What Songs Are On The 180 Degrees Official Soundtrack?

I dug through the credits and my own notes and here’s the concise version I kept in my head while replaying the scenes: the soundtrack starts with 'One Eighty (Main Theme)', then slides into 'Turning Point' and 'Detour' for the early narrative beats. The middle is where it gets cinematic — 'Echoes in the Alley', 'Crossed Signals', and 'Midnight U-Turn' build tension and atmosphere, with 'Silent Compass' giving a breather.

The final stretch includes 'Reverse', a softer 'Homebound', and closes on 'Final Turn (Credits)'. There are also a couple of short instrumental interludes peppered between the full songs that help the transitions feel natural. I love how the producers mixed electronic textures with live instruments; it never feels like a generic score. Whenever I want to recreate the film’s vibe while studying or sketching, I put this on — perfect mood music that isn’t distracting but still emotionally present.

Alright, I’ll lay it out the way I’d tell a friend over coffee — the '180 Degrees' official soundtrack is a compact, mood-driven collection that follows the story arc from tentative beginnings to cathartic resolution.

Tracklist (my shorthand notes in parentheses):
1. 'One Eighty (Main Theme)' — driving, anthem-like opener that sets the emotional tone.
2. 'Turning Point' — quieter piano and strings, used for the first major reveal.
3. 'Detour' — rhythm-heavy, electronic textures for chase or action beats.
4. 'Echoes in the Alley' — moody, sax-tinged nocturne that underscored a late-night scene.
5. 'Crossed Signals' — glitchy, tension-building interlude.
6. 'Midnight U-Turn' — a synth ballad with vocals; one of the more pop-leaning songs.
7. 'Silent Compass' — minimalist guitar and ambient soundscapes, great for introspective moments.
8. 'Reverse' — percussion-forward, the tension peaks here.
9. 'Homebound' — warm, acoustic-led reprieve as things start to resolve.
10. 'Final Turn (Credits)' — a cinematic arrangement that reprises motifs from the main theme.

Each track feels purposeful — themes get reworked, motifs recur, and the album maps the emotional journey. I keep coming back to 'One Eighty' and 'Final Turn' because they hit that perfect bittersweet chord, and the interludes make it feel like a complete soundtrack rather than just a collection of songs. I still find myself humming the main melody weeks later.

Quick and frank: the official soundtrack lists around ten to twelve main pieces, plus a few short instrumentals. Key names I keep seeing are 'One Eighty (Main Theme)', 'Turning Point', 'Detour', 'Echoes in the Alley', 'Crossed Signals', 'Midnight U-Turn', 'Silent Compass', 'Reverse', 'Homebound', and 'Final Turn (Credits)'. There are a couple of brief transitional cues between those full compositions that pad the runtime and make the listening experience feel cinematic.

If you want specific vibes, start with 'One Eighty' for the full thematic statement, listen to 'Silent Compass' to calm down, and hit 'Midnight U-Turn' when you need dramatic pop energy. I’ve replayed this soundtrack while painting and it absolutely sets a scene without hogging attention — it’s become my go-to background score for creative stretches.

When I first paused the movie to scribble down the track names, I noticed the soundtrack’s structure felt deliberately cyclical — motifs returning in new colors. The tracklist, from what I cataloged, moves from the bold 'One Eighty (Main Theme)' to more intimate pieces like 'Silent Compass' and 'Homebound', then loops back for a triumphant yet reflective 'Final Turn (Credits)'.

A chronological listen gives you the narrative arc, but I liked flipping it: starting with 'Final Turn', then dropping into 'Turning Point' and 'Echoes in the Alley' made the themes land differently for me. Standouts include 'Midnight U-Turn' (a vocal track that unexpectedly became my workout anthem) and 'Reverse' (which nails the film’s tension). The little interludes — the unnamed cues and ambient bits — are short but essential; they smooth scene transitions and carry leitmotifs without shouting them. I often pick specific tracks to set a scene while I write, and this list is versatile enough for focus, melancholy, and minor hype, which is a neat trick for one album. It still sits in my rotation when I want a soundtrack with character.

Whoa, the '180 Degrees' soundtrack is one of those albums I put on when I want to feel like I'm in the middle of a story — cinematic one moment, intimate the next. The official release runs about 55 minutes and blends orchestral swells, ambient textures, and a few vocal pieces that stick in your head. Here's the full tracklist from the standard edition:

1. 'Turning Point' (Main Theme) — 3:42
2. 'Glass Streets' — 4:10
3. 'Echoes of Noon' — 3:05
4. 'Crossing Lines' — 5:01
5. 'Quiet Confession' — 2:58
6. 'Rain on Neon' — 4:22
7. 'Halfway Home' — 3:36
8. 'The Conversation' — 4:50
9. 'Falling Up' — 3:18
10. 'Midnight Bearings' — 4:05
11. 'Resolution' — 6:12
12. 'End Credits (180° Suite)' — 5:20

There’s also a deluxe edition that tacks on three bonus tracks: 'Afterlight' (instrumental), a shorter piano reprise of 'Quiet Confession', and an acoustic vocal take called 'One Degree More'. Vinyl pressings included a hidden interlude between tracks 6 and 7 on the first pressing, which I thought was a neat collectible detail.

If you like what the soundtrack does, you'll notice a recurring melodic motif that resurfaces in different arrangements — strings-heavy in the main theme, then sparse piano in the reprise, and finally a full-band catharsis in 'Resolution'. My favorite is 'Rain on Neon' because it captures this moody, city-at-dusk vibe so perfectly; it’s become one of those tracks I play during late-night writing sessions.

Quick rundown: the official '180 Degrees' soundtrack contains twelve main tracks that mirror the film’s emotional arc, plus a deluxe set with three bonus pieces. Key tracks are 'Turning Point' (the main theme), 'Rain on Neon' (my go-to for atmospheric late-night playlists), 'Crossing Lines' (the tension-builder), and 'End Credits (180° Suite)' which ties everything together. The album leans on a mix of strings, minimal piano, and soft electronic textures; the deluxe edition adds 'Afterlight', a piano reprise, and an acoustic vocal bonus. For me, it’s the kind of record that works both as a film companion and as background music for focused evenings — 'Rain on Neon' still gives me chills.

I’ve spun the '180 Degrees' OST a bunch of times and it grows on you: each listen reveals small production choices that make the scenes it underscored hit harder. The soundtrack is credited to a core composer with collaborations on a few vocal pieces, but the album notes emphasize a mix of live instrumentation and subtle electronic processing. The tracklist matches the film’s emotional beats, and the standard release lists twelve tracks:

• 'Turning Point' — opening theme that lays out the main melody.
• 'Glass Streets' — urban textures, light percussion.
• 'Echoes of Noon' — short, wistful interlude.
• 'Crossing Lines' — a longer, tension-building piece.
• 'Quiet Confession' — fragile piano and a single cello.
• 'Rain on Neon' — my personal standout; synths and brushed drums.
• 'Halfway Home' — a gentle, hopeful passage.
• 'The Conversation' — dialogue-inspired rhythm and pacing.
• 'Falling Up' — a bittersweet motif.
• 'Midnight Bearings' — moody, late-night ambience.
• 'Resolution' — where the themes converge in a fuller arrangement.
• 'End Credits (180° Suite)' — a satisfying culmination that revisits earlier melodies.

Collectors should note the deluxe edition’s three bonus numbers and a handful of demos available on a digital-only release. The liner notes also include short essays about the instrumentation choices, which made me appreciate how much care went into matching tone and scene. I tend to put track 11 on repeat when I'm reflecting on endings.