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In my fourth year of becoming the wife to Matteo Costa, the Don of the Costa family, as know as La Rosa Nera, I no longer insist on making our relationship public. He has once told me that he will publicly announce my identity as Donna on our wedding anniversary this year. But ever since Vera Barbieri returns to the country, Matteo never brings this up again. He puts all his attention on Vera and always places all her needs first. He even abandons me on the highway because of a single phone call from Vera while my mother is on her deathbed. My mother never gets to see me one last time before she dies. At this moment, I finally give up on him. I prepare the divorce agreement and book a ticket to leave Nevoli. The day after tomorrow, I will leave this place and leave Matteo to his childhood sweetheart.

“What could I possibly use you for?” Don Antonio asked as he walked towards her. He lifted her chin, his gray eyes staring deep staring into hers burning with a mixture of curiosity and desire. He immediately left her chin and snapped his fingers. He had an idea. “If you are willing to be my companion for three years, I'll let your father go.” Her eyes widened at the sound of the word “companion”. The word tasted like hell. “I’m willing.” Giulia knew fully well that she was walking into hell, but did she really have a choice? Her father, Ricardo Moreau, a compulsive gambler, accumulated debt after losing big in one of Antonio's underground casinos and was locked up. She couldn't bear to see her father locked up and offered herself in exchange for him. Antonio made life unbearable for her, and at some point, she felt the urge to run away, but how possible was that? Giulia decided to stay calm and constantly reminded herself that it was only for three years. She was both physically and mentally abused. At some point, Antonio begins to look at Giulia in another way; he begins to see a side of her that he had never seen before, and Giulia, on the other hand, begins to fall for a man whom she had considered her enemy. Things then begin to get complicated when the boss of a rival Mafia family asks for Giulia in exchange for a deal. Will Antonio hand Giulia over to his rival, or will he do everything within his power to keep her safe? Will they put away the hate from the past and let their love blossom? Or will they break up when the contract expires, leaving their passion behind?

“No one touches what is mine and gets to live,” he replies firmly, sending a cold shiver down my spine. “Alessandro, I am not yours. I am not anyone’s property,” I argue. He laughs softly. “Okay,” he says casually, as if what I said doesn't matter. “I mean it; I will never be yours—not your property, not your plaything, and certainly not your mistress,” I've already made it clear that I won't be his mistress; I don’t know why he can’t seem to accept that. His jaw tightens, then he scoffs. “He threatened you, he touched you,” he says, his eyes narrowing. “It really didn’t matter if the device was his or not; he knew what was coming for him.” In search of her missing father, Renée, a 24 year old boudoir photographer, moves to a new country and makes a deal with the FBI. She helps them bring down the most feared Mafia Don in the country, and they help her find her father. All she has to do is seduce him and get him to lower his guard—easy. Alessandro has been married for three years to the perfect wife, the princess of the East Mafia dome. That kind of marriage makes Alessandro the leader of both the South and the East of the Mafia dome and untouchable, Ruthless. Then one night at a masquerade ball, he meets her, the seductive stranger with a different accent. She looks like the typical type of woman he would make his mistress. But is that enough? Will his world accept a woman like her? It has been a rule for as long as he can remember that certain races can't mix, at least not from where he stands. Plus, he is a married man. Everything about her is forbidden.

Everyone said I was Domenico Calvetti's most obedient woman. On our first wedding anniversary, he flirted with a pair of twins at the gambling table. He had lipstick smeared all over his shirt. I smiled and wiped it away with a silk handkerchief, but he swatted my hand aside. "Don't kill the mood." In the third year, the star performer from the club he ran showed up at my door with a gun pressed to my temple, demanding to take my place. Without flinching, I disarmed her using the technique he taught me and disposed of the body myself. Behind me, he held his new lover and laughed softly. "Lucia, you always know what to do." In the fifth year, he blew up the library my father left behind just to make his new flame, Marilena Rossetti, smile. That library was my mother's favorite spot when she was alive, and it held the only photographs of our family of three. The explosion made me the laughingstock of the city. People whispered, "Signora Calvetti can't even protect her own memories." Everyone believed I could never leave the Calvetti family or Domenico, but they forgot how this all started. Back then, he rescued me from my adoptive father and fell in love with me at first sight. He knelt and begged to marry me, swearing he would protect me from blood and pain for the rest of my life. For ten years, I held onto those empty words. At our tenth anniversary party, his hundredth mistress arrived. Alice Russo, fresh out of college, held a glass of red wine and poured it down my gown while Domenico watched. "Signora Calvetti, this dress is so old. Given your position, you should be wearing something better." Everyone at the party waited to see my humiliation. Instead, I lowered my eyes and dialed Domenico's father's number. "Father, the ten-year agreement is over. I won't be Signora Calvetti anymore."

The position as the private secretary of Don Aido Derocchi is a proper job that comes with a lavish salary. That's why everyone is shocked when they find out that I've resigned from that job. I tell everyone that I want to take my son, Leo Derocchi, to Melbir so that I can collect my husband's personal effects there. What no one knows is that my so-called husband is actually Aido himself. Leo is the by-product of our one night stand. That's why Leo and I can't let our true identities be known to the public. Since the Derocchi family doesn't need me as their Donna, I don't need a man who's not a good husband as well. Of course, Leo doesn't need a father who doesn't even permit him to call him "papa".

On the night the Bianchi family goes bankrupt, I sell myself to the Moretti family of Newmont. Fiora Greco, the Madre of the family, has arranged for me to marry Don Lorenzo Moretti. But at that time, he's in love with a nurse named Sofia Ciampi. Although Sofia descends from the most chaotic district in Brookland, Lorenzo is willing to give up his position as the Don for her sake. Unfortunately for Lorenzo, Fiora threatens to off herself if he doesn't marry me right away. She claims that the Donna of a mafia family must never be a commoner. On the day Lorenzo and I get married, Sofia accepts a Mexara businessman's marriage proposal and leaves Newmont. When Lorenzo's speeding toward the airport in an attempt to chase after Sofia, he gets into a car accident, which results in him losing Sofia completely. Later on, he pins the blame of losing his beloved Sofia on me. Since then, everything I own and do has price tags attached to it.