What Did Rihanna Say About Taylor Russell?

So, where's Taylor Russell now? Well, she's living that jet-setting lifestyle between New York and London. She’s been spotted at major fashion events like the Tiffany & Co. Blue Book launch and Vogue parties, rocking looks that make you stop scrolling. She’s also been a front-row fixture at Paris Fashion Week, and her Loewe campaigns? Total mood. In 2024, she graced the cover of Vogue Italia, and in 2025, she made her Met Gala debut, earning rave reviews from Vogue, Elle, and Harper’s Bazaar. But it’s not all about the glam. Taylor's been busy on the acting front too. She starred in Mother, Couch, which premiered at TIFF, and is set to appear in the thriller Hope, alongside Michael Fassbender and Alicia Vikander. She was also recently named to the Luigi de Laurentiis jury at the Venice Film Festival. Oh, and she was dating Harry Styles for a while, but they broke up after a year.

Taylor Swift's little sister, the one everyone claims looks just like her, has made waves online! It’s fascinating to see how fans react to the striking resemblance between them. Many people have been talking about it on social media, sharing memes and side-by-side photos that highlight their similarities. When you see a picture of them together, it’s like a glimpse into a parallel universe! Some fans joke that we have Taylor's doppelgänger walking among us, as they’ve been sharing hilarious theories about how they might have switched places in another life. It's not just about looks, though. The comparisons also bring up discussions about their personalities and interactions. Swifties often point out how Taylor seems to radiate a supportive and loving energy toward her sister. Many fans appreciate the sisterly bond they share, which further deepens their admiration for Taylor. The way they celebrate each other's successes, especially on social media, is really heartwarming. In a world where celebrity relationships can feel so superficial, seeing Taylor and her sister's connection makes fans feel more connected to them. Some even express a wish for more candid moments shared between the two, capturing their genuine sisterly moments. So, it’s safe to say that whether it’s about their looks or their bond, fans are loving every moment of it!

Taylor Swift's lyrics paint a vivid picture of love in its many forms, highlighting both the bliss and the heartbreak that come with it. For instance, in 'Lover,' she captures the dreamy ideal of young love, portraying it as a sanctuary where one feels safe and valued. The way she sings about dancing in the dark and building a life together resonates deeply with anyone who's experienced that euphoric infatuation. In a person's early twenties, it’s like standing on the precipice of long-term commitment while simultaneously still being swept off your feet by first experiences and emotions. However, Taylor also dives into the darker side of love in songs like 'All Too Well,' where she recounts the pain of a breakup and the nostalgia tied to it. Her detailed storytelling shows us that love isn’t just about happy moments; it encompasses the messiness and the memories that linger long after someone is gone. The emotional depth of her lyrics resonates especially with people who have experienced love's highs and lows, making her music incredibly relatable on various levels. Regardless of age, fans connect with her exploration of love's complexity, rooting for her through every sorrow and joy she lays bare.

Dylan O'Brien has always been quite candid about his admiration for Taylor Swift's music. In one of his interviews, he mentioned that her songwriting is remarkably relatable and emotional. He noted that Taylor has this uncanny ability to capture feelings and experiences that resonate with so many people, including himself. He specifically highlighted how her track 'All Too Well' stands out for its storytelling and how it evokes nostalgia, a theme he deeply appreciates. Dylan made it clear that her music isn’t just pop; it often reflects deeper emotions and life's complexities, and he loves how she can create such vivid imagery through her lyrics. It's refreshing to hear a fellow artist acknowledge the power of storytelling in music, especially in today’s industry where catchy hooks often take precedence. I’ve always felt Taylor’s songs tell fantastic stories, from heartbreak to empowerment. Listening to her tracks feels like reading a diary filled with all the highs and lows of life. I’ve found myself turning to her albums during various phases of my life, and it's comforting to know that actors like Dylan feel the same connection to her music. It's like we're all crowding around the same musical bonfire, sharing our experiences. Overall, I find Dylan’s insights into Taylor’s work to be quite genuine and thoughtful, and it makes me appreciate both of their artistry even more!

