How Does Reading Major English Novels Change Your View Of History?

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Now everything is changing...with everyone of us sweeping under the carpet the scars of yesterday's sins. Those scars are what kept me alive until you are all born to hear the story. The world government was powerful and taking advantage of the human colonial minds, they buried our freedom and equity. But now that we the Elites whom they educated and rose to revolts against the fingers that had fed us... What do you call it? Oh! yes they had termed it Rebellion. They did call us rebels, for seeking a small ration part of the best that nature has given to mankind. Al-sural-tu-Nas. This for mankind, tell ye that the beast you trained in the dark had turned to an angel in the day. We are filled from the pot of lies now that our bellies cannot contain what they obtain, the promises that were compromised, treaties that were breached, least they covered the black mails and lies with a blanket of Diplomacy. But now is the snatch of the gallon beer from the drunkard because now there is what when diplomacy fails.....is war. "Now we are free." Later in the future a seed germinates bearing fruits of the YESTERDAYS as she possess the abilities to time travel and set broken pieces together but this has consequences in the future of mankind. Read along

a really good book for you. I hope you like it becuase it tells you a good story. Please read it.

Found in the marooned ruins of Chavand was a book ripped and torn. Its yellowed pages eaten up and coiled. Forgotten and unheard about was this book until it came to light. His legends lived on, his tales of valour prevailed. His glory seemed enternal and he was worshiped and adored. But his heart remained shrouded in a cloak of mystery. His emotions, his turmoils went unnoticed in an attempt to make him great. Seen as someone who was invincible and immortal, the Rana changes your perspective from his greatness to his soft heart. Written across the pages during his last moments, he wrote his own life. Where bards would be at a loss and poets were simply lost in his glory and valor, the Rana is said to be the only one who could write about himself.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

“Pray tell, Emily, what is it you plan to gain from this marriage?” The vehemence of that word—the way it rolled out harshly from his lips—implied she had tricked him, that she had wanted something from him. A belief Emily hadn’t known he held. Her eyes widened in realization, and she sought to correct it at once. Good Lord, was she married to a man who despised her? *** When the earl of Tonfield, Cole Fletcher decided to drop his newly wedded wife at the steps of Blakewood Manor with as much respect as would be given a sack of potatoes, the last thing he expected was for her to move into his ancestral home and do the one thing he rather her not do. As if that wasn't enough, news of his wife's exploits was beginning to circulate around the ton, while Cole wants to keep an eye on his wife and put her firmly in her place. Emily wants her husband to understand she exists. As a wife, as a countess, as a woman! It's a clash of wills!