Where Can I Stream A Movie Like Enola Holmes Tonight?

There’s a soundtrack that immediately pops into my head when someone asks for music with the same sprightly, period-mystery vibe as 'Enola Holmes' — that would be 'The Grand Budapest Hotel' by Alexandre Desplat. I know it’s not a detective movie in the exact same way, but tonally it hits so many of the notes that make 'Enola Holmes' feel so irresistible: a playful, slightly mischievous lead character, meticulously designed period details, and a score that threads whimsy with melancholy. Desplat uses quirky woodwinds, plucked strings, and little percussion flourishes that feel like footsteps in a stately hallway, while still delivering memorable melodic hooks. I actually caught myself humming one of his themes on a rainy walk once and realized how perfectly that music matches the atmosphere of solving a mystery with a wry smile. If you like the way 'Enola Holmes' blends light-hearted adventure with emotional undercurrents, Desplat’s score will satisfy that itch. There’s an elegance to the orchestration that still allows for quick, witty moments — think bright pizzicato strings for capers and soft, piano-led passages for reflective beats. Listening on good headphones or vinyl really brings out the texture in his arrangements; the little details (a plucked mandolin here, a nasal oboe line there) make scenes feel lived-in. For fans who write fanfic or do moodboards, I’ll often throw on 'The Grand Budapest Hotel' when I want scenes to feel whimsically Victorian but emotionally grounded. For variety and a few more listening ideas: 'Pride & Prejudice' (Dario Marianelli) leans more romantic but has period authenticity, while 'Sherlock Holmes' (Hans Zimmer) cranks up the investigative adrenaline with inventive percussive motifs. If you want a playlist, mix tracks from these three and alternate between Desplat’s delicate whimsy and Zimmer’s more kinetic detective energy. Try pairing a Desplat track with a cozy tea and a rewatch of a favorite 'Enola Holmes' moment — it’s silly but lovely, and sometimes the music unlocks emotional beats I didn’t expect to feel.

If you're in the mood for the same breezy mix of brains, charm, and period flair that makes 'Enola Holmes' so fun, I've got a handful of favorites that hit different notes of that vibe. I tend to binge these on chill Sunday afternoons — tea, a window streaked with rain, and a fuzzy blanket — so my picks lean toward stories where the lead is clever, stubborn, and refuses to sit still while the world tells her what to do. Some are lighter and playful like 'Enola Holmes', some are more serious, and some lean into bold, modern reinventions of the spirited heroine archetype. Top ones I’d recommend right away are 'Miss Fisher and the Crypt of Tears', 'Nancy Drew and the Hidden Staircase', 'Hidden Figures', 'A Wrinkle in Time', and 'Emma.' Each scratches a different itch: 'Miss Fisher and the Crypt of Tears' gives you a stylish, unapologetically glamorous detective with an adventurous streak — Victorian/Edwardian mystery energy but with a modern feminist wink. I love it because the lead feels like the grown-up, glossier cousin of Enola — all satin gloves and quick wit — and the production design is a treat. 'Nancy Drew and the Hidden Staircase' is more teen sleuth than period-piece sophistication, but if you want youthful curiosity, puzzle-solving, and that plucky, can-do spirit, it’s an easy, comforting watch. For something grounded and powerful, 'Hidden Figures' flips the formula: three brilliant women, real historical stakes, and systemic obstacles to outsmart. It’s not a whimsical mystery, but the lead characters’ intelligence and grit give that same joyful satisfaction when they triumph. If you liked the youthful wonder and occasional surreal leanings of 'Enola Holmes', 'A Wrinkle in Time' captures a young woman’s emotional journey and the impulse to defy expectations — it’s more fantastical and polarizing in execution, but the heart is similar. For a period comedy with sharp social commentary, 'Emma.' (the 2020 version) puts a clever, complicated woman at the center and revels in quiet rebellions and social maneuvering; it’s not detective yarn, but the lead’s agency and the film’s warmth often scratch the same itch. For something edgier, 'The Girl with the Dragon Tattoo' offers a darker, more intense take on a brilliant female protagonist who refuses to be dismissed — definitely not family-friendly, but a strong showcase of a woman who drives the plot. If you want a quick way to pick: go 'Miss Fisher' or 'Nancy Drew' for mystery-adventure and charm; pick 'Hidden Figures' for historical inspiration and heart; choose 'A Wrinkle in Time' when you want spectacle and a coming-of-age core; grab 'Emma.' for character-driven wit. Personally, I often rotate between these depending on my mood — sometimes I crave glittery capers, other times I want stories where women smash barriers and think their way out of trouble. If any of these jump out at you, I’d be happy to dive deeper and match your exact mood (cozy puzzle, historical grit, or fantasy wanderlust).

