Eleven Minutes Paulo Coelho

Nubia has her life planned out. She is working on her master's degree in post colonial studies. She has a quiet apartment and a schedule she sticks to. Every Wednesday night she finishes class at nine thirty, walks to the bus stop, and waits. The bus is always late. There is always a stranger sitting on the bench. He wears headphones and draws in a sketchbook. He never speaks. She calls him Pencil Boy in her phone and does not think much about it. Then one October night the bus is delayed by forty three minutes. Eli studies architecture but he draws people instead of buildings. He has been sketching Nubia for six weeks without ever saying a word. He is quiet and pays close attention to things. He has learned to keep people at a distance because it feels safer that way. But when the cold night gets to Nubia and he gives her his hoodie, the silence between them finally breaks. What begins as pie at a late night diner turns into a Wednesday night tradition. Then a friendship. Then something much deeper. As Nubia and Eli grow closer, they must face the things that make them different. Race. Class. The dreams they are chasing. The families they come from. And the strong pull of a connection neither of them can ignore. Set over one school year, 43 Minutes is a warm and sensual love story about two people learning to truly see each other. It is about letting yourself be seen. And it is about the moments that change your life in less than an hour but stay with you forever.

Love in 10 days. "In 10 days?" I yelled at first when my sister told me my marriage was arranged to happen in 10 days. How did she expect me to meet and fall in love with a total stranger within 10 days? Marriage is no joke. Just when I thought This arrangement couldn't get worse they came up with another complication, "You have to choose either of them two but give each of them a fair chance" Now I have to juggle between two extremely handsome men and decide who deserves my hand. The idea seems impossible, but then again, I guess they say with love all things are possible, let's watch and see just how this goes.

When I found out about Kenneth Hale, I didn’t argue with Claire O’Neill. I simply handed her the divorce papers. Her eyes turned red as she sat there. After struggling with the decision for a moment, she tore them up. "Give me ten days. I’ll send Kenneth far away, and he’ll never appear in our lives again." So over the next ten days, Claire went whitewater rafting with him, climbed snow-covered mountains, bungee jumped, and went skydiving. They did every thrilling thing they could think of. They watched the sunrise together by the ocean and went to Silver Pines Retreat to meditate, filling those days with every romantic experience imaginable. Then, on the ninth night, after I had packed all my belongings, I accidentally answered a video call from myself ten years in the past. "You really are me ten years from now! Then Claire and I must already be married with kids, right?" Pain flickered in my eyes. I walked straight onto the balcony and pointed the camera down at Claire and Kenneth, who were holding each other tightly, unable to let go. "This is what happens." Finley Morton looked as if he’d been struck by lightning. "That’s impossible…" My voice was exhausted, as though every last bit of strength had been drained from me. "Finley, please. Don’t marry her."

One Year to Lose You Maya Bennett has twelve months left to live. At twenty-one, she has everything: bestselling books, wealth, and a man who loves her enough to kneel with a ring in his hand. So she breaks his heart. On the night he proposes, Maya tells Ray she has fallen out of love. That she wants someone else, she walks away before he can see her fall apart because it’s easier to be hated than mourned. Then she meets Jay, a stranger in sportswear who can’t pay his taxi fare, so she thought… but in the real sense, he is the man the city knows as billionaire Jay Naire. She offers him a deal: pretend to be her boyfriend for one year. Make it convincing for Ray to forget her before she’s gone, and Jay agrees. But the more they fake it, the more real it becomes. And before the year runs out, Maya finds herself trapped between two men, the one she tried to save, and the one who refuses to let her go. Will twelve months be enough to lose both of them? Or will she run out of time first?

Ernest West left the courtroom with wings on his feet. Leaving Don James was, in Ernest's opinion, the best thing he had ever done for himself. No more tense silences. No more Don's silent, smothering adoration. Ernest had been released. Three years have passed since then. Now, what once was the best choice has turned into a noose around their necks. There is a sinister provision buried within the small print of the divorce papers that Ernest's attorney overlooked; they are obligated to live together and manage the small beach hotel that they used to own as a couple for an entire year. Thus, Ernest finds himself back amid the groaning wooden boards and salty panes of glass within the walls of where their love once withered away. However, Don is no longer the same weak and longing man that Ernest abandoned. He now stands as an intimidating pillar of cold indifference, forged by the stony resolve and lack of concern. Not even a passing glance comes from Don’s green eyes, which regard Ernest with only polite reserve. A year of closeness. A year of unresolved tension. A year of dealing with each and every lie that Ernest tried to bury beneath "irreconcilable differences." In the beginning, the plan is a silent battle—appointments stuck to the fridge, dinners taken in different corners of the house. Yet, there’s something about closeness that reveals the whole truth. Ernest discovers the picture albums that Don never discarded. He listens to telephone conversations in the dead of night that reveal the loneliness he feels himself. And gradually, painfully, he discovers that the greatest error made wasn’t the separation. It was letting Don leave.

On the day of my wedding, my fiance, Don James Colombo, left me at the altar again. "Angelina is in the ICU," he said. "The ceremony will have to wait." It was the ninth time he had abandoned me for his terminally ill childhood sweetheart. The first time, she had run away from home, and he could not rest easy. "Angelina is missing, yet you want me to stand here toasting at the wedding? Don't be so selfish, Leticia." The third time, he said Angelina was in a terrible state and threatening to take her own life — he had to go comfort her. By the eighth time, James had stopped explaining and simply had the butler notify me the wedding was off. For him, postponing a wedding was nothing. For me, the Buono Principessa left standing in a chapel, it meant ridicule and one hundred lashes from my furious father. The lashes split open my skin and left me running a fever that would not break. James would hold me afterward, apologize helplessly, and promise he would make it up to me after we married. He promised nine times. He kept none of them. So when he left me again for Angelina, I did not cry or make a scene. I packed my bags alone and in silence. It would be the last time he ever postponed our wedding. One month later, he would never be able to find me again.