Europe: A History

History of Tara and Dustin
History of Tara and Dustin
I'm a dreamer.... I have been dreaming about my best friend for as long as I can remember..... A first kiss has been saved for him.... Now I am 21 years old with secrets and a fake world around me. Can I keep it all from crumbling down? Can I keep the past where it belongs?
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8 Chapters
I Was Reborn As The Most Powerful Princess In History?!
I Was Reborn As The Most Powerful Princess In History?!
A witch who has lived for thousands of years has grown bored with her own life and decided to leave it. Since she is an immortal, her soul cannot leave the world. However, what she can do is transfer her soul to another body. By a stroke of luck, she happens to enter the body of a princess. She was considered a miracle because when the Empress gave birth to her, the princess instantly died, along with the Empress. What the witch didn't know was that she has entered such a predicament. She has to endure the love of the cruel Emperor and possessiveness of the crazy twin princes! What will her life be at the hands of such a loving family? In addition, it seems that this body contains mana that was lost in the royal family centuries ago!
9.7
173 Chapters
"YESTERDAYS"_history uncaged
"YESTERDAYS"_history uncaged
Now everything is changing...with everyone of us sweeping under the carpet the scars of yesterday's sins. Those scars are what kept me alive until you are all born to hear the story. The world government was powerful and taking advantage of the human colonial minds, they buried our freedom and equity. But now that we the Elites whom they educated and rose to revolts against the fingers that had fed us... What do you call it? Oh! yes they had termed it Rebellion. They did call us rebels, for seeking a small ration part of the best that nature has given to mankind. Al-sural-tu-Nas. This for mankind, tell ye that the beast you trained in the dark had turned to an angel in the day. We are filled from the pot of lies now that our bellies cannot contain what they obtain, the promises that were compromised, treaties that were breached, least they covered the black mails and lies with a blanket of Diplomacy. But now is the snatch of the gallon beer from the drunkard because now there is what when diplomacy fails.....is war. "Now we are free." Later in the future a seed germinates bearing fruits of the YESTERDAYS as she possess the abilities to time travel and set broken pieces together but this has consequences in the future of mankind. Read along
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27 Chapters
A Second Chance
A Second Chance
“Why can’t I hit you?” Thomas yells, smacking the belt close to her feet. “Why,” he smacks it on the door above her head. “Why, why” to the right and left sides of her body. Melina trembles against the door with her eyes closed and head tucked between her knees. She jumps, sniffing Thomas’ cologne, and tries to hide more. He’s probably bending down. “I want to hurt you, Melina, but I can’t. Tell me why I can’t. Tell me why,” she bites her lips to muffle her sobs as she fears they will exacerbate her situation. “ look at me when I am talking to you,” Thomas says, grabbing her hair and pulling her head up. “I am- so-r-r-r-y,” she says as she turns to face him with her tear-stained face and bloodshot eyes. ******** Melina Davis was born with the face and body of a goddess. Her heart was as beautiful as her, but it never did her any good. Melina was the most unlucky woman in this world when it came to love. Her first love was an abusive con artist who made sure to exploit Melina's kindness. The second one who Melina felt was genuinely worthy of owing her heart was far more dangerous than her first. His name is Thomas Costanzo. He is the second in command of the Costanzo mafia. He was highly feared in the mafia world. Some even feared him more than the don of the Costanzo mafia. Melina didn't know she shouldn't cross him, and she did. She broke the heart of one of the most feared men on this earth, and now, he is out searching for her. Once he finds her, Melina will wish she never crossed paths with him.
10
73 Chapters
A Deal with the Devil
A Deal with the Devil
He smirked, knowing he was on the winning side. "So it's a done deal for three months?" He raised his eyebrows, putting his hand forth for a handshake. I looked at the long fingers and perfectly aligned nails and then at his patient face. Sighing to myself I my own hand into his and ignored the tingles that flowed through every nerve as his fingers curled around my hand and shook it lightly. "Yeah three months." "Goodnight then." He winked, removing his hand from mine and turned to walk away. "Hey wait!" I called out, suddenly remembering something. "You don't have my number." "What makes you think that? I have my ways Smith." And with one last wink I saw him take a turn and disappear from my sight. I let out a long breath, leaning on the nearby wall. Looks like I just made a deal with the Devil. * A sarcastic girl, a cocky guy. Throw in some mystery, murder, filthy jokes, wonderful friends, tons of kisses, secrets, surprises, eye-rolls and a killer on run. And you have got yourself a story never read before. ***So grab a cup of hot chocolate, some chips and a warm blanket and get ready to laugh, cry and bite your lip in anticipation. Enjoy!!
10
35 Chapters
A Thousand Kisses
A Thousand Kisses
Tired of her marriage with her cheating husband, twenty-three years old Betty Von Rosey, relocates (as advised by her friend, Laura) to Gut’s Island, an island that is believed to be magical enough to relieve the pains of the broken hearted, by sparing them chances of falling in love the second time. On the Island, she falls in love with a billionaire in the disguise of a chauffeur, birthing a new wave of romance between the two. But things begin to chatter when her red room ex-husband, Braun, visits the Island, and she discovers the true image of her recent lover, Stan.
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9 Chapters

