What Projects Is Rachel Deloache Williams Developing Now?

Some days I catch myself scrolling through interviews and thinking about how strange it feels to watch someone turn a personal ordeal into something that helps others think about trust, privilege, and storytelling. Rachel DeLoache Williams burst into wider public view after her story about being conned by a fake heiress went viral, and that led to her writing a memoir called 'My Friend Anna' that laid out her side of the story in detail. Since then she’s been pretty active in media — longform interviews, podcast conversations, and live events where she talks about journalism, boundaries, and what it’s like to be both subject and author. If you follow her on social, you’ll notice she posts about appearances and occasionally teases writing projects, which is where the breadcrumb trail for “what she’s developing now” usually shows up first.

From what I’ve pieced together by following her public feed and the publisher updates, she’s been doing two things in parallel: promoting her book and exploring adaptations and other longform storytelling formats. That often means meetings with producers, talking to podcast producers about serialized storytelling, and being involved in option conversations — sometimes that leads to something big like a TV adaptation, and sometimes it ends with a small digital series or a podcast season. I’ve seen authors in similar spots get involved as consultants or co-producers, especially when their lived experience is central to the narrative. Rachel has mentioned collaborating with journalists and creatives who want to dig deeper into the cultural currents around the case, so an adaptation or a documentary tie-in wouldn’t surprise me.

Beyond the screen possibilities, she’s been doing writing gigs and essays that build on the themes of her memoir: trust, trauma, and the social structures that let cons like that happen. A lot of writers use the momentum from a memoir to launch into related nonfiction projects — think investigative deep dives, profile collections, or even work that branches into personal-essay territory about healing and recovery. She also pops up on panels and gives keynote-style talks; those public appearances can sometimes turn into workshop series or teaching gigs, which are projects in their own right. If you want the most reliable, up-to-the-minute info, check her official author page and her publisher’s site, and follow the profiles where she posts announcements and event dates.

Personally, I love watching this stage of a writer’s journey — it’s messy and hopeful at once. If you’re curious about concrete updates, I’d bookmark her publisher’s page and set alerts for her name on news sites that cover publishing and entertainment deals, because that’s where things like option pickups and production news show up first. Also, drop into a recent podcast episode with her; you often get the best hints there, with the most honest tone.

I tend to follow publishing gossip like it’s a sport, and Rachel DeLoache Williams’s trajectory after writing 'My Friend Anna' has been one of those stories that keeps looping back into my mentions. She’s been active in interviews, and when a memoir lands like hers did, the natural next moves are adaptations, speaking circuits, and more writing. Lately, I’ve seen her name in connection with a handful of likely projects: consulting on visual adaptations, pitching follow-up essays or a second book, and participating in curated live events. None of those are surprising — authors in her position often get courted by producers and podcast creators who want the firsthand voice rather than a purely journalistic retelling.

A practical way I track someone’s ongoing projects is through industry outlets like Deadline, Variety, or Publisher’s Weekly, plus the author’s own channels. Rachel posts updates and posts about appearances, and those posts are the clearest indicators of what she’s actually prioritizing. Beyond that, IMDb pages can reflect any credited involvement in film or TV projects, and production companies will occasionally issue press releases when they’ve officially optioned a book. If you’re hoping she’s writing another book, keep an eye on her interviews: writers usually hint at new book ideas long before any formal announcement. In some conversations she’s reflected on the emotional labor of being the person at the center of a true-crime narrative; that theme lends itself to a follow-up project that could be more introspective or broader cultural analysis.

I also want to highlight that her public activity suggests a sensitivity to how her story is used — she’s been vocal about nuance and fairness, which means any adaptation or collaboration might take longer as she’s careful about creative control and ethics. That can actually be a good sign; it often results in more thoughtful and accurate projects rather than rushed headline-chasing. If you’re eager for specifics, set Google Alerts for her name, watch the publisher’s announcements, and check podcast platforms for episodes featuring her. You’ll catch production announcements or book deals there first. Personally, I enjoy hearing authors talk about the messy middle where ideas are being shaped — it’s quieter than the book launch but where a lot of meaningful work happens.

There’s a comfy, slightly nerdy part of me that treats author follow-ups like sequel drops for a beloved series, so I’ve been keeping tabs on Rachel DeLoache Williams ever since 'My Friend Anna' became a staple recommendation at my book club. From the conversations she’s had publicly, what feels most certain is that she’s continuing to write and speak — which, for many authors, counts as an ongoing slate of projects. Those gigs include essays in magazines, interviews that expand on themes from her book, and panel appearances where she unpacks the ethics of storytelling and the personal fallout from being publicly involved in a headline-producing fraud case.

I’ve also noticed a recurring thread where authors in her position explore other media: audio documentaries, serialized podcasts, and collaborations with documentary filmmakers. Those are the kinds of projects I’d bet she’s at least exploring, if not actively developing, because the story has so many layers that work well in audio and visual formats. Another avenue that often follows a memoir’s success is advocacy or educational work — workshops, lectures, and partnerships with nonprofits focused on fraud awareness or mental health. It would make sense for someone in her shoes to use the platform for that kind of outreach, especially if she’s interested in helping others avoid similar situations.

If you want to stay up to date without doomscrolling, follow her on the platforms where she’s most active or sign up for newsletter updates from her publisher. I’ve gotten the best scoops from author newsletter blurbs and the occasional industry piece announcing option deals. And if you’re ever in the mood to talk through what you hope she’ll do next — a doc, a TV series, a sharp collection of essays — I’m all ears; these trajectories are always more interesting when you imagine the creative possibilities rather than just the headlines.