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How Can I Play Then Came You On Guitar With Chords?
2025-10-22 22:02:02
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9 คำตอบ
Skylar
2025-10-24 01:26:53
Late-night practice session vibe here: I like to dissect the rhythm and chord voicings for 'Then Came You' because a lot of the feel comes from small touches. Use open chords in G and experiment with inversions — try playing C as x32010 and then x35553 (barre) for a fuller texture in the chorus. For the bass movement, walk G down to Em by playing the bass note G (3rd fret low E), then slide to 2nd fret for Em; that passing bass adds movement even if your right hand keeps a simple pattern.
If you want fingerstyle, play a Travis-picking pattern: thumb hits bass on beats 1 and 3 while index/middle pick the higher strings on 2 and 4. That gives a gentle rolling accompaniment perfect for verses. For more soul, occasionally substitute Am7 for Em in the pre-chorus to warm the harmony. Recording yourself on your phone while practicing can reveal timing slips and help you lock the groove — I learned so much that way, and it helped me deliver the song with more confidence.
If you want fingerstyle, play a Travis-picking pattern: thumb hits bass on beats 1 and 3 while index/middle pick the higher strings on 2 and 4. That gives a gentle rolling accompaniment perfect for verses. For more soul, occasionally substitute Am7 for Em in the pre-chorus to warm the harmony. Recording yourself on your phone while practicing can reveal timing slips and help you lock the groove — I learned so much that way, and it helped me deliver the song with more confidence.
Mason
2025-10-24 03:09:14
Back in my practice routine I always break 'Then Came You' into bite-sized chunks. Start with the verse progression G - Em - C - D and loop it until chord changes are smooth; count steady four beats per chord. Once that’s comfortable, sing through just the melody while keeping the right hand on a soft downstroke pattern. Gradually add the chorus and try a light palm-muted strum for the mellow parts, then open up on the hook.
For small embellishments, I like adding a Cadd9 (x32030) or an Em7 (022030) to create warmth without changing the fundamental progression. If the original recording sits higher, use a capo on the 1st or 2nd fret until it matches your range. Practicing this way — chunking, looping, and recording — made me actually enjoy the awkward transition moments; they turned into little spots I deliberately emphasized later, and that always feels rewarding.
For small embellishments, I like adding a Cadd9 (x32030) or an Em7 (022030) to create warmth without changing the fundamental progression. If the original recording sits higher, use a capo on the 1st or 2nd fret until it matches your range. Practicing this way — chunking, looping, and recording — made me actually enjoy the awkward transition moments; they turned into little spots I deliberately emphasized later, and that always feels rewarding.
Quinn
2025-10-24 08:49:36
This tune's mellow groove makes it perfect for a singer-guitarist who wants something soulful without getting lost in tricky chords. For a simple, singable version of 'Then Came You', I like to play it in the key of C using basic open chords: C – Am – F – G for most of the verses, and C – Am – F – G – C for the chorus. Put a capo on the 3rd fret if you want a brighter, more radio-friendly vibe while keeping the same shapes.
Start with a relaxed strumming pattern: down, down-up, up-down-up (D, D-U, U-D-U) at about a slow-medium tempo. That pattern gives the song a gentle push. For the intro, strum the progression once through and let it breathe. When the chorus hits, open up with fuller strums and let the G (or C shape with capo) ring. If you want a little color, try adding an Am7 instead of Am and Fmaj7 instead of F — those small changes bring a soft souliness without altering the basic shapes.
I usually emphasize the lead vocal line with light palm muting in the verses and release on the chorus. Play around with dynamics — the tune lives in the contrast between intimate verses and warm, uplifting choruses. It's one of my favorite go-to songs for a cozy set, and it always gets a few smiles from the crowd.
Start with a relaxed strumming pattern: down, down-up, up-down-up (D, D-U, U-D-U) at about a slow-medium tempo. That pattern gives the song a gentle push. For the intro, strum the progression once through and let it breathe. When the chorus hits, open up with fuller strums and let the G (or C shape with capo) ring. If you want a little color, try adding an Am7 instead of Am and Fmaj7 instead of F — those small changes bring a soft souliness without altering the basic shapes.
