What Stephen King Book Should I Read First?

"Kane stays unmoving, and I realize he’s barely breathing. I don’t think he needs oxygen to stay alive, so that’s not too surprising, but I can’t’ figure out why he is so still. His hand at my waist is so very close to my breastbone, the longing for him to slide it up only a few inches, to touch me in places no one ever has before, has a gasp leaving my lips. I have to bite down again to keep from moaning, and he hasn’t even kissed me yet." Emory I was born to be the Alpha of my pack. But now... I am here, in the castle of our greatest enemy, the Vampire King. I should hate Kane, but the more time I spend with him, the more I long for him. I am not here to be his lover, though. I am here to be his feeder. But even before his lips graze my skin the first time, I know I would give myself to him in every way imaginable if only he should ask. Kane I long to taste the wolf shifter, but not her blood, her body. But I'm already betrothed to marry another vampire, and if I call that off, I have resigned my kingdom to yet another war. There has to be a way to keep Emory as my feeder but not claim her in my bed. I just haven't figured it out yet. But I have enemies, and every moment she spends here in my home, Castle Graystone, she's in danger. I can protect her, but at what cost? Am I willing to risk everything to make her mine? Or should I put my duty to my kingdom first?

a really good book for you. I hope you like it becuase it tells you a good story. Please read it.

When Dr. Vickie Anderson moves to a small town to become their local physician, little does she realize what awaits her. The sweet and sexy man she falls in love with turns out to be a vampire, the kind and wise woman she becomes good friends with turns out to be a witch, and the local "hottie" sheriff is a zombie hunter! But, then, so is everyone else she knows. Swept into a world she never believed could exist, Vickie must decide whether she has what it takes to live as a doctor by day and a zombie hunter by night.

Ryan is the Zombie King, the man who helped the zombies take over the human world. Now, he's on the hunt for the one human he can't forget. Lacey is on the run for her life from zombies trying to forget Ryan. She didn't know he was a zombie, and she can't help being conflicted over how she feels about him. Zombies aren’t the mindless creatures that humans thought of in their stories. They are intelligent and function like humans do, minus the human brains they need for food. Turns out that zombies come from a mutated gene that only activates after death. They have been around just as long as humans and now they rule the world. When Ryan finally finds Lacey and brings her to his kingdom their worlds collide once again and so do their feelings. Can Lacey forgive Ryan for abandoning her after using her? Can their love survive in the new world?

Some families run from their past. The Hawkins siblings hunt it down. Katherine Hawkins never asked to grow up in a world where demons were real and survival meant learning how to fight them. Alongside her brothers—William and Alex—she’s spent years tracking the things that live in the dark. But when an old exorcism tape surfaces and names from a forgotten case start resurfacing—Malcolm Smith, Matthew Conner, Gabriel Spender—their past begins catching up with them fast. Secrets their father kept buried are beginning to unravel. And the deeper they dig, the clearer it becomes: the monsters they’re chasing now are connected to something older, something unfinished… something personal. Now, with danger closing in and trust wearing thin, the Hawkins siblings must head straight into the heart of a mystery that could shatter everything they thought they knew—about their family, their history, and the war they were born into. Because sometimes, the real fight doesn’t start until after the ghosts come back.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.