How To Start Writing High Fantasy Books?

2026-04-21 13:01:01 76

4 Answers

Neil
Neil
2026-04-22 17:08:40
High fantasy feels like stepping into a world where the air hums with magic and every shadow hides a legend. I started by sketching maps—not just of kingdoms, but of cultures. What do the northern mountain tribes trade? How do coastal cities celebrate their drowned gods? Then came the rules of magic: is it blood-based, like in 'The Poppy War', or tied to language like 'The Name of the Wind'? I scribbled lore fragments in margins—prophecies on tavern napkins, folk tales in grocery lists.

The trick is to let the world breathe before plotting. My first draft had a cliché 'chosen one' until I realized my side character, a disgraced alchemist, had more spark. Now she’s the protagonist, chasing myths to redeem her family name. For inspiration, I study how 'The Stormlight Archive' layers politics with personal trauma, or how 'The Broken Earth' trilogy makes geology feel apocalyptic. Start small—a single village festival where magic leaks through the cider—and expand outward.
Liam
Liam
2026-04-24 03:21:10
Building a high fantasy world is like assembling a puzzle where you design every piece. I focus on contradictions: a knight sworn to pacifism, a library that burns knowledge to preserve it. My current project grew from a single image—a cathedral floating on a frozen sea, its bells ringing underwater. Research helps too; I steal from history (the spice wars for trade conflicts) and science (how fungi networks could mirror magical bonds). Dialogue needs its own flavor—I mix archaic phrasing with modern slang to avoid sounding like a Renaissance fair. The key? Write the scenes that excite you first, even if they’re out of order. That duel atop a moving airship? Draft it now, connect it later.
Nora
Nora
2026-04-27 22:30:02
I cheat by starting with fanfiction—not publishing it, but drafting original characters into existing worlds to test their voices. When my thief kept outshining the canon heroes, I knew she deserved her own heist in a city of floating islands. For magic, I borrow problems from real tech: what’s the fantasy equivalent of internet addiction? Maybe wizard towers where scholars scroll through enchanted mirrors. The best tip I stole was from Brandon Sanderson’s lectures: 'Awesome over rigorous.' If flying castles are cool, justify them later. My current villain became compelling when I gave her a motive ripped from parenting forums—she’s conquering continents to childproof them.
Ivy
Ivy
2026-04-27 23:59:45
There’s a misconception that high fantasy requires Tolkien-level languages or thousand-page bibles. My approach is messier—I worldbuild through character cravings. A sailor homesick for mangoes tells me his homeland is tropical; a wizard’s headache hints at magic’s cost. I keep a 'junk drawer' document for discarded ideas (a moon that sings, armor made of insect shells) which often resurface unexpectedly. For systems, I ask: who suffers under this magic? Who profits? In 'The Fifth Season', oppression is baked into the geology. My advice? Read outside fantasy—horror teaches pacing, romances reveal how to weave personal stakes into epic backdrops.
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