How Does 'Salem'S Lot' Compare To Other Stephen King Books?

From bestselling author Emily Goodwin comes the epic start to a sexy and exciting paranormal romance series... Never trust a vampire. I might have learned that lesson the hard way. But when I find myself in a vampire-owned bar, I don’t have much of a choice. With vampires still trying to assimilate into mainstream society, I’ve done Lucas King a favor by stopping one of his patrons from draining a human dry in the basement of his bar. A favor he'd prefer to repay in bed than in kind. Vampires and witches have had more than a jaded history, and when witches start showing up dead in surrounding covens, all signs point to something old and powerful. Something that knows the ways of the witches.Something--or someone--like Lucas. What's worse than trusting a vampire? Falling in love with one.Dead of Night a vampire/witch romance and is book one in the Thorne Hill series.

Some families run from their past. The Hawkins siblings hunt it down. Katherine Hawkins never asked to grow up in a world where demons were real and survival meant learning how to fight them. Alongside her brothers—William and Alex—she’s spent years tracking the things that live in the dark. But when an old exorcism tape surfaces and names from a forgotten case start resurfacing—Malcolm Smith, Matthew Conner, Gabriel Spender—their past begins catching up with them fast. Secrets their father kept buried are beginning to unravel. And the deeper they dig, the clearer it becomes: the monsters they’re chasing now are connected to something older, something unfinished… something personal. Now, with danger closing in and trust wearing thin, the Hawkins siblings must head straight into the heart of a mystery that could shatter everything they thought they knew—about their family, their history, and the war they were born into. Because sometimes, the real fight doesn’t start until after the ghosts come back.

For centuries, the empire of Jerash had known only one perpetual enemy, blood suckers. Emperor Julius, having killed hundreds of them, hands over the throne to his son, Sebastian. But just after Sebastian's arranged marriage to the fairest princess in the land, they are attacked by blood suckers and Sebastian gets bitten.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

Samantha Hale thought she had it all — a perfect marriage, a thriving career as a software engineer, and the kind of life that looked flawless from the outside. Until she discovers her husband is cheating on her… with her sister. And that her sister is pregnant. Betrayed. Homeless. Broke. One night, Samantha enters a radio contest on a whim — and wins an old Victorian mansion in a forgotten countryside town called Willow Creek. It’s supposed to be her new beginning. But the house has a secret buried deep beneath its foundations. When she unlocks the door to the basement, Samantha finds two stone coffins — and accidentally awakens Lucien Varyn, the long-lost King of Vampires, and his enigmatic right hand, Sebastian. Lucien is dark, magnetic, and far too dangerous. Sebastian is cold, calculating, and hiding something behind his icy loyalty. Both are bound to her by an ancient prophecy neither of them expected to come true. As strange events unfold and old powers stir, Samantha must decide who to trust — and who to love — before the house claims her soul… Because in Willow Creek, under the glow of the Blood Moon, the past isn’t dead. It’s just waiting to be awakened.

There are monsters in this world. And they used to be us. Now it's time to euthanize to survive in a hospice where Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. Post-infection Chicago. Christmas. Inside The Hospice, Emily and her fellow nurses do their rounds. Here, men and women live out their final days in comfort, segregated from society, and are then humanely terminated before fate turns them into marrow-craving monsters known as ‘Smilers.’ Outside these imposing walls, rabid protesters swarm with signs, caught up in the heat of their hatred. Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. But in a world where mortality means nothing, where guns are drawn in fear and nobody seems safe anymore – at what cost will this pursuit come? And through it all, the soon to be dead remain silent, ever smiling. Such is their curse. It won't be long before that snow-speckled ground will be salted by blood. ©️ Crystal Lake Publishing