How Should I Read Cursed By Fate: Obsession Of The D'Angeli?

Opening the pages of 'Cursed by Fate: Obsession of the D'Angeli' feels like stepping into a moonlit ballroom where every whisper matters and every portrait watches you back. The main focal point is Valeria D'Angeli — a stubborn, sharp-witted heiress whose family name is both a blessing and a chain. She wakes up to a destiny that’s been written before she drew breath: a generational curse that warps affection into possession. Valeria’s growth is the heart of the book; she juggles fury, grief, rare tenderness, and a stubborn refusal to be simply defined by the family legacy. Opposite her is Matteo Santoro, the magnetic, morally ambiguous figure whose obsession is the engine of almost every conflict. He’s charming in a way that makes you uneasy: brilliant, patient, and terrifyingly single-minded. Matteo’s behavior keeps sliding between protector, villain, and tragic figure — and that ambiguity is the best part, because it forces you to keep reevaluating his motives. The third pillar is Alessio D'Angeli, Valeria’s older brother in my read: a strategist who keeps the family’s public face intact while privately tearing himself apart. He’s pragmatic and quietly desperate, the kind of person who sacrifices his soft edges to hold a family together. Together they form a tense triangle where love, duty, and curse collide. Secondary figures—servants, a mysterious archivist, and the rumor-mongering nobility—only accentuate the claustrophobic atmosphere. It’s not just supernatural beats; it’s interpersonal pressure cooked until something has to break, and I loved that bruised, messy realism. I closed the book feeling moved and a little haunted, which is exactly what I wanted from it.

I got swept up in this book faster than I expected, and the twist slapped me in the best way — it's one of those deliciously cruel reversals that makes you want to flip back through every chapter. By the time the reveal hits in 'Cursed by Fate: Obsession of the D'Angeli', you realize the central “curse” isn’t an outside hex at all but a locked piece of the protagonist's own identity. The person everyone has been blaming—this almost mythic D'Angeli figure—turns out to be a role that the protagonist themselves has been forced, or chosen, to wear across generations. Memories are suppressed, names recycled, and the obsession that seemed directed at them is actually the protagonist's own fragmented self trying to correct a cycle they began. Scenes that felt like stalking or malice suddenly read as desperate attempts to reclaim something lost. What I loved is how the author threaded crumbs: odd slips of memory, a recurring lullaby, and artifacts that belong to both sides. When the diary pages and a mirror confrontation finally line up, the emotional punch is brutal — guilt, relief, and betrayal all at once. It reframes the romance and the rivalry; what looked like villainy becomes a tragic consequence of choices made long before the current characters existed. It left me re-reading the quiet moments and smiling at how cleverly the twist reframes everything. Honestly, it made the whole story feel darker and incredibly intimate at the same time.

By the finale everything that felt inevitable finally happens, but not in the tidy, expected way. The protagonist—Elara—faces the heart of the D'Angeli legacy in the family crypt: the obsession that cursed her bloodline is revealed as a binding made from grief and a promise gone wrong. The man behind most of the suffering, Marcellus D'Angeli, isn't a one-note villain; he's a broken guardian whose love curdled into a monstrous need to keep anyone who carried the curse from leaving the family line. There's a big confrontation where memories are laid bare—Elara's past lives, the original pact, and the true cost of every life lost to the curse all tumble out. It reads like a reckoning, equal parts tragedy and exposition, and the stakes are personal rather than purely political. The resolution leans toward sacrifice wrapped in forgiveness. Elara chooses not to annihilate Marcellus for revenge; instead she offers herself as a vessel to undo the binding. That choice strips her of certain supernatural protections, but it severs the curse. Some characters die in the struggle—those who had been consumed by the obsession either vanish or are left to face a mortal ending—while others survive and start mending what was broken. The D'Angeli estate itself is physically and symbolically burned to purge the old compulsion, and the survivors scatter to rebuild. In the last scenes Elara walks away with Luca, the person who anchored her to ordinary human tenderness throughout the story, choosing a fragile, uncertain life over immortal chains. The ending is bittersweet, not cinematic perfection but honest: freedom gained at a cost. I closed the book feeling relieved and a little wistful, like leaving a long, stormy season and stepping into clear air.

If you're hunting down 'Cursed by Fate: Obsession of the D'Angeli', I usually start at the obvious spots and then branch out into the rabbit holes where the good finds hide. Big online stores like Amazon and Barnes & Noble are often the quickest; you'll find both physical copies and e-book editions there when they're in print. For digital versions I check Kobo, Apple Books, and Google Play — sometimes one storefront has regional rights so a title is available on one platform but not another. Libraries are a surprisingly great route: use WorldCat or your local library's catalog and apps like Libby or OverDrive. I’ve borrowed obscure titles that way and it saved me a lot of money. If you prefer physical copies and want a better price, AbeBooks, eBay, and secondhand shops (ThriftBooks, local used bookstores) often carry older printings. Keep an eye on the ISBN and edition notes; sometimes the subtitle or punctuation varies between printings, so searching by ISBN helps nail the exact edition. For the hardcore collector angle, check the publisher's website for stock or special editions and reach out to indie comic shops or conventioneers—sellers at cons often have rare runs. Finally, fan communities on Reddit and Discord can point you toward legit translations or notify you about reprints. I've snagged a signed copy through a seller I found in a forum thread, so it's worth poking around. Happy hunting — there’s a special thrill in tracking down a copy and finally holding it.