How Does 'Europe: A History' Portray Medieval Europe?

4 Answers2025-06-19 18:03:40

In 'Europe: A History', medieval Europe is painted as a dynamic, chaotic, and deeply layered era. The book shatters the myth of it being just a 'Dark Age', instead highlighting the vibrant trade networks, intellectual revivals, and cultural exchanges that flourished alongside the feudal system. Monasteries weren’t just religious hubs but centers of learning, preserving ancient texts while innovating in agriculture and art. Cities like Constantinople and Venice thrived as cosmopolitan melting pots, defying the stereotype of isolation.

The narrative also doesn’t shy away from the brutality—crusades, plagues, and feudal conflicts are starkly depicted. Yet, it balances this with stories of resilience: peasant revolts, the rise of guilds, and the slow seeds of democracy in places like the Icelandic Althing. The book’s strength lies in showing how medieval Europe was a cradle of contradictions—simultaneously backward and astonishingly advanced, oppressive yet teeming with pockets of progress.

Who Are The Key Figures In 'Europe: A History'?

4 Answers2025-06-19 23:44:01

Norman Davies' 'Europe: A History' isn't centered on individual heroes but rather the collective forces—kings, rebels, thinkers, and everyday people—who shaped the continent. Charlemagne stands out as a unifier, forging an empire that echoes in today’s EU ideals, while Napoleon’s ambition redrew borders with cannon fire. Philosophers like Voltaire and Marx ignited revolutions of the mind, their ideas outlasting armies. Yet Davies also highlights forgotten voices: Byzantine empresses negotiating survival, medieval peasants revolting against feudalism, or Polish dissidents resisting partitions.

The book weaves these figures into a tapestry of contradictions. Churchill’s wartime speeches contrast with Hitler’s genocidal madness, showing how leadership can save or destroy. Artists like Michelangelo and Beethoven appear as cultural revolutionaries, their creations transcending politics. Davies balances grandeur with grit—Catherine the Great’s enlightened reforms sit beside the anonymous sailor who circumnavigated the globe. It’s history without pedestals, where popes and proletariats share the stage.

Where Can I Buy 'Europe: A History' Online?

4 Answers2025-06-19 13:40:49

I've hunted for 'Europe: A History' across countless online shelves, and here’s the treasure map. Amazon is the obvious giant—new, used, or Kindle versions are just clicks away. But don’t overlook Book Depository; they offer free worldwide shipping, perfect if you’re outside major markets. For rare editions, AbeBooks feels like digging through a Parisian antiquarian’s shop, with sellers listing hard-to-find prints. Libraries sometimes sell duplicates too—check WorldCat.org.

Indie stores shine here: Powell’s Books in Portland lists online, and UK’s Blackwell’s often has academic copies. If you prefer audiobooks, Audible or Libro.fm might carry it. Prices swing wildly, so set alerts on CamelCamelCamel for Amazon deals. Remember, supporting small sellers keeps the book ecosystem alive.

What Time Period Does 'Europe: A History' Cover?