I usually emphasize the lead vocal line with light palm muting in the verses and release on the chorus. Play around with dynamics — the tune lives in the contrast between intimate verses and warm, uplifting choruses. It's one of my favorite go-to songs for a cozy set, and it always gets a few smiles from the crowd.
Parker
2025-10-24 12:13:50
If you prefer fingerpicking, 'Then Came You' adapts beautifully. I often use a Travis-style pattern in C: bass (thumb) on the root, then index and middle for the higher strings — bass, treble, bass, treble — keeping a steady pulse. The chord progression I use for a fingerpicked arrangement is C – Am – F – G for verses, and C – Am – F – G – C for the chorus; that consistency helps the right hand lock into a groove so you can focus on the vocal phrasing.
For variations, drop an Em for Am occasionally ( Em – F ) to create a small descending motion that feels soulful. If you want an easier option, try playing just the bass note on downbeats and pluck a single treble note on offbeats to simulate the feel. Capo on the third fret makes the voicings jingle nicely and is kinder for higher voices. Practice slowly with a metronome, accent the 2 and 4 slightly to capture the soul-pop pocket, and then speed up to the tempo that fits your voice. I find fingerpicking this way makes the song feel intimate and warm.
For variations, drop an Em for Am occasionally ( Em – F ) to create a small descending motion that feels soulful. If you want an easier option, try playing just the bass note on downbeats and pluck a single treble note on offbeats to simulate the feel. Capo on the third fret makes the voicings jingle nicely and is kinder for higher voices. Practice slowly with a metronome, accent the 2 and 4 slightly to capture the soul-pop pocket, and then speed up to the tempo that fits your voice. I find fingerpicking this way makes the song feel intimate and warm.
Grayson
2025-10-24 22:20:41
Try this laid-back approach: set the capo on fret 1 if the melody feels too low, then play simple open chords. I usually use G, Em, C, D for the main parts — they loop nicely and keep the harmony sweet and familiar. The verse can be quietly fingerpicked (thumb on bass, fingers on G, B, high E) using a pattern like bass, thumb, index, middle for each measure; it really helps when singing the first lines softly.
If you prefer strumming, emphasize beats 2 and 4 a little to get that R&B-pop pocket; use the D D-U U-D-U pattern and palm mute slightly with your strumming hand for a tight sound. For the bridge or when you want dynamics, switch to fuller strums and add a suspended chord (Dsus4) before resolving to D — it gives a tasteful lift. I often practice the chorus by looping two bars and singing over it until the phrasing feels natural. It’s simple but very satisfying to play while singing, and I always smile when the chorus hits.
If you prefer strumming, emphasize beats 2 and 4 a little to get that R&B-pop pocket; use the D D-U U-D-U pattern and palm mute slightly with your strumming hand for a tight sound. For the bridge or when you want dynamics, switch to fuller strums and add a suspended chord (Dsus4) before resolving to D — it gives a tasteful lift. I often practice the chorus by looping two bars and singing over it until the phrasing feels natural. It’s simple but very satisfying to play while singing, and I always smile when the chorus hits.
Quinn
2025-10-25 02:19:21
Late-night rehearsals taught me that small chord voicings can transform 'Then Came You' into a silky, jazzy piece. For a more color-rich arrangement, I swap basic chords for 7ths and add9s: Cmaj7 – Am7 – Fmaj7 – G7 for the main progression. You can keep the same rhythm but the added tones lift the harmony and make the melody sit prettier. If you play electric or want a fuller acoustic sound, try a walking bass under the chords—move from C to B (as an occasional passing tone) before landing on Am7 to give the movement a soulful push.
When arranging, think in layers: a simple rhythm guitar lays the foundation while a second guitar or keyboard can add fills (short licks on the top strings) during vocal rests. For the bridge, throw in an Em7 – A7 – Dm7 – G7 turnaround before returning to C shapes; it creates a little tension that resolves satisfyingly. I usually rehearse the bridge slowly and count carefully to keep timing tight. In performances I love how those small harmonic choices make the song sound like a late-night duet — it always feels cozy and a bit romantic to me.