Okay, if you loved 'Enola Holmes' for its whip-smart heroine, period charm, and playful mystery, start with 'Knives Out' — it’s the clearest sibling in spirit. Rian Johnson’s film is a modern whodunit with a giant wink; the ensemble cast is delightfully snarky, the clues are satisfyingly smart, and the humor lands without undercutting the mystery. It scratches that same itch for clever sleuthing and social commentary, but with a more adult edge and sharper satire. If you want something that keeps the Victorian/Edwardian charm and a plucky woman at the center, check out 'Miss Fisher and the Crypt of Tears' (the movie spin-off of the show). It’s lush, glamorous, and full of the same breezy detective energy. For lighter, family-friendly vibes, 'Nancy Drew' (2007) has that youthful curiosity and an optimistic lead. And if you want a cheeky, globe-trotting caper, 'The Adventures of Tintin' blends adventure and mystery with a lot of heart. Personally, I’d queue up 'Knives Out' first, then move to 'Miss Fisher' for the period glam — perfect for a cozy detective marathon.

If you loved 'Enola Holmes' for its mix of clever sleuthing, period charm, and a lead who’s more than capable of carrying the whole movie, there are a bunch of films that’ll scratch that same itch without being too grown-up for teens. I get giddy just thinking about the first time I watched 'Enola Holmes' with a bowl of popcorn and a ridiculous blanket fort—so here are picks that echo its energy: mystery, wit, adventure, and a strong youthful protagonist. For a direct follow-up vibe, start with 'Enola Holmes 2' if you haven’t seen it yet—same protagonist, more puzzles, and a bit more swagger. If you want classic teen sleuth energy, 'Nancy Drew and the Hidden Staircase' (2019) brings a modern, resourceful heroine who isn’t afraid to poke her nose into secrets. For a slightly nostalgic, adventurous feel, 'The Goonies' is a genre staple: treasure maps, booby traps, found-family moments, and a brilliant pace that keeps younger teens totally hooked. If period settings are a big part of what you enjoyed, 'Young Sherlock Holmes' (1985) captures the formative years of a famous detective with playful mystery and old-school effects in a way that still feels charming today. Shifting gears, if you liked the smart puzzles and historical trappings, 'National Treasure' (2004) is a perfect puzzle-hunting thrill ride—think cryptic clues, conspiracies tied to real history, and a fun, family-friendly tone. For a touch more fantasy with a brave young lead, 'The Spiderwick Chronicles' blends supernatural mystery and sibling dynamics in a way that’s exciting but not too dark for teenagers. 'Hugo' is another lovely choice: it’s less a jailbreak mystery and more a whimsical quest wrapped in a period setting, gorgeous visuals, and an emotional center that teens can feel. If you’re after something with more literary mystery, 'A Series of Unfortunate Events' (the Netflix series) nails eccentric characters, clever puzzles, and a quirky, scheming adult world—more episodic, but binge-worthy for group watch nights. If your mood swings toward fairy-tale adventure with a strong lead, 'Stardust' offers charmingly roguish quests and clever dialogue, while 'The Adventures of Tintin' (2011) is a fast-paced, animated treasure-hunt with smart detective beats. For modern, urban mystery-adventure, 'The Kid Who Would Be King' mixes myth, friendship, and mission-style stakes that teens tend to adore. A practical tip from my movie nights: check ratings and scan for the one or two heavier moments—some of these (like 'The Spiderwick Chronicles' or 'Hugo') have mild scares or sadder beats that are fine for most teens but might need a brief heads-up. Honestly, pick based on what you loved most in 'Enola Holmes'—the girl-power, the Victorian charm, the detective puzzles, or the buddy-and-family dynamics. Invite a few friends, make snacks, and let the group vote: sometimes the best films reveal a new favorite in the second act when everyone’s yelling at the screen in the best way. If you want, tell me which part of 'Enola Holmes' was your favorite and I’ll tailor a shorter watchlist for exactly that vibe.