Oh, absolutely! Goldie Hawn and Kurt Russell have one biological child together: their son, Wyatt Russell, born on July 10, 1986. While Goldie had two children, Kate and Oliver Hudson, with her ex-husband Bill Hudson, and Kurt has a son, Boston Russell, from his previous marriage to Season Hubley, Wyatt is their only child together . Despite not marrying, Goldie and Kurt have been together since 1983 and have raised a beautiful blended family. Wyatt Russell has followed in his parents' footsteps, pursuing a career in acting. He's appeared in various films and TV shows, including roles in the Marvel Cinematic Universe. In addition to acting, Wyatt has a background in hockey and has been involved in various creative endeavors .

I still get a kick thinking about how Kurt Russell became Snake Plissken in 'Escape from New York'. He didn’t just show up with an eyepatch and a leather jacket — he built a whole physical vocabulary for the character. From what I’ve read and pieced together from interviews, he worked closely with John Carpenter on tone and attitude, sharpening that laconic, almost bored menace in his voice. He honed the walk, the slow head turns, the way Snake lights up a cigarette: tiny details that make the character feel lived-in. On a practical level, Kurt leaned into the physical demands. He did a lot of his own stunt work, rehearsed fight choreography, and lived in that grimey, patched-up wardrobe until the look became organic. He also improvised lines and reactions on set, which Carpenter encouraged; that gave Snake spontaneity. Watching behind-the-scenes clips, you can see how comfortable Kurt was moving through cramped sets and handling practical props — it all reads as preparation that’s equal parts muscle memory and creative instinct. What I love most is how prepared he was to sacrifice comfort for credibility. That willingness to get dirty — literally and figuratively — is why Snake still feels like a real person even after so many viewings.

Listening to 'Stay' always hits me in a specific, quiet place — it feels like someone pulled the blinds down and sat across from me with nothing to hide. The lyrics are a raw plea for presence: not flashy confessions but the small, desperate things we say when we’re afraid of being alone. Lines like "Funny you're the broken one but I'm the only one who needed saving" flip the usual script — it’s about realizing both people are damaged, yet one is clinging to the other as if survival depends on it. Musically, the sparse piano and breathy vocals strip everything to the essentials, which makes the request to "stay" sound intimate and urgent. The duet with Mikky Ekko adds a conversational layer, so sometimes it reads as a fight, sometimes a confession, sometimes a fragile negotiation of boundaries. To me, it's less about romantic heroics and more about the messy truth of wanting comfort even when you know it might be temporary. I often put it on late at night and let the silence around it make the words land harder — it’s comfort and ache rolled into one.

I've always loved how little recurring motifs can turn a show into a living world, and Russell T Davies's use of the 'Bad Wolf' thread in 'Doctor Who' is a masterclass in that. On the surface it’s a neat Easter egg — graffiti, adverts, and awkwardly placed logos that pop up across episodes — but Davies used it for something smarter: to make a largely episodic series feel serialized and emotionally meaningful. By scattering the phrase early on, he gave attentive viewers the small thrill of recognition and the promise that those glimpses meant something bigger was brewing. Beyond fan-service, there’s a storytelling payoff: the 'Bad Wolf' motif becomes Rose’s signature. When she absorbs the Time Vortex, she literally becomes the message sent across time and space, which ties the whole season together into a satisfying causality loop. That’s pure Davies — he’s trained in soap-like serialized storytelling from shows like 'Queer as Folk', so planting long-term signposts that lead to a human-centered climax is instinctive for him. It gives emotional weight to Rose’s arc and makes the finale feel earned rather than tacked-on. Finally, it was also pragmatic. Recurring motifs are cheap but effective tools for continuity, branding, and conversation. They get people theorizing online, increase rewatch value, and build a shared mythology that future writers can play with. The 'Bad Wolf' strand did all of that: it connected episodes, deepened character stakes, and turned the season into a memorable whole — and it still makes me grin when I spot that logo hidden in the background on a rewatch.