When arranging, think in layers: a simple rhythm guitar lays the foundation while a second guitar or keyboard can add fills (short licks on the top strings) during vocal rests. For the bridge, throw in an Em7 – A7 – Dm7 – G7 turnaround before returning to C shapes; it creates a little tension that resolves satisfyingly. I usually rehearse the bridge slowly and count carefully to keep timing tight. In performances I love how those small harmonic choices make the song sound like a late-night duet — it always feels cozy and a bit romantic to me.
Katie
2025-10-25 06:07:15
Gosh, if you want to play 'Then Came You' on guitar in a friendly, singable way, I’d start by putting the song into the key of G so it's easy on open chords. A basic structure that works great is: Verse = G | Em | C | D, Pre-chorus = Em | C | G | D, Chorus = G | Em | C | D. Repeat that structure and throw in a bridge using Am7 | D7 | G | Bm | Em | C | D if you want a little color.
For strumming, I like a relaxed groove: down, down-up, up-down-up (D D-U U-D-U) at around 78–88 bpm. Keep your thumb on the bass string on the first beat to anchor the rhythm. If you want the exact studio key and don’t want to strain your voice, try a capo on the 1st fret and sing along — it brightens the guitar and makes some voicings simpler. When transitioning from G to Em, move your fingers smoothly: keep the second finger on the B string when possible to make the change less jumpy.
As a finishing tip, sprinkle in little hammer-ons on the C chord (C add9) and walk down bass notes during the end of phrases to get that warm, classic vibe. Practicing slow with a metronome and then loosening up makes the groove feel natural; I love how the song breathes when you don't rush it.
For strumming, I like a relaxed groove: down, down-up, up-down-up (D D-U U-D-U) at around 78–88 bpm. Keep your thumb on the bass string on the first beat to anchor the rhythm. If you want the exact studio key and don’t want to strain your voice, try a capo on the 1st fret and sing along — it brightens the guitar and makes some voicings simpler. When transitioning from G to Em, move your fingers smoothly: keep the second finger on the B string when possible to make the change less jumpy.
As a finishing tip, sprinkle in little hammer-ons on the C chord (C add9) and walk down bass notes during the end of phrases to get that warm, classic vibe. Practicing slow with a metronome and then loosening up makes the groove feel natural; I love how the song breathes when you don't rush it.
Evan
2025-10-26 05:05:26
Quick roadmap for learning 'Then Came You' if you're new to guitar: start with the simplest open-chord loop C – Am – F – G and master switching cleanly between them. Use a steady strum like down, down-up, up-down-up and keep the tempo relaxed. Once the chord changes are smooth, add dynamics — play softly for verses, stronger for chorus.
If singing, place a capo (I often use the 3rd fret) so you can find a comfortable key, and try practicing just the chords while humming the melody before adding full lyrics. When you want to level up, swap in Am7 and Fmaj7, or practice a fingerstyle pattern to bring out the song's intimacy. I always recommend recording yourself; it reveals timing issues more clearly than you think. Enjoy the process — this one rewards small, patient improvements.
If singing, place a capo (I often use the 3rd fret) so you can find a comfortable key, and try practicing just the chords while humming the melody before adding full lyrics. When you want to level up, swap in Am7 and Fmaj7, or practice a fingerstyle pattern to bring out the song's intimacy. I always recommend recording yourself; it reveals timing issues more clearly than you think. Enjoy the process — this one rewards small, patient improvements.
Xavier
2025-10-26 23:23:09
Alright, quick practical method: tune standard, place capo on 1 if needed, and use these chord shapes — G (320033), Em (022000), C (x32010), D (xx0232). The progression G - Em - C - D covers most of the song. Strum steady with D D-U U-D-U and accent on the backbeat. If you want a softer intro, fingerpick G then move to Em and let the notes ring.
When you move from Em to C, try sliding your pinky up to a Cadd9 (x32030) for a prettier voice lead. That tiny change makes the chorus sound richer without complicating things.
When you move from Em to C, try sliding your pinky up to a Cadd9 (x32030) for a prettier voice lead. That tiny change makes the chorus sound richer without complicating things.
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สแกนรหัสเพื่อดาวน์โหลดแอป
หนังสือที่เกี่ยวข้อง
Then came you.
