5 Answers2025-10-24
The Dezi part was way less dramatic than I expected, but I think that worked. Sybil finally owned up to what she did instead of dodging it again. I actually liked that more than some huge confrontation.
11 Answers2025-11-17
I can’t hide my book-nerd grin when talking dates — publishing calendars are a patchwork sometimes. If you mean Virginia Evans’s novel 'The Correspondent', the US hardback was released April 29, 2025, and the UK paperback edition from Penguin (ISBN 9781405971553) is listed as being published May 14, 2026. That said, there are region- and language-specific paperbacks that came earlier: a Spanish-language paperback edition shows a June 17, 2025 publication date, and a film tie-in/other book titled 'The Correspondent' (Peter Greste) has a paperback dated March 31, 2025 — so double-check which edition you want. Bottom line: for the widely discussed Virginia Evans paperback in the UK, expect May 14, 2026; for other-language or different books with the same title there are earlier paperback dates. I love that tracking release windows gives me an excuse to roam publisher sites — always something new to find.
3 Answers2025-07-18
The critically acclaimed ‘Nevermoor’ series by Jessica Townsend is currently comprised of three books: ‘Nevermoor: The Trials of Morrigan Crow’, ‘Wundersmith: The Calling of Morrigan Crow’ and ‘Hollowpox: The Hunt for Morrigan Crow’. The books follow Morrigan Crow, a determined and feisty protagonist, as she journeys through the magical world of Nevermoor, full of wonder and magic, facing various challenges and dangers along the way. The first book sets up Morrigan’s escape from her cursed life and subsequent arrival in Nevermoor in search of a new beginning.
Jessica Townsend has a brilliant way with words, transporting readers to Nevermoor with his wonderful descriptions of all the people that Morrigan meets. It’s a really light-hearted read, but has some deeper moments too. We’re told that more books are going to be added to the series, and I for one cannot wait to continue the adventures of Morrigan Crow in this fascinating and original take on fantasy.
10 Answers2025-12-01
I always thought this was just a comic book, never having known that there was a novel that this was based off of. The art is so fantastic that that must have been the focus of the novel, I thought. Learning that there is so much more behind this comic is exciting but also sort of scary. I feel as though I would have to read a ton of lore in order to get up to speed, and as it stands my reading list is already way too long. Perhaps I shall look up some detailed recaps of the novel instead.
7 Answers2025-10-10
The plot is also a master class in weaving theme into action. All the subplots reflect the main theme of ‘performance vs. reality’. So the political conspiracy to pretend to establish democracy while actually setting up an autocracy is mirrored in the attempts to pretend to be in love for strategic reasons in the romance plot. Even the descriptions of devastated cities being rebuilt with freshly painted façades serve to drive home this central theme. Every scene is working on two levels to develop the plot and explore the writer’s philosophical ideas. The result is rich and dense and is never just plot for plot’s sake.
2 Answers2025-07-14
I would love to know this as I recently visited my local Carnegie library, which is this beautiful old building with creaky wooden bookshelves. My local librarian told me that there is no master list of books in all Carnegie libraries. Each library lists its stocks separately, and therefore it is impossible to calculate the total number of books in all libraries. My local library has around 50,000 books, I’ve heard that the main library in Pittsburgh has over a million. But that’s not the point of a Carnegie library – it’s not a warehouse of books, it’s more of a community treasure chest.
6 Answers2025-07-19
Many years ago I tried to get a quote cleared for a relatively obscure 1970s sci-fi novel. The publisher had changed hands twice since its initial publication and the author's estate was being administered by the author's nephew in a far flung country. After three months of emailing and sending faxes I finally received permission for use for a $200 fee. Alas, the advance was only marginally more than this. The process of clearing a single quote to reproduce less than a page of work taught me a very valuable lesson. The administrative burden is in itself a filter. Only the most determined, well-funded and connected writers will be able to see their work published. This is somewhat depressing when considering the topic of intertextuality and the dialogical relationship between works. The system as it currently stands favors certain voices over others. I'm not saying it's right or wrong, just that there are certain practical byways which currently shape what gets published.
10 Answers2025-08-01
I just finished reading web serial A Practical Guide to Evil, a practical guide to evil written by a woman operating under ‘story logic’ in a fantasy world. The main character, Catherine Foundling, uses her greatest asset (her ability to understand narrative) as her greatest weapon: to tell better lies than her enemies. Throughout the story, she makes up false motives for her actions, fakes prophecies and sets up intricate narrative traps for her enemies.
Her lying becomes reality because she's packaging it in a better story. The way that Foundling uses the typical liar story, in a meta-fictional way, is just really clever. I get that the story isn't about normal, psychological liars. As someone who reads a lot of fantasy, I find this takes the typical ‘liar’ story in really unique and genre-savvy directions. The fact that Foundling’s schemes can be analyzed in so much detail by the story’s fans, is almost as fun as reading the story itself.
8 Answers2025-05-29
H.D. Carlton. This woman’s name makes me think of so many things but mostly of the feelings she evokes in her readers. For so many, her name means “this book made me feel things I wasn’t prepared to feel” and that’s a pretty powerful legacy.
Whether those feelings were good or bad is sort of beside the point. She made people feel things deeply. In an age of endless nearly indistinguishable-from-each-other content, it’s pretty cool to write a book that leaves an indelible mark. Some marks are scarlike, others thrilling. Carlton’s authorship of deeply affecting work is her defining characteristic and sets her apart in the contemporary literary conversation.
3 Answers2025-12-01
The chance of a book review in The Guardian is something to get excited about! The Guardian accepts submissions of books, but these are considered on the basis of specific submission guidelines, including a brief synopsis of your book, some information about yourself, and an explanation of why you think The Guardian is the right place for your book.
Sometimes its helpful to identify an angle of your book that makes it stand out from other publications. Is your book written from a different perspective? Does it provide a fresh insight or take on a current theme? Remember to keep your pitch brief and interesting – try to make it as hook like as possible. I’d be really interested to hear from authors who have successfully been reviewed by The Guardian – unfortunately I haven’t submitted anything yet, but hopefully soon!
Also reading reviews prior to submission can give you an idea of a reviewer’s style and their ‘likes’. So with persistence and creative thinking your work could get a good review to a large audience!