Can I Read The Witches: Salem, 1692 Online For Free?

When Anastasia, a lower level green witch, finally flees from a vengeful wolf pack, she finds herself soul-bond to the very thing she hates, a Lycan. Not only is he a Lycan, but he’s none other than Dominiko, the Lycan King himself! She thought struggling to accept him was the worst of her worries until she is faced with a catch 22. She must overcome her prejudice, embrace her power, and choose between the witches and Lycans, all while a war threatens to tear both worlds apart. Could she really go against her own people? Or will the Lycan kings hope for peace work?

The era of witches is gone forgotten but for a few that has lived through it. A teenage girl will discover her powers in a most unlikely manners. In a world predominantly governed by humans, how will our squad fare?

Sarah has always known she's different from other people. With heightened senses of hearing, smell, and sight, she's able to perceive the world around her in a way that nobody else can. She doesn't know who her parents are, as she was left at an orphanage as a baby and grew up in foster care. What she also doesn't know is that she's actually the Witch Supreme in the Otherworld, a fact that makes her the target of an evil witch named Sheila. When Sheila discovers that Sarah is living in the Firstworld, she sends her minions to capture her. Fortunately, Sarah is able to evade her pursuers with the help of a Jason, a werewolf alpha from the Otherworld who also happens to be her mate, who rescues her from certain capture. She has to go to the Otherworld where it is more safe for her. In the Otherworld, Sarah discovers that she has powerful magic at her disposal, including control over fire, water, and wind. She also has to defeat Sheila and stop her from taking over her powers. She needs to strike a balance between love and duty. With the fate of the Otherworld hanging in the balance, Sarah must call upon all of her magic and courage to face down her enemies and save herself and those she loves.

The werewolves and the witches did not see face to face, never wanting to interact with each other, despite both being a creature of magic and Goddesses. For two generations, two Alphas were paired with witches for a mate and the second better half, that was the Goddess's way of putting friendship between her children, but the wolves being an animal of instinct, the first generation did not fare well, and spoiled things further. It was then left to the second generation to set things straight, or perhaps the third. Alpha's Wilson and Quinton, are both paired with witches, one hot-headed, the other level-headed, but, what did their attitude get them? Nowhere!. That's where.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

The Good Witch was born unlike her family. She wants to help people and she finds a few friends that help her along the way. Each adventure is a new challenge. She hopes to one day free her family from the curse they placed on themselves. For these are the stories of the Good Witch.