Why Does Simon Leave In To Green Angel Tower?

2026-03-23 11:53:26 256
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5 Answers

Ivy
Ivy
2026-03-25 01:31:18
Ugh, Simon’s exit wrecked me! Williams spends three books building him up as this wide-eyed kid who stumbles into destiny, only to have him choose himself over glory. It’s such a middle finger to traditional fantasy endings. Think about it—he’s not leaving because of some noble sacrifice; he’s leaving because the cost of staying is too damn high. The trauma of the Norn wars, the guilt over Binabik’s injury, the sheer weight of being a pawn in immortal games—it all crushes him. And the writing? Brutal in its subtlety. One moment he’s there, the next he’s just… gone. No fanfare. It mirrors how real people burn out. I love that Williams lets him be imperfect. Simon’s not Aragorn; he’s a guy who needs to heal.
Jude
Jude
2026-03-25 23:38:10
Simon’s exit feels inevitable in hindsight. Williams plants seeds early—his love of old stories, his discomfort with power. By 'To Green Angel Tower,' he’s a ghost of himself. The departure isn’t sudden; it’s the quiet snap after years of tension. Fantasy tropes demand kingship, but Simon chooses anonymity. It’s heartbreaking because it’s honest. Not every hero wants to rule.
Isaiah
Isaiah
2026-03-26 23:00:27
What fascinates me about Simon’s exit is how it mirrors real post-war fatigue. Williams could’ve given him a crown, but instead, he gives him silence. The guy survives apocalyptic battles, loses his innocence, and then… retreats. It’s not resignation—it’s reclaiming agency. The tower’s name hints at it: angels fall too. Simon’s arc is about the cost of growth, and his departure underscores that some wounds don’t close neatly. The series’ lingering question isn’t 'What did he achieve?' but 'What did he lose?' That’s powerful storytelling.
Mason
Mason
2026-03-27 01:26:18
Simon leaves because he’s done. Plain and simple. After everything—possession by Ineluki, watching friends die, bearing the sword of legend—he realizes no one wins in war. The tower’s angel motif isn’t just set dressing; it reflects his fractured state. He’s not the same boy who climbed the Hayholt’s stairs. Williams frames his departure as self-preservation, not cowardice. That ambiguity is why it sticks with me. Fantasy rarely lets heroes walk away without judgment.
Nevaeh
Nevaeh
2026-03-28 02:49:16
Simon's departure in 'To Green Angel Tower' hit me hard—not just because he’s the heart of the series, but because it feels like the culmination of his messy, human journey. He starts as a scullion boy, grows into a reluctant hero, and by this point, he’s carrying the weight of the world’s magic and politics. The guy’s exhausted, physically and emotionally. Tad Williams doesn’t shy away from showing how trauma lingers; Simon’s scars from battles, betrayals, and losing loved ones pile up. His leave isn’t some grand dramatic exit—it’s quiet, almost fragile. He steps back because he has to, not because he wants to. That’s what makes it gut-wrenching: it’s not a victory, just survival.

And then there’s the meta layer—Williams subverting fantasy tropes. Most Chosen Ones ride off into the sunset, but Simon? He walks away from the throne, the power, the legacy. It’s a commentary on how war changes people irreparably. The tower’s green angel symbolism ties back to his arc too—rebirth isn’t always triumphant. Sometimes it’s just learning to breathe again. I reread that scene last winter, and it hit differently now that I’m older. Growth isn’t linear, and Simon embodies that.
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