Who Is The Speaker In 'My Last Duchess And Other Poems'?

2025-12-10 05:22:31 120

5 回答

Violet
Violet
2025-12-12 10:23:24
Browning’s speakers are like actors in a one-person play—each poem a soliloquy revealing Hidden Depths. The Duke’s polished menace, the obsessive narrator in 'Porphyria’s Lover,' even the whimsical Pied Piper—they all stick in your head like characters from a novel. What I love is how Browning makes you complicit; you’re not just reading, you’re listening, maybe even justifying their actions before catching yourself. That’s the magic of dramatic monologue.
Andrea
Andrea
2025-12-13 14:22:22
That book’s speakers are like ghosts at a séance—each one demanding attention. Browning doesn’t just write poems; he builds entire psyches in a few stanzas. The Duke’s casual cruelty, Porphyria’s lover’s warped devotion—they feel shockingly real. It’s less about Browning himself and more about the voices he channels, like a playwright for the page.
Emery
Emery
2025-12-14 13:19:24
Browning’s speakers in that collection are like shadow puppets—each one a silhouette of human flaws. Take 'My Last Duchess': the Duke’s voice drips with control, his words polished as the art he collects, yet you feel the violence simmering underneath. It’s wild how Browning makes you sympathize with monsters or unravel ordinary people pushed to extremes. The baker in 'the pied piper,' the desperate lover in 'The Laboratory'—they all twist morality into something slippery. What sticks with me is how these monologues force you to judge, then question your own judgment.
Jade
Jade
2025-12-14 19:55:49
Reading Browning’s collection feels like flipping through a gallery of portraits where the subjects start talking back. The speakers range from historically inspired figures like the Duke to everyday folk with eerie secrets. What grabs me is how Browning uses their voices to critique society—wealth, power, gender roles—without ever preaching. The Duke’s monologue, for instance, exposes aristocratic entitlement through his own words, letting the horror sink in gradually. It’s storytelling at its most sly and effective.
Yara
Yara
2025-12-16 20:54:43
The voice in 'My Last Duchess and Other Poems' belongs to Robert Browning, but it's not just him—it's a whole cast of characters he conjures up through dramatic monologues. Browning's genius lies in how he slips into different skins, from the chillingly arrogant Duke in 'My Last Duchess' to the Broken-hearted lover in 'Porphyria’s Lover.' Each poem feels like eavesdropping on someone’s private confession, raw and unfiltered.

What fascinates me is how Browning uses these speakers to explore dark, twisted corners of human nature. The Duke, for instance, isn’t just a historical figure—he’s a masterclass in toxic pride, casually revealing his cruelty while admiring a painting. It’s like Browning hands you a mask and says, 'Here, try this perspective on for size.' The collection’s power comes from how vividly these voices linger, long after you’ve closed the book.
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