Why Does The Protagonist In Mountains Made Of Glass Leave?

While packing Ethan's flight bag, I found a custom solo wings pin. The engraving on the back read: For Lark, to celebrate your first solo. Beneath the box sat the receipt for Skyler's flight school tuition, paid in full by Ethan, along with a photograph. In the photo, she was sitting in the pilot's seat. Ethan's gloved hand rested over hers on the control yoke. Seven years ago, I had sat in that same seat. Back then, I was one step away from my first solo flight, but Ethan talked me out of it again and again, always claiming it was "for my own good." He said flying was dangerous, that someone had to stay home and take care of things. I put down my logbook, pressed the wrinkles out of every one of his captain's uniforms, and spent seven years living by his flight schedule. Only now did I finally understand. It wasn't that he didn't want to take anyone flying. He just didn't want to take me. What made it even more absurd was that the night Skyler first flew through the clouds, I was alone in a hospital, losing our baby. I called him over a dozen times. At three in the morning, he finally called back, his voice flat and indifferent. "I just took Lark through the clouds. Next time something comes up, give me a heads-up." I put the wings pin back exactly where I found it, then pulled the crumpled ultrasound printout from the bottom of the drawer and tucked it inside the logbook that had been gathering dust for seven years. This time, I wasn't going to wait for him to look back. He convinced me to leave the pilot's seat, then turned around and put another woman in the sky. So I would leave him and take back the sky that had always been mine.

Vivienne Laurent has everything money can buy — except freedom. Trapped in a glittering empire built by her late father and ruled by her ruthless stepmother, Vivienne lives behind glass walls no one else can see. When her childhood sweetheart reenters her world during a high-stakes business deal, old wounds reopen — and dangerous truths surface. In a world where love is leverage and loyalty has a price, Vivienne must decide whether she will remain a beautiful prisoner… or shatter the glass and claim her own future.

On the day of our tenth wedding anniversary, my wife, Cara Dempsey, jumped from ten thousand feet in the air after hearing that her first love's plane had crashed. It was only then that I finally understood the only man she ever truly loved all these years was Luthen Waltz. When we were both sent back in time to relive our teenage years, she wasted no time making a grand, public confession to Luthen, completely cutting ties with me. I just stood there, watching the two of them kiss like they couldn’t bear to be apart, and in that moment, my heart felt nothing. From that day on, we were over, and we lived our separate lives. Ten years later, we crossed paths again at a five-star hotel in Harbor City. She, who had become a celebrity adored by the world, was wearing a gown, laughing in Luthen’s arms. When she saw me wandering through the hotel, searching for someone, she thought I had come looking for her. “George, stop wasting your time! Even in ten years, I will never choose you!” I didn’t respond. Instead, I looked toward the little girl running toward me, calling me Dad, and gave her the warmest smile. Cara’s expression froze. Tears welled in her eyes as she choked out, “You lied to me, didn’t you? You said you hated kids and that you’d only ever love me.”

After eight years of marriage, I finally get pregnant with Claude Frey's child. It's my sixth round of IVF, and my last chance. The doctor says I can't put my body through it again. I'm overjoyed, ready to share the good news with him. But a week before our anniversary, I received an anonymous photo in the mail. In it, he was bending down to kiss another woman's pregnant belly. That woman is his childhood sweetheart, the one his family watched grow up. She's gentle and well-mannered, and the kind of daughter-in-law every parent dreams of. The funniest part is that his entire family knows about her pregnancy, except me. I'm just the punchline in their joke. It turns out that the marriage I've been holding together despite all my wounds is nothing but a carefully crafted lie. Fine. I don't want Claude anymore, and I'll never let my child be born into a world built on lies. I book my ticket to leave on our eighth anniversary. It's also the very day he's supposed to take me to see the sea of roses. Before we got married, he promised me a sea of flowers all my own. But instead, I find him in front of the rose garden, kissing his pregnant childhood sweetheart. After I leave, he starts searching for me everywhere. "Don't go, please?" he begs. "I was wrong. Don't leave." He finally remembers the promise he'd made to me and plants the most beautiful roses in the world in that garden. But I don't need it anymore.

On the day we move into the new apartment, my mother, Elizabeth Carter, sends a floor plan to the family group chat. It's a three-bedroom apartment, and a name is marked beside each bedroom. The master bedroom is for my parents, and the second bedroom is for my brother, Benjamin Sullivan. The room with the best sunlight is labeled "Savannah's Room". Savannah Keller's father, Liam Keller, drowned years ago while saving Benjamin, who had fallen into the water. After she becomes an orphan, my parents take her in and raise her as their own for ten years. I zoom in and out of the picture, scrolling through it twice. Still, I can't find my name anywhere. I ask Mom about it. She pauses, as if just remembering this detail. "You said you wanted to apply to a graduate school out of town, right? Once you get in, you'll move away. Leaving the room empty would be such a waste. Savannah's situation is different. "Her dad died for Benjamin. She has no other family in this world, so she must be given that big bedroom." Benjamin is already helping Savannah choose the curtains. They are pink floral ones, which she likes. Meanwhile, my boyfriend of three years, Wyatt Whitfield, carries the newly assembled bookshelf into Savannah's room. He quietly asks her if she wants an extra shelf for her figurines. I sit on a cardboard box in the living room, watching everyone bustle around. It dawns on me then—it's not that they have forgotten about me. Rather, deep down, they subconsciously believe that to repay that debt of gratitude, I should naturally give up everything that belongs to me. Even Wyatt has become an accessory to compensate Savannah. Since there's no place for me in this home, I decided to give it all up to them. I lower my head and tap on my phone. Then, I sign the confidentiality agreement to work at a base in the Northwest for five years, with no chance of coming home. This time, I'm really leaving, and I'm never coming back.

On the road, I met a woman unlike anyone I had ever seen before. Her name was Janet Smith. She seemed slow and almost childlike, yet she had been wandering alone for two years without ever going home. Even with one leg crippled, she had forced herself to climb the Highveil Mountains. This time, however, she was caught in a blizzard. Injured and stranded, she could no longer make her way down. As her vision blurred and her strength slipped away, tears covered her face. She placed a pair of small handmade clay dolls in my hands. "I'm probably going to die here," she murmured. "Please give these to my adoptive brother, Chester Graham." She was clearly at death's door, yet her smile was soft and unexpectedly serene. "Tell him I've seen enough of the world. I don't love him anymore. And tell him he doesn't need to worry. I'm not so foolish now. I won't cause trouble for anyone again." Chester? At the sound of his name, I stood rooted to the spot. In Riverton City, everyone who worked at the harbor knew him, the so-called Ship King. Right before I left for the mountains, news of his engagement had been everywhere.