I can't find any official TV adaptation of 'Cursed by Fate: Obsession of the D'Angeli' in the mainstream channels up to mid-2024. From what I've followed, the title circulates mostly within novel communities and fan circles rather than on official streaming lineups. That doesn't mean it's dead in the water—fans have made dramatic readings, AMV-style videos, and a few illustrated summaries that capture the vibe—but an actual studio-backed TV series or anime hasn't shown up on the usual announcement feeds. If the book ever does get the green light, I think it'd be fascinating to see whether they go live-action or animation. The tone implied by the title screams gothic romance with psychological hooks, which could be gorgeous in either medium: moody cinematography and period costuming for live-action, or lush, symbolic visuals if animated. I'm hopeful though cautious—many beloved novels live most of their life in fan projects for years before a proper adaptation arrives. Personally, I’d love an adaptation that leans into atmosphere and character beats rather than rushing plot, and I keep checking publisher news and the main platforms for any surprise reveal. It would be a joy to see it come to screens, but for now I’m sticking with fan art and headcanon casting and enjoying the ride.

Wow — hunting down audiobooks can feel like a little treasure quest, and for 'Cursed by Fate: Obsession of the D'Angeli' there are a few reliable paths I usually try first. Start with the big audiobook stores: Audible, Apple Books, Google Play Books, and Kobo. They tend to carry most commercial English-language audiobooks and have samples you can listen to before buying. If the title's newer or independently published, also check Findaway/Blackstone or distributor pages because some indie publishers use those services and distribute to multiple retailers. Libro.fm is great if you want DRM-free files and to support local bookstores. If you prefer subscription models, Scribd sometimes has titles included, and Audible has credits or a membership option that can make a purchase cheaper. Libraries are a hidden goldmine: use OverDrive/Libby or Hoopla with your library card to borrow audiobooks for free (availability varies by region). If it's not in stores or libraries, check the publisher's website or the author's page — sometimes authors offer direct audiobook downloads, preorder links, or sign up lists. If nothing shows up, politely request your library to buy it or ask the publisher/author on social media about an audiobook edition. I usually bookmark pages and set alerts so I don't miss releases — it saved me money more than once, and I still love hearing a great narrator bring characters to life.

I get so fired up talking about this one — the betrayal in 'Cursed by Fate: Obsession of the D'Angeli' hits like a gut-punch. For me, the clearest traitor is Matteo D'Angeli. He’s the kind of character who smiles in the family portrait but meets in the shadows; early on you sense his quiet resentment, and it blossoms into full-blown treachery. Matteo makes a calculated choice to trade the D'Angeli's secrets and alliances for power and a promise of safety from the curse that hangs over them. The scenes where he signs away loyalties, meets with rival factions, and ensures certain evidence disappears are chilling because they’re so mundane — just papers, whispered terms, and a handshake. What stings is that his betrayal isn’t cartoonishly evil; it’s born of fear and vanity. He believes he can outsmart fate, and he convinces himself that sacrificing family ties is a rational move to preserve the name. That makes his betrayal more tragic than malicious: he convinces himself he’s saving everyone even as he catalyzes the family’s collapse. The emotional fallout plays out beautifully in the later chapters — looks, silences at the dinner table, and the crushing reveal where the protagonist realizes that the enemy was never just an external curse but someone who sat across from them during holidays. I always come away from the arc feeling torn — angry at Matteo for the devastation he causes, but also a little sad for how fear can warp a person. It’s one of those betrayals that lingers with you, not because it’s dramatic, but because it feels heartbreakingly human.

You might be surprised how quickly this one grabbed my attention — 'Cursed by Fate: Obsession of the D'Angeli' was first released on March 14, 2020. I followed the early chapters online like they were little weekly gifts; it debuted as a serialized web novel and quickly built momentum thanks to its moody atmosphere and twisted-romance vibes. The date sticks with me because it felt like the start of a small frenzy in the fan community, with people dissecting each chapter and theorizing about the D'Angeli family's secrets. After that initial launch, the story grew beyond its web-novel roots: fan translations, discussion threads, and eventually official releases helped it reach a wider audience. Even if you didn’t catch the very first chapter back in March 2020, you could easily find archives or compiled volumes later. I still revisit those early chapters to see how the author planted clues; that original release date marks when the rabbit hole began for me. If you’re digging into adaptations, timelines, or collector editions, just remember March 14, 2020 is where the whole thing kicked off — and it’s wild to look back and see how much the world around the story expanded since then. I still get a thrill rereading those opening scenes.