Made for each other yet unknown to them. But made to live together as man and wife, because the universe thinks it will work for them as it worked for her sister and his brother. The couples are always aflame and inflexible toward each other. As they spitfire in their lives, which causes it to effuse into something indescribable, as the force of love brings them together, and their love faces different ordeals. Will they overcome it? But In the end, love always wins.
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Your father will not approve of that.
Do I need to reiterate how much I adore the works of William Shakespeare? I'm aware of that. To put it simply, I am a paradox in human form. There are "some born great," "some who make great," and "those who have greatness thrust upon them," as Shakespeare put it. I managed to acquire all three!
No one can ever hope to measure up to that.
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He gazed back at me with gentle eyes. “I’ll take care of you and the baby for the next few months, honey.”
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come on, let's find out, what happened between them.
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Violet already found the love of her life in her husband, and after his death, she knew she could never love anyone again.
But when Ash kisses her, all of her plans and promises are turned upside down. A passion stronger than either Ash or Violet could imagine envelops them both one night—and that night changes everything.
As old heartbreaks threaten to tear the couple apart, both must find the courage to see that, of all things, love is worth a second chance."
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คำถามที่เกี่ยวข้อง
Who Is The Antagonist In 'Chills That Came'?
3 คำตอบ2025-06-12 13:15:18
The antagonist in 'Chills That Came' is this eerie, shadowy figure named The Hollow Man. He's not your typical villain with brute strength; his power lies in psychological terror. The Hollow Man feeds on fear, twisting memories to make victims relive their worst nightmares. He doesn’t just kill—he erases people from existence, making their loved ones forget they ever lived. What makes him terrifying is his ability to blend into any environment, appearing as a faint distortion in the air until he strikes. The protagonist, a journalist investigating disappearances, slowly realizes The Hollow Man is behind them all, but by then, he’s already inside her head, manipulating her reality. The final confrontation isn’t about fists or weapons; it’s a battle of wills against an entity that thrives on despair.
Which Artists Covered Then Came You And When?
9 คำตอบ2025-10-22 06:57:55
I got pulled into this song years ago and it's one of those timeless soul moments: 'Then Came You' was recorded as a duet by Dionne Warwick and The Spinners and hit the scene in 1974. It was produced in that lush Philly-soul style by Thom Bell and, if you follow chart trivia like I do, it actually became a big milestone — reaching the top of the Billboard Hot 100 in May 1974 and giving Dionne her only No. 1 on that chart. The mix of her vocal purity with The Spinners' warm group harmonies is the core thing people keep returning to.
Over the decades the tune kept showing up in live shows, tribute albums, and R&B retrospectives. I've heard jazz singers and smooth-R&B vocalists reinterpret it on late-night sets and in smaller venues; those versions tend to stretch the phrasing, lean into slower tempos, or turn the call-and-response parts into more intimate arrangements. While the original duet remains the definitive studio cut for most listeners, the song's been a favorite to cover in concert and on compilation records, especially in the 1980s through the 2000s, whenever nostalgic soul revivals popped up. For me it’s one of those tracks that sounds fresh whether you're hearing the 1974 single or a hushed club version years later.
What Is The Meaning Of Then Came You In The Lyrics?
9 คำตอบ2025-10-22 17:22:46
That little phrase always feels like a turning point to me. In plain terms, 'then came you' means that after a sequence of events — maybe years of searching, pain, loneliness, or simply routine — someone arrived and everything shifted. The order matters: 'then' signals a before and after, and putting 'came' before 'you' is a poetic inversion that gives the moment a kind of spotlight.
I like how it compresses an emotional story into three words. It can be romantic, like in 'Then Came You' where a partner changes a life; it can be spiritual, like finding a purpose; or it can be bittersweet, as if the timing was odd but decisive. Grammatically it's inverted for musicality and emphasis, and emotionally it reads like a soft drumbeat: all that stuff was happening, and then — boom — you showed up. For me, lines like that hook the heart because they promise a before and after, and I always smile thinking about that sudden warmth.
Who Wrote Then Came You And When Was It Released?