If the clever, mischievous energy of 'Enola Holmes' hooked you, then you probably want something that mixes mystery with personality — a film where the detective is as much about heart and stubbornness as about clues. For me, the first thing I reach for is 'Knives Out'. It’s not Victorian, but it nails that playful, subversive whodunit vibe: clever plotting, a cast that delights, and a protagonist who sees social quirks as part of the puzzle. I watched it on a rainy Sunday and ended up pausing every five minutes to scribble theories and laugh at the characters’ petty chaos. If you like Enola’s mix of charm and social commentary, this one scratches the same itch in a modern setting. If you want more period flavor, 'Murder on the Orient Express' (the Kenneth Branagh version) scratches the classic mystery itch with luxurious sets and a big ensemble of suspects. It’s slower, more atmospheric, and leans into the procedural elegance of a locked-room-style case — perfect if you enjoy fancy hats and colonial-era trains almost as much as the puzzle itself. For a lighter, kookier Victorian-adjacent detective story, 'Hugo' is a delightful detour: it’s more of an adventure-mystery with warm heartbeats and visual whimsy, and it reminded me of how much fun cinematic sleuthing can be when set pieces become character. If you liked the young-sleuth angle of 'Enola Holmes', don’t sleep on 'Nancy Drew and the Hidden Staircase' — it’s breezy, teen-spirited, and full of amateur-detective energy. Also check out 'The Limehouse Golem' if you want a darker, grittier Victorian mystery with moral complications and a brooding mood. For serialized comfort, binge 'Miss Fisher's Murder Mysteries' (and the movie 'Miss Fisher and the Crypt of Tears') for a glamorous, feminist, jazz-age Helen-of-detectives vibe: each episode is a tidy mystery wrapped in costume drama and feminist sass. A few bonus picks I keep recommending to friends: 'Sherlock Holmes' (the Guy Ritchie films) for action-packed deduction and brotherly chemistry; 'The Lady Vanishes' if you want a classic Hitchcock-style train mystery with dry wit; and 'The Adventures of Tintin' for pure globe-trotting mystery-adventure. If you’re in a mood for book-to-screen crossover, reading a book or two from 'The Enola Holmes Mysteries' by Nancy Springer before or after watching can add another layer of joy — you get the original voice that inspired the film’s tone. Plan a mini-mystery night: dim lights, a notebook to jot red herrings, and a friend to argue clues with. I’m already thinking which of these to pair with tea and a cozy blanket next weekend.

Sometimes I just want that exact cocktail of clever mystery, spirited heroine, and a gentle coming-of-age arc that 'Enola Holmes' gives me — and luckily there are a bunch of films that scratch the same itch in different ways. If you like the Victorian flavor plus a young woman learning to stand on her own, start with 'Nancy Drew' (2007). It’s lighter and more modern than 'Enola Holmes', but the curiosity-driven sleuth, the fish-out-of-water moments, and the way Nancy grows more confident through small victories hit the same notes. I watched it on a rainy afternoon with tea and a blanket, and it felt like a warm, mischievous cousin of 'Enola'. For something with a bit more visual wonder and a stronger emphasis on personal discovery, 'Hugo' is a beautiful pick. It’s not a detective story in the traditional sense, but it revolves around a kid solving a mechanical and emotional mystery that leads to identity and belonging — classic coming-of-age beats. If you loved the playful inventiveness of 'Enola' and its parade of oddball characters, 'Hugo' offers the same sense of finding family in unexpected places. On the slightly darker, quirkier side, 'A Series of Unfortunate Events' (2004) blends gothic humor and adventure as young protagonists deal with adult duplicity; the kids’ resilience and their small acts of rebellion are very Enola-esque. If you want a period drama that leans more into internal growth and sisterhood, 'Little Women' (2019) is a gorgeous, heart-heavy choice. It’s less about mysteries and more about choosing your path, but watching Jo and her sisters grow up, clash, and claim agency feels very much like the soul of 'Enola'. For magic-tinged coming-of-age and a braver-than-you-think heroine, try 'Miss Peregrine's Home for Peculiar Children' — it’s moody and whimsical, with characters learning to own their differences. Lastly, if you want a direct detective-origin vibe, 'Young Sherlock Holmes' offers a fun look at a brilliant young mind piecing together clues and moral choices; it scratches that curiosity-and-resolve itch perfectly. Depending on whether you want whimsy, grit, or emotional depth, one of these will land like a cozy knock on the door inviting you into a new adventure.

