solo work and independence over the group grind. In interviews he hints at wanting creative freedom and not wanting to be tied down to label decisions.

Meanwhile Fredro and Sticky pursued solo careers and other ventures (Sticky, notably, branched into acting and film work) while still representing the Onyx name. So departures were a mix of personal choice, frustration with business dealings, and the natural urge to explore solo identities. If you’re curious, checking the credits and liner notes on 'Shut 'Em Down' vs. later releases helps track who was present on which projects.
Wyatt
Wyatt
2025-09-10 21:31:48
Okay, so here's the short tour through what actually happened with Onyx from my perspective as a pretty enthusiastic hip‑hop nerd who’s dug through interviews and liner notes.

The original, classic lineup most people think of is Fredro Starr, Sticky Fingaz, Sonny Seeza, and Big DS. Big DS is the one who left earliest — it’s commonly reported that he stepped away after the initial success around the mid‑90s to pursue solo opportunities and because of frustrations with the business/financial side of things. He wanted to do his own thing and there were creative and money tensions that pushed him out of the day‑to‑day group life. Sonny Seeza, meanwhile, didn’t exactly vanish overnight but he gradually reduced his involvement. He focused more on solo material and independent work, preferring to keep control of his music and touring; over time that looked a lot like stepping back from being an active core member.

Fredro and Sticky stayed the public faces and have each chased solo albums and acting gigs, which sometimes created the impression of lineup changes even when they were still involved. So in short: Big DS left early for solo/business reasons, Sonny Seeza eased out to pursue his own path, and the rest shifted roles rather than formally quitting. People who dig deeper into interviews around 'Bacdafucup' and 'All We Got Iz Us' will find quotes that back this up, but the recurring themes are creative differences, money issues, and solo ambitions — the classic recipe for group shifts in hip‑hop culture.
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