9 คำตอบ2025-10-22 00:10:24
Wow, I've played this tune way too many times to count. 'Then Came You' was written by Sherman Marshall and Phillip T. Pugh, and it became famous as the 1974 single by The Spinners with Dionne Warwick on lead. The record was produced by Thom Bell and appeared on The Spinners' album 'New and Improved'.
The single was released in 1974 and went on to top the Billboard Hot 100 in May of that year — a big deal, since it was the group's first and only chart-topper on that list. I love how the smooth Philly soul production and Dionne's clear voice make the lyrics land so sweetly; every time it comes on the radio I end up singing along, no shame in that at all.
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I've been a mystery novel enthusiast for years, and 'Along Came a Spider' is one of those books that sticks with you long after the last page. The mastermind behind this gripping thriller is none other than James Patterson, a writer who's basically royalty in the crime fiction world. What makes Patterson stand out is his ability to craft stories that move at breakneck speed while still developing complex characters. 'Along Came a Spider' introduced us to Alex Cross, one of the most iconic detectives in modern fiction, and you can feel Patterson's background in psychology bleeding into the character's sharp profiling skills.
Patterson's writing style in this novel is razor-shocused - short chapters that keep you hooked, dialogue that crackles with tension, and twists that hit when you least expect them. Before becoming a full-time writer, he worked in advertising, and you can see that influence in how his prose gets straight to the point without sacrificing depth. The way he balances Cross's professional brilliance with his personal struggles as a single father adds layers to what could have been just another detective story. Patterson's research into criminal behavior and police procedures gives the book an authentic edge that few in the genre can match.
Which Descendants Came From The Electress Of Hanover?
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Exploring the descendants of the Electress of Hanover offers such a fascinating glimpse into royal lineages! Starting with Sophia of Hanover herself, she’s a pivotal figure in British history, being the mother of George I, the first British monarch of the House of Hanover. Her line continued through the years, leading to several notable descendants. It’s like a royal soap opera; her descendants embraced their roles and often found themselves in the throes of political intrigue, alliances, and, sometimes, a bit of scandal.
Her lineage includes the reigning royal family of the United Kingdom. Think of Queen Elizabeth II and, by extension, King Charles III! Their connection to the Electress through her son is significant, as it firmly ties British monarchy to the Hanoverian lineage.
Other descendants include members of European royal families as well. For instance, her descendants have spread across various nations, connecting with royal families in Germany, Russia, and even Greece! It’s fascinating to see how this one woman’s lineage has influenced all these families across Europe. The Electress’s bloodline really illustrates how intertwined European royalty can be, often leading to fascinating connections that are just waiting to be discovered!
How Does 'Chills That Came' Build Suspense?
3 คำตอบ2025-06-12 04:26:03
The horror novel 'Chills That Came' masters suspense by playing with the unseen. Instead of relying on jump scares, it drips tension through small, unsettling details—a child's drawing that changes overnight, whispers in an empty house that match a missing person’s voice. The protagonist’s growing paranoia is palpable; even daylight scenes feel unsafe because the narrative makes you question every shadow. Time bends oddly—clocks stop at 3 AM, the exact hour a past tragedy occurred. The real genius lies in what’s withheld. Victims disappear silently, with only cryptic traces left behind: a single wet footprint, a cold spot in a room. The fear isn’t in the monster’s appearance but in its absence, leaving readers staring at dark corners long after closing the book.
Are There Adaptations Of I Came To Hustle, Not Be Worshipped?
4 คำตอบ2025-10-20 07:41:16
This one has a neat adaptation trail that surprised me a bit. The original story 'I Came to Hustle, Not Be Worshipped' started as a serialized novel and the most visible official adaptation has been a comic/manhua version that fleshes out key scenes with visual flair. The manhua keeps the core plot beats but naturally stretches or trims pacing in places—action beats get a panel or two more, while some inner monologue is translated into facial expressions and background details.
Beyond that, there are a handful of fan translations and scanlations that helped the title reach non-Chinese readers; these are unofficial but pervasive, and they sometimes bundle chapters differently than the official releases. I haven’t seen a full anime/donghua or live-action adaptation released, though discussions and fancasting pop up in communities now and then. Overall, if you want the closest adaptation, the manhua is it, and the fan community supplements gaps—it's been fun to watch how fans interpret certain scenes, honestly a highlight for me.
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