How Do Smeagol Hobbit Stories Reimagine His Bond With Frodo Through Dark Romance Tropes?

That burning flight of Smaug over Lake-town is one of those scenes that still gives me chills. If you’re specifically asking which hobbit characters survive that attack, the straightforward takeaway is: Bilbo Baggins survives, and essentially no other hobbits are involved in the attack at all. In 'The Hobbit' Bilbo has long since slipped away from the town; he spends most of the Smaug episode inside the mountain or away with the dwarves, so when Smaug swoops down on Esgaroth the hobbit world (the Shire and Bilbo alike) isn’t directly under the dragon’s breath. It’s worth unpacking a little because adaptations and fandom chatter can muddy things. In the book Smaug attacks Lake-town after Bilbo leaves Erebor, and Bard the Bowman ultimately kills Smaug with the Black Arrow. The casualties are townspeople, not hobbits — men of Lake-town suffer heavy losses and many are displaced, but you won’t find hobbit corpses listed among them. Later, the familiar hobbits from 'The Lord of the Rings' (Frodo, Sam, Merry, Pippin) remain untouched by this event; their tales happen generations later in the Shire, far away from the mountain’s smoke. If you’re looking for dramatic irony: Bilbo survives physically, but the ripple effects of Smaug’s destruction — refugee streams, political fallout in Dale and Lake-town, and Thorin’s obsession with the Arkenstone — all touch Bilbo’s story emotionally. I always end up feeling glad Bilbo gets out of that smoke intact, even as the world around him burns a little.

I get a little giddy diving into Tolkien's little population of Hobbits, because the core hobbit characters in 'The Hobbit' are surprisingly few and very much Tolkien's own inventions. The biggest and clearest original is Bilbo Baggins — he's the whole point, created for that 1937 tale. Also in the book you meet Gollum (Sméagol) during the dark cave scene; while Tolkien later explained Gollum was descended from a branch of hobbit-kind (the Stoors), in the 1937 text he appears simply as a strange, subterranean creature who plays the riddle game with Bilbo. Bilbo's family names — Bungo Baggins and Belladonna Took, references to the Old Took and the Sackville-Bagginses — are all part of Tolkien's invented Shire social web. If you're comparing the book to the later films and to 'The Lord of the Rings', note a wrinkle: Frodo wasn't named in the original 1937 edition of 'The Hobbit' but Tolkien revised the book in the 1950s to harmonize it with his later legendarium and added a mention of Frodo as Bilbo's heir. So the clean, original hobbit cast of 'The Hobbit' is mainly Bilbo, the hints of his family, and Gollum — and that's one reason the book feels so intimate and cozy to me.

I've always loved how hobbits—tiny folks with big hearts—end up holding some unexpectedly legendary blades. In 'The Hobbit' Bilbo finds the little Elvish knife known as Sting in a troll-hoard; it's simple but it glows blue around orcs and becomes a character in its own right. That blade follows Bilbo into retirement and then into Frodo's hands, so Sting is the clearest hobbit-linked weapon everyone remembers. Merry Brandybuck carries a different kind of fame: he keeps one of the Barrow-blades the hobbits receive in the Barrow-downs. That old northern sword, not flashy at first glance, is crucial later in 'The Lord of the Rings'—Merry's strike helps unseat the Witch-king, which allows Éowyn to finish the deed. Samwise Gamgee also ends up wielding blades during desperate moments; he may be best known for his stubborn courage rather than the weapon itself, but he does carry and use short swords at key points. So, Sting and the Barrow-blades are the hobbit-linked famous weapons I always point to—small tools with huge destiny, and I love that contradiction.

Watching those furtive glances in the forest, it’s obvious to me why Kili fell for Tauriel — she was everything unfamiliar and alive in the darkest part of his journey. In the films of 'The Hobbit' she’s brave, quick, and has this fierce quiet that doesn’t shout authority but simply embodies competence. Kili is young, adventurous, and often unmoored from home; he’s never seen an elf who treats him with a mix of respect and gentle curiosity. That combination of competence plus kindness is magnetic. There’s that rescued-soldier dynamic too: she pulls him from death, tends his wounds, then looks at him as a person rather than a casualty or a curiosity. That humanizing, in the middle of violence and loss, makes attachment feel almost inevitable. Beyond the personal chemistry, there’s the storytelling reason: forbidden or cross-cultural love plays on the theme of longing in 'The Hobbit' — longing for belonging, for life beyond one’s kin, and for someone who sees the real self. I also think Kili admires Tauriel’s rebellion against her own world’s rules; that sparks hope that two different lives could mean something together. Watching those scenes, I get the urge to rewatch the Mirkwood sequences just to study the tiny looks and unspoken promises between them.