I still get a little thrill when I think about foggy streets and gas lamps, so when someone asks for a classic film that scratches the same Victorian itch as 'Enola Holmes', I immediately start picturing Dickensian alleys and shadowy detectives. If you love the spirited mystery and period detail of 'Enola Holmes', some older films lean into the atmosphere and social textures that make that world so appealing. A great first stop is 'Great Expectations' (1946), directed by David Lean — it’s lush, moody, and drenched in the class tension that defines much of Victorian London. The marshes, the crumbling estates, and Pip’s uneasy journey through a rigid society capture the era’s mood in a very cinematic way, and Lean’s visuals often feel like a black-and-white cousin to the stylized sets in modern period pieces. Another film that always comes to mind is 'Oliver Twist' (1948), also adapted from Dickens and also directed by Lean. It’s grittier in spots, with ragged streets and sharp social commentary that remind you London wasn’t all corsets and ballrooms. If you’re drawn to the mystery/detective angle, though, old Sherlock Holmes films are a natural bridge. The Basil Rathbone Holmes films (the 1939–1946 series and the later Hammer takes) are fun blends of deduction and Victorian-flavored set design — think smoky clubs, clever one-liners, and a heavy dose of foggy suspense. For a more gothic, dread-driven vibe, Alfred Hitchcock’s 'The Lodger: A Story of the London Fog' (1927) is a silent-era masterpiece about a Jack the Ripper–style terror in London; it’s less polished by modern standards but brilliantly atmospheric. If you’re after a domestic mystery with psychological tension — something closer to Enola’s emotional stakes — 'Gaslight' (the classic 1944 version) nails the creepy, intimate manipulation set against a period backdrop. The house, the dim lamps, the sense of being watched — those elements feel like distant cousins to the way 'Enola Holmes' uses domestic spaces to reveal character. For a different but very affecting portrait of Victorian London’s underbelly, David Lynch’s 'The Elephant Man' (1980) is later than the others but captures the city’s cruelty and occasional compassion in a way that’s deeply human and visually arresting. If you want a watchlist starter: begin with 'Great Expectations' or 'Oliver Twist' for Dickensian texture, slide into a Rathbone Holmes movie for detective thrills, and finish with 'Gaslight' to feel that domestic suspense. Make yourself tea, dim the lights, and enjoy the foggy streets — they really transport you back in time.

If you loved the spirited, brainy energy of 'Enola Holmes' and want something that adapts a girl-detective novel specifically, my top picks are a small, delightfully varied bunch — think classic sleuthing, childhood espionage, and more grown-up noir, depending on what mood you’re in. I got hooked on these because they capture that same mix of curiosity, wit, and a heroine who refuses to be boxed in. First up, the clearest parallel is the 'Nancy Drew' film family: the 2007 'Nancy Drew' with Emma Roberts and the 2019 'Nancy Drew and the Hidden Staircase' starring Sophia Lillis. Both are direct adaptations of the long-running Nancy Drew books, and they lean into the girl-sleuth tradition: clever puzzles, secret rooms, and an independent detective whose investigations pull her into adult worlds. The 2007 version plays more like a sunny suburban adventure with retro touches, while the 2019 one has a slightly darker, more atmospheric feel at times — so pick based on whether you want that cozy mystery vibe or something moodier. On a different wavelength, 'Harriet the Spy' (1996) is a charming, tender take on a girl who’s practically born to observe and investigate. It’s adapted from Louise Fitzhugh’s book and isn’t a detective story in the strictest sense — Harriet’s a spy, note-taker, and relentless question-asker — but the heart is exactly what made me fall for 'Enola Holmes': a fierce, flawed young protagonist trying to understand the world and the people in it. Watching Michelle Trachtenberg play Harriet, I was struck by how the film handles the messy parts of growing up alongside the curiosity. If you want something that’s less about solving a grand conspiracy and more about personal discovery through sleuthing, this one nails it. If you’re open to a slightly different route, consider the 'Veronica Mars' movie from 2014. It’s not directly adapted from a novel — it continues the TV series — but the core is the same: Veronica is a sharp, sarcastic young private investigator who takes on layered, socially charged mysteries. It’s a grittier, noir-tinged experience compared to 'Enola Holmes', but it scratches that same itch for a clever female lead who uses brains and gumption to navigate a world designed to dismiss her. Another tip is to check out the books that inspired 'Enola Holmes' if you haven’t already; Nancy Springer’s novels have a different texture than the films and can lead you to more girl-detective reads that haven’t been adapted yet. So, short list: 'Nancy Drew' (2007) and 'Nancy Drew and the Hidden Staircase' (2019) for direct, classic girl-detective adaptations; 'Harriet the Spy' (1996) for a more introspective young sleuth; and 'Veronica Mars' (2014) for a mature, serialized mystery vibe. If you tell me whether you lean cozy, gothic, or noir, I can narrow it down to the perfect watch — I’ve got opinions and popcorn recommendations ready.