What Season Does Gideon Die

2025-08-01 02:29:40 193

3 Answers

Harold
Harold
2025-08-03 03:28:08
I remember the exact moment because it hit me so hard. Gideon from 'Gideon the Ninth' dies in the first book, which is titled 'Gideon the Ninth' itself. The story is set in a gothic space opera universe, and Gideon's death happens towards the end of the novel. It's a pivotal moment that changes everything for Harrowhark, the protagonist. The way Tamsyn Muir wrote it was so impactful—I couldn't stop thinking about it for days. The book doesn't follow traditional seasons, but if you're asking about the narrative arc, it's the climax of the story. Gideon's sacrifice is brutal, beautiful, and unforgettable.
Amelia
Amelia
2025-08-03 05:18:52
Gideon's death in 'Gideon the Ninth' was a gut punch I didn't see coming. The book is part of 'The Locked Tomb' series, and her death occurs in the first installment. It's not tied to a seasonal event but rather the culmination of the novel's harrowing plot. Muir's writing is so visceral—you feel every moment of Gideon's final scenes. The way her relationship with Harrowhark evolves, only to end like that, is heartbreaking.

What makes it worse (or better, depending on how you view tragic storytelling) is how it sets up the rest of the series. Harrow's grief and guilt become central to 'Harrow the Ninth,' and Gideon's absence lingers like a ghost. If you're looking for a specific 'when,' it's in the last third of the book, during the chaotic, bone-filled climax. The series doesn't follow a seasonal structure, but the emotional weight of that moment feels like winter—cold, final, and stark.
Ulysses
Ulysses
2025-08-05 12:42:42
Gideon's death in 'Gideon the Ninth' is one of those literary moments that stays with you. It happens near the end of the first book, and it's not just a death—it's a transformation. The story doesn't use seasons as a timeline, but if I had to compare it to one, it's like the abrupt end of summer. Bright, fierce Gideon is gone, and what follows is this eerie, unresolved tension.

The way Tamsyn Muir handles it is masterful. You keep expecting a twist, a reversal, but it doesn't come. Instead, you get Harrow's spiraling grief in the sequel. The book's setting—a crumbling space necropolis—adds to the feeling of inevitability. Gideon's death isn't just a plot point; it's the axis the rest of the series rotates around. If you're reading for the first time, brace yourself. It hurts in the best way.
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