Funny twist here: Kili isn't a hobbit at all — he's one of the Dwarves in 'The Hobbit', and that distinction matters because Tolkien's dwarves tend to favor different kit. In the book Tolkien doesn't give a long weapons-list for Kili specifically; we mostly learn about him as quick-eyed and brave rather than as a specialist with a named blade. Dwarves as a culture lean toward axes, short swords, spears, and sturdy shields, so it's fair to picture Kili equipped with one of those common dwarven weapons in the skirmishes he fights in. If you jump to Peter Jackson's film take on 'The Hobbit', the filmmakers add detail: Kili (Aidan Turner) is shown using a short sword or long dagger in close combat and — somewhat unusually for a dwarf — he also shoots a bow in a few scenes. That cinematic choice gives him a more agile, almost ranger-like vibe that contrasts with the axe-wielding stereotype. In both book and film he ultimately falls in battle during the Battle of Five Armies, struck down while defending his kin, which is the clearest thing we have on how his fighting ends. For fans and cosplayers, Kili often gets depicted with a compact sword plus a bow or throwing knives, since that matches the lean, quick portrayal from the movies.

Thorin and Bilbo slow-burn fics are my absolute jam! I’ve stumbled across some gems where their relationship builds over shared hardships. One standout has them navigating Erebor’s reconstruction, with Bilbo’s diplomatic skills clashing with Thorin’s stubbornness. The tension is palpable, but the trust grows as they learn to rely on each other. Another favorite explores Bilbo’s return to the Shire, only for Thorin to follow, realizing he can’t live without him. The pacing is perfect—small gestures, lingering glances, and quiet moments that scream intimacy. I adore fics where Bilbo’s cleverness earns Thorin’s respect, and Thorin’s vulnerability softens Bilbo’s edges. Bonus points for fics that weave in the Company’s meddling—they’re the ultimate wingmen!

I’ve stumbled across a few 'The Hobbit' fanfics that really dig into Bilbo’s guilt and Thorin’s redemption, and one that stands out is 'Ashes to Ashes.' It starts with Bilbo haunted by the Battle of the Five Armies, blaming himself for not preventing Thorin’s fall. The story shifts to Thorin, who survives but is consumed by regret and shame. Their paths cross again in Rivendell, where Thorin seeks forgiveness and Bilbo struggles to let go of his guilt. The fic explores their emotional scars, with Thorin slowly rebuilding his honor through acts of humility and Bilbo learning to forgive himself. The pacing is slow but rewarding, with moments of quiet introspection and raw vulnerability. It’s a story about healing, not just for them but for the entire Company, who play a supporting role in their journey.

The Kindle version of 'The Hobbit' stands out in a few delightful ways that really enhance the reading experience. For one, the accessibility factor is huge. Since I’ve always got my Kindle on hand, I can dive into Bilbo's adventure at any time. The benefit of being able to carry a whole library with me is an absolute game-changer. Imagine being on your lunch break and getting lost in the Shire or facing off against Smaug; it’s just perfect for unpredictable moments of downtime! One of the features that I absolutely love is the built-in dictionary. I find myself coming across terms that ignite my curiosity, and I can just highlight a word, and bam! There’s a definition right there. It not only makes the reading smoother but also helps me expand my vocabulary while I journey alongside Gandalf and the dwarves. Just last week, I stumbled over 'eerie'—and now I find myself using it in conversation! Plus, the Kindle lets you make notes or highlight passages, which is fantastic for those moments when you come across a line that hits you just right. I often find myself wanting to jot down my thoughts on Bilbo’s transformation throughout this journey. Another feature that can’t be overlooked is the adjustable font size. I appreciate being able to customize my reading experience, especially during late-night sessions when my eyes may need a break. It’s also a lifesaver for long reading marathons, which I tend to get carried away with whenever I crack open 'The Hobbit'. Plus, the backlighting on my Kindle means I can read comfortably without waking anyone up, making it perfect for late-night adventures until the sun comes up! Lastly, there’s just something very cozy about reading a classic like 'The Hobbit' on a Kindle. I feel it connects me with both the past and the present, blending J.R.R. Tolkien’s timeless storytelling with modern technology. You can even get some audiobooks on Kindle, so pairing the reading experience with the narration adds another layer of immersion. I recently listened to a dramatic reading of the chapters, and it was like having a private storytelling session of this beloved fantasy. It complements the experience beautifully! For anyone who loves the tale of Bilbo Baggins and his reluctant hero’s journey, the Kindle version is both practical and enjoyable. It brings this rich world into my hands in a way that aligns perfectly with my lifestyle. Reading about adventures filled with treasure, mystery, and the enchanting lore of Middle-earth has never been easier or more accessible! If you haven’t given it a try yet, I totally recommend diving into it, along with your other favorite fantasy reads. Happy reading!