Who Scored Abbas Kiarostami Film 'The Wind Will Carry Us'?

2025-08-25 18:33:24 257

5 Jawaban

Grayson
Grayson
2025-08-26 08:36:59
I like telling friends that the soundtrack credit for 'The Wind Will Carry Us' goes to Hossein Alizadeh — it sounds cooler than a lot of names, and the music really is cool. Alizadeh brings authentic Persian musical elements into the film in a way that feels lived-in, not theatrical. The score punctuates some key moments but mostly floats in the background, which is perfect because Kiarostami loves letting ambient sound tell a story. If you want to geek out, listen for the interplay of silence and occasional string or plucked-instrument phrases during the film’s longer scenes; that’s Alizadeh’s work shaping mood rather than stealing scenes. Honestly, after hearing it, I spent a few afternoons exploring his other recordings — it’s easy to get hooked.
Nicholas
Nicholas
2025-08-26 14:55:30
If someone asks me quickly: who scored 'The Wind Will Carry Us'? I say Hossein Alizadeh. Short and sweet — he’s the Iranian composer whose delicate, traditional-leaning music fits Kiarostami’s slow cinema like a glove. The soundtrack uses instruments like the tar and other Persian timbres, and it's less about catchy themes and more about setting a mood. I love how the music feels like it belongs to the landscape rather than being glued on top of it; it’s subtle, haunting, and quietly insistent — perfect for a rewatch when you want to notice sound as much as image.
Lila
Lila
2025-08-27 10:23:49
Watching that film at a midnight screening, I scribbled the composer's name in the margins of my notebook: Hossein Alizadeh. He composed the score for 'The Wind Will Carry Us' and his fingerprints are all over the film’s sonic atmosphere. Rather than composing overt, melodic lines, Alizadeh contributes textures that echo Iran’s musical traditions — small instrumental motifs, drones, and modal touches that make the countryside feel both specific and universal. Kiarostami’s editing and long takes give those sounds room to breathe; the music becomes as important as the visual silence between shots. If you’re fascinated by film scoring, compare the soundtrack’s restraint here to more conventional scores: it’s a masterclass in how less can create more emotional depth. I still find myself listening to parts of the score between scenes when I rewatch the film, it’s quietly hypnotic.
Reagan
Reagan
2025-08-31 01:02:23
I still get a little thrill when I tell people who did the music for 'The Wind Will Carry Us' — it's Hossein Alizadeh. Watching the film late one evening, the score's sparse, resonant tones felt like another character: patient, ancient, and quietly insistent. Alizadeh is a towering figure in Iranian music, known for the tar and setar, and his touch here is more about mood than melody.

Kiarostami uses sound and silence as storytelling tools, and Alizadeh's compositions slide into that space perfectly. The music isn't constantly foregrounded; it appears as subtle threads that tie the rural landscape to the film's contemplative pace. If you like hearing traditional Persian timbres woven into minimalist film scoring, this is a beautiful example.

If you haven't listened to Alizadeh beyond the film, try searching out his solo pieces or ensembles — they give you a fuller sense of why Kiarostami invited him into the project. For me, the score still lingers whenever I think of those long, patient shots.
Harper
Harper
2025-08-31 13:25:30
I grew up devouring slow, thoughtful movies and when I first saw 'The Wind Will Carry Us', I immediately wanted to know who made that haunting soundscape — it was Hossein Alizadeh. He’s a celebrated Iranian composer and instrumentalist, and his work here leans on traditional Persian instruments and modes, which fits Kiarostami’s muted, observational style perfectly. The film doesn’t thump with a large orchestral soundtrack; instead it relies on careful, atmospheric accents that feel organic to the village setting. I like to listen to Alizadeh’s recordings on their own after watching the movie — they reveal layers of nuance you maybe missed while following the story. If you’re into world music or film scores that respect silence as much as sound, Alizadeh’s contribution to 'The Wind Will Carry Us' is definitely worth exploring further.
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