One subtle marker is how the point of view handles attraction. Does it feel like a male gaze projected onto women, focusing on body parts in a voyeuristic way? Or does it feel authentic, focusing on the curve of a smile, the strength in her hands, the scent of her soap, the way her mind works? The perspective should feel intimate and character-driven, not observational.
The dialogue between them needs to have a distinct rhythm. You should be able to tell who's speaking without dialogue tags, not just because of what they say, but how they say it. Their conversations reveal history, tension, affection, and power dynamics. Stilted, expositional, or overly poetic dialogue that doesn't match their established personalities is a dead giveaway of shallow writing.
A pet peeve of mine is when the story treats the lesbian relationship as inherently 'pure' or less complicated than straight ones. Love is messy, regardless of gender! Jealousy, possessiveness, mismatched libidos, power imbalances – ignoring these potential complexities creates a sanitized, almost childish portrayal. Give me the messy, real, sometimes frustrating love.
The best arcs make me forget about labels entirely and just feel the connection. It's not about two women falling in love; it's about these two specific people, with all their flaws and history, finding something profound in each other. The writing should make their dynamic feel inevitable, not a plot point. If I'm rooting for them to overcome obstacles because I'm invested in them, not just the concept, that's when I know it's working.
Look at how they resolve arguments. Do they communicate like adults, or does one always storm out? Do they give each other the silent treatment, or do they eventually circle back to talk it out? The conflict resolution style tells you everything about the health and maturity of the relationship the writer is portraying.
2026-07-23 10:44:54
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