Are There Any Summaries Of Kermode On Film Chapters?

2026-01-15 13:38:45 193

3 Answers

Xenia
Xenia
2026-01-17 09:32:53
Kermode’s writing feels like having a pint with the most insightful film buff you know. His chapter on bad movies is a riot—he champions 'so-bad-it’s-good' cinema with scholarly rigor, arguing films like 'The Room' or 'Troll 2' deserve respect for their unintentional artistry. He balances humor with sharp analysis, showing how flaws reveal filmmaking’s unpredictable magic. Another favorite explores censorship battles, from 'A Clockwork Orange' to 'Barbie,' tracing how societal fears shape what hits the screen.

What makes his work special is the personal touch. He’ll casually mention arguing with Scorsese about Kubrick or geek out over 'Paddington 2’s' perfect Rotten Tomatoes score. It’s not dry academia; it’s lively, opinionated, and packed with behind-the-scenes tidbits that even casual moviegoers can enjoy.
Brielle
Brielle
2026-01-17 20:47:25
I've spent countless rainy afternoons curled up with Mark Kermode's film critiques, and his 'Kermode on Film' chapters are like mini masterclasses in cinema. Each one dives into a different aspect of filmmaking—sometimes dissecting genres, other times unpacking directorial styles. One chapter I adore breaks down the horror genre's evolution, linking classics like 'The Exorcist' to modern gems like 'Get Out.' Kermode’s wit and deep knowledge make even the densest topics accessible. He doesn’t just summarize films; he excavates their cultural impact, like how 'Jaws' reshaped blockbusters or why 'the shawshank redemption' endures.

Another standout chapter analyzes the art of the movie soundtrack, weaving together Ennio Morricone’s spaghetti western scores with Hans Zimmer’s booming 'Dune' themes. It’s not just about music but how soundscapes shape emotional arcs. Kermode’s passion is contagious—I often finish a chapter and immediately queue up the films he mentions, hungry to see them through his lens.
Freya
Freya
2026-01-18 09:01:02
Reading 'Kermode on Film' is like flipping through a scrapbook of cinematic love letters. One chapter dissects the power of silence in films, comparing 'A Quiet Place' to old Chaplin tramp reels. Another riffs on how CGI changed storytelling, lamenting lost practical effects while praising 'Mad Max: Fury Road.' Kermode’s summaries aren’t cold recaps—they’re vibrant debates. He’ll pivot from praising 'Parasite’s' class satire to roasting lazy Hollywood remakes, all with equal fervor. His chapters leave me itching to rewatch films with fresh eyes.
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