What Are Synyster Gates' Best Solos In A7X?

2026-04-18 03:32:59 288

3 Answers

Kara
Kara
2026-04-21 09:00:45
If I had to pick just a few of Synyster’s solos that define his genius, 'M.I.A.' would top the list. That outro solo is a warzone—alternate picking like machine gun fire, then suddenly melting into these sorrowful, Middle Eastern-tinged licks. It’s brutal and beautiful at once, mirroring the song’s themes of PTSD. Another underrated gem is 'Sidewinder,' where he trades licks with a flamenco guitar. The contrast is electrifying; you get his signature shredding, then this fiery Spanish interlude that feels like a duel in the desert.

And how could anyone skip 'Second Heartbeat'? It’s early A7X, but Gates was already a beast. The solo’s pure adrenaline, with whammy bar dives and chromatic runs that sound like a metal version of a horror soundtrack. What I love is how he never sacrifices melody for speed—even at 100 mph, every note matters. That’s the mark of a true virtuoso.
Flynn
Flynn
2026-04-21 13:21:36
Synyster Gates' solos in Avenged Sevenfold are like lightning in a bottle—each one crackles with technical precision and raw emotion. The solo in 'Afterlife' is a masterclass in melodic phrasing, weaving through the song's orchestral backdrop with a haunting elegance. It starts with those iconic harmonized bends, then erupts into a flurry of sweeps and taps that still give me chills. And let's not forget 'Bat Country,' where his playing feels like a fever dream—unpredictable, chaotic, yet perfectly structured. The way he dances between dissonance and harmony mirrors the song's psychedelic theme.

Then there’s 'The Stage,' a cosmic journey where his solo feels like a rocket launch. The phrasing is slower, more deliberate, letting each note breathe against the prog-metal sprawl. It’s less about shredding and more about storytelling, which shows how his style’s evolved. And 'So Far Away'? Pure heartbreak. That solo’s a eulogy in guitar form—every bend aches. Gates has this uncanny ability to make his instrument weep, and it’s why his work resonates so deeply.
Zachary
Zachary
2026-04-22 11:04:59
One solo that doesn’t get enough love is 'Buried Alive.' The buildup is cinematic—clean arpeggios, then a slow burn into this explosive, wah-drenched climax. It’s like watching a villain monologue before the final fight. And 'Save Me' has this chaotic, almost jazz-like section where Gates and Zacky trade off in a dissonant frenzy. It shouldn’t work, but it does—because they play with such conviction.

Then there’s 'Fiction,' where his solo feels like a ghost whispering. Minimalist compared to his usual style, but it cuts deeper because of it. Gates isn’t just playing notes; he’s painting emotions. That’s why his solos stick with you long after the song ends.
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