Man, I was so excited when I first heard about 'The History of Sound'—especially with rumors swirling about Paul Mescal and Josh O'Connor being attached. After digging around, though, it turns out they aren't in it. The film actually stars Lucas Hedges and Paul Mescal was initially linked but dropped out, while Josh O'Connor was never involved. It's a shame because their chemistry in 'God’s Own Country' was electric, and I can totally picture them bringing that same intensity to this story. Still, Hedges is a fantastic actor, and the premise—two men recording the sounds of WWI—sounds hauntingly beautiful. I’m keeping my hopes high for this one.
Honestly, I think this mix-up happened because both Mescal and O’Connor have this knack for picking deeply emotional roles. Mescal’s work in 'Normal People' and O’Connor’s in 'The Crown' made them feel like perfect fits for a historical drama like this. Maybe someday they’ll collaborate on something equally poignant. Until then, I’ll be rewatching 'A Room with a View' and dreaming of what could’ve been.
Nope, they didn’t! Paul Mescal was initially attached but left the project, and Josh O’Connor was never part of it. The film ended up casting Lucas Hedges instead. I’ve been following the production loosely because the premise—two men bonding while recording sounds during WWI—is just so intriguing. Mescal and O’Connor would’ve been amazing, but Hedges is no slouch either. It’s funny how rumors spiral; for a while, my Twitter feed was convinced they’d reunite after 'God’s Own Country.' Still, I’m curious to see how this turns out—historical dramas with a queer lens are always worth watching.
I remember scrolling through film news last year and seeing headlines about Paul Mescal joining 'The History of Sound.' My heart skipped a beat—I adore his raw, vulnerable performances. But then the updates trickled in, and it became clear he wasn’t part of the final cast. Josh O’Connor’s name never even came up officially, though fan casts were everywhere. The project shifted to Lucas Hedges, which is still exciting, but not quite the pairing I’d fantasized about.
What’s cool, though, is how this film explores a lesser-known aspect of history—the idea of soldiers documenting war through sound. It’s such a unique angle, and it makes me wonder how Mescal or O’Connor would’ve tackled those roles. Hedges has a quieter intensity, so maybe it’ll work even better. Either way, I’ll be first in line to watch, even if it’s not the duo I originally hoped for.
2025-12-22 20:29:09
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O'Connell (Mending His Heart)
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O'Connell is an Irish Nigerian kid, who becomes aware of the fact that he's gay when he figures he's into Jeremy, a classmate of his. Being fat and quiet, he gets easily picked on and bullied at school. But there is a tad of happiness he has, because Jeremy, the Golden boy of the school, is nice to him. However, O'Connell gets rejected and mocked for being gay, by Jeremy who claims he is straight, after O'Connell's feelings for him were made obvious on a letter that he had crumpled into a ball.
This triggers O'Connell who became dejected and broken, to leave. Also made him to realize that, the best revenge is self improvement.
He returns some years later, with a Greek god kind of body, accompanied with a very big ego. Looking the exact opposite of the way he was, before. And discovers hidden secrets about his long time crush, Jeremy.
And when he becomes certain that things are working in his favor, they take a sullen turn. He meets with new people, discovers more about gay love, gets heartbroken, and tries to mend his heart.
***A coming of age story***
His songs were better when he had a broken heart.
That sentence would change my life after my dream job was dished to me on a shiny, silver platter.
All I had to do?
Hurt Nash Pierce enough to get him writing good music again.
The pop icon’s songs were no longer the phenomena they used to be. His team needed another breakthrough album—like the first he’d penned, using his heartbreak as fuel.
The plan was simple: I’d go on tour with him as a backup dancer…and make him fall in love with me. I was hired to inspire—to become embedded into every lyric he wrote. Then, I was to set fire to it all—to destroy every feeling we hoped he’d develop for me.
It seemed simple enough. Easy, even.
I didn’t expect to be consumed myself—to see so much in the man displayed in the tabloids. I didn’t foresee falling for him. It didn’t occur to me that, while attempting to break his heart, I might just shatter my own.
Most of all, I never thought I’d fight so hard to hold on to a relationship that had always been founded on goodbye.
Tyler, the popular jock with a gentle and friendly demeanor who never fails to brighten Miles' darkest days, helped Miles, the openly gay teenage kid who was the target of bullies and abuse, find comfort. As Tyler offered to assist Miles with his studies, the two realized that they had been genuinely in love for a very long time and soon found themselves dating. Will they be prepared for what is about to happen? Will they battle to keep their union intact, or will they choose to pursue separate lives?
The year Lawrence Scott and I were most in love, he died in a car accident.
Everyone thought I would fall apart, but I did not cry, and I did not scream.
Two years later, I ran into him at a private lounge: Lawrence was there, holding a young girl in his arms, kissing her passionately.
His friends hurried over to explain:
"Back then, Lawrence was badly injured in the crash and fell into a coma. He just woke up recently but lost his memory. We didn't tell you because we didn't want you to worry."
Lawrence pushed the girl aside, frowned slightly, and looked straight at me.
"So you're the fiancée I supposedly forgot? I don't remember you, but since you never gave up on me, I'll honor my promise to marry you."
I smiled faintly and said, "They lied to you. We don't know each other."
What Lawrence did not know was that on the day he faked his death, I received a video.
In it, he was laughing and saying to his friends, "The thought of spending the rest of my life with only Yoana drives me crazy. I'll fake my death, take a few years off to have fun. Just keep her company so she doesn't do anything stupid."
He also did not know that during those two years he was 'dead,'
I had found someone else.
A young werewolf has been cast away by his peers because of his uniqueness. Kinsley has been unable to mindlink anybody within his pack, the Silver Pack. With this disability, he only hoped that one day, his own mate will accept him for how he was.
While waiting for that fateful day, will Kinsley find solace in the eerie sound of silence?
Buried in silence for centuries, Theron was meant to be forgotten—locked away as penance, left to starve until even memory surrendered. But when Nyssa tears open his tomb, she does more than wake an ancient hunger. She binds herself to the very ruin she thought she could resist.
His blood vow is simple: protect her, claim her, keep her. But Theron’s protection is as dangerous as it is consuming, and every moment in his shadow tangles Nyssa deeper in a bond that demands surrender. She feels his hunger in her veins, his voice in her thoughts, his vow echoing sharper than any chain. And behind every promise is a reminder: Theron is not tamed. He is a killer, as merciless as the centuries that shaped him—and loving him means loving the ruin he brings.
Torn between terror and desire, between the fragile life she knows and the eternity Theron offers, Nyssa must decide if she is strong enough to embrace the darkness she freed—or if his devotion will destroy them both. Because forever with a monster is not a promise of peace. It is a promise of hunger, obsession, and the kind of love that cuts as deep as it heals.
A dark paranormal romance about hunger, obsession, and the thin line between protection and possession, The Sound of Ruin is for readers who like their monsters unrepentant, their heroines defiant, and their tension sharp enough to bleed. Expect enemies that burn into lovers, blood-soaked vows that refuse to break, and a gothic fantasy world where survival demands surrender and love is the most dangerous risk of all.