4 Answers2025-06-19 06:13:37

'Europe: A History' spans an astonishingly vast timeline, from prehistoric times right up to the modern era. The book doesn’t just skim the surface—it dives deep into pivotal moments like the rise and fall of Rome, the chaotic beauty of the Middle Ages, and the seismic shifts of the Renaissance. It captures the raw energy of the Industrial Revolution and the chilling complexities of the World Wars.

What sets it apart is how it weaves lesser-known stories into the grand narrative, like the resilience of Byzantine culture or the quiet revolutions in Eastern Europe. The final chapters grapple with contemporary Europe—globalization, immigration, and the EU’s growing pains. It’s not a dry chronology but a living, breathing tapestry of triumphs and tragedies.

Why Is 'Europe: A History' Controversial Among Historians?

4 Answers2025-06-19 23:14:40

Norman Davies' 'Europe: A History' sparked debates because it challenges traditional Eurocentric narratives. Critics argue it glosses over key events like the Holocaust with startling brevity, while others praise its sweeping scope—covering everything from Celtic tribes to Soviet collapse. The book’s structure irks some academics; it mixes timelines and inserts quirky 'capsule' asides, which feel disruptive. Yet its ambition is undeniable. Davies sidelines Western Europe to spotlight Eastern contributions, a radical shift that ruffles feathers but enriches the discourse.

Some historians dismiss it as populist for favoring readability over rigor, cramming millennia into one volume. Others defend its accessibility, calling it a gateway for non-scholars. The controversy hinges on balance: Does simplifying complex histories serve enlightenment or erode accuracy? Davies’ provocative stance—like downplaying the Renaissance’s uniqueness—fuels fiery seminars. Love it or loathe it, the book forces conversations about whose stories dominate history.

Is 'Europe: A History' Based On True Events?

4 Answers2025-06-19 03:56:40

Norman Davies' 'Europe: A History' is a monumental work rooted in factual events, yet it transcends a simple chronicle. Davies weaves together political shifts, cultural evolutions, and lesser-known narratives—like the impact of the Black Death on medieval trade routes or the role of women in Renaissance science—into a tapestry that feels alive. His approach isn’t just dates and battles; he examines how myths, like the Arthurian legends, shaped national identities alongside real treaties.

What makes it stand out is his balance. He debunks Eurocentric biases by highlighting Eastern Europe’s contributions, often overlooked in Western textbooks. The book doesn’t shy from controversies, such as colonialism’s economic paradoxes or the messy aftermath of WWII. It’s scholarly but accessible, blending archival rigor with storytelling flair. For history buffs, it’s a treasure trove of verified events threaded with fresh interpretations.

Who Publishes The Best History Reads On Medieval Europe?

5 Answers2025-05-28 15:41:39

As someone who spends way too much time buried in medieval history books, I have strong opinions about publishers who nail the balance between scholarly depth and readability. For my money, Oxford University Press consistently delivers the gold standard—their 'Oxford Medieval Texts' series is a treasure trove of meticulously translated primary sources, like chronicles by Froissart or Bede. They don’t dumb things down, but their footnotes and contextual essays make even dense material approachable.

On the more narrative-driven side, Yale University Press shines with titles like 'The Time Traveler’s Guide to Medieval England' by Ian Mortimer, which blends academic rigor with vivid storytelling. Meanwhile, Penguin Classics deserves a shoutout for making medieval lit accessible—their editions of 'The Canterbury Tales' or 'The Decameron' include fantastic introductions that unpack cultural nuances. If you want beautifully illustrated works, Thames & Hudson’s 'Medieval Lives' series is pure eye candy paired with solid research.

A Historian Writes A Book In Which She Organizes The History Of Europe Into These Units

4 Answers2025-06-10 12:47:05

As someone deeply fascinated by how history is structured, I find the idea of organizing Europe's history into thematic units incredibly compelling. A historian might divide it into eras like 'The Age of Empires,' focusing on Rome, Byzantium, and the Holy Roman Empire, followed by 'The Cross and the Sword,' covering the Crusades and religious conflicts.

Another unit could be 'