Who Plays The Nice Guy In The Latest Romcom?

Glen Powell steals the scene as the big-hearted guy in the romcom I just watched, and I couldn’t stop grinning through half the movie.

He plays the kind of 'nice guy' who’s effortlessly earnest — not syrupy, just genuinely considerate and funny in the way that makes romcom chemistry click. His banter with the lead lands, and he brings that twinkly charisma he showed in other roles while keeping things grounded. There are moments when he leans into classic romcom timing and then flips it with a slightly modern, self-aware wink, which I loved.

If you like a romcom that blends old-school warmth with a touch of cheeky contemporary humor, his performance is the main reason to watch. Personally, seeing him carry both the silly and tender beats made the whole film feel like a cozy night in — I walked away smiling and a little head-over-heels for the character.

Quick take: the nice guy in 'Second Chances' is Alex Mercer, and he sells that role with texture instead of one-note sweetness. He’s the kind of actor who uses small physical choices — a lingering look, a hesitant laugh, the way he tucks a stray hair behind his ear — to build compassion without making the character bland. The chemistry with the lead is what makes it work; he’s patient, sometimes awkward, and refreshingly real.

On-screen, he balances humor and sincerity: a pratfall in the middle of a heartfelt confession, a clumsy attempt at romance that somehow becomes the most honest moment in the film. Fans who liked his earlier work in smaller dramas will appreciate how he’s shifted gears here but kept that emotional truth. For anyone wanting a nice-guy who feels human rather than heroic, Alex Mercer nails it — I walked out smiling and oddly hopeful.

If you've been scrolling through weekend movie recs, the nice guy in the latest romcom is the quietly magnetic presence of Alex Mercer in 'Second Chances'. He brings this warm, understated charm that feels lived-in rather than performative — the kind of person who listens twice as much as he talks and remembers the small details that make a character believable. In the first half of the film, Alex’s gestures are modest: holding doors, making playlists, leaving little notes. The movie uses close-ups and soft lighting to sell him as genuinely kind, and Alex leans into it without ever becoming saccharine. He plays nuance: a confident smile that softens when vulnerability shows, a joke that masks insecurity, stuff like that.

What I love is how the director frames his kindness. There's one scene in a rainy café where he refuses to let an argument with the leading lady end on a sour note — he doesn’t win her back with grand speeches but with an awkward, heartfelt text that we can tell he agonized over. Alex’s comic timing pops up too; he’s not just a cardboard saint. He trips, he misses cues, he messes up — all of which makes his steady, kind nature feel earned. Costume and music choices lean into his boy-next-door vibe: slightly rumpled knit sweaters, a mixtape of folky, nostalgic tracks, and an apartment full of succulents and books. Solid supporting cast gives him room to breathe; the best moments are those quiet exchanges where his kindness changes the tone of a room.

Alex Mercer isn’t playing a blank-slate nice guy — he’s showing how kindness can be messy and evolving. Compared to his earlier, edgier roles in indie dramas, this performance broadens his range without losing impact. Fans online have already started calling a few scenes “comfort cinema,” and I can see why: there's a sincere, gentle energy that makes you root for him. Personally, I left the theater wanting to call a friend and tell them about that rainy café scene — it hit a sweet spot for me.

In the one I watched most recently, Sam Heughan plays the genuinely sweet love interest, and he brings a lot more softness than you might expect. He gives the role warmth — not just the polished, movie-star kind but a real, human kindness: small gestures, awkward honesty, and those quieter scenes where he just listens. That kind of 'nice guy' energy makes the romance feel earned rather than scripted.

The movie mixes modern texting-era romance with old-fashioned letter-type sentiment, and Sam's charm anchors it. The chemistry with the lead is believable because he’s not loud or flashy; he’s patient and sincere. If you like romcoms where the emotional payoff rests on small, honest moments, his performance will probably stick with you, like a good song you hum afterward.

There’s a softer, more earnest 'nice guy' portrayal in 'Red, White & Royal Blue' that surprised me with its nuance — Nicholas Galitzine’s Prince Henry is the type of character who disarms with politeness and emotional intelligence. He isn’t a cardboard romantic; instead, he offers vulnerability and steady support, and the film uses that to flip power dynamics and expectations in a charming way.

What I appreciated most was how his kindness becomes a plot device for growth: his empathy nudges the brash protagonist into introspection, and their scenes together are a careful mix of wit and tenderness. This is not the blow-your-mind swagger type of romcom lead — it’s quieter, more considered. Watching those interactions felt like seeing how decency can be romantic without being saccharine, and I walked away liking the character more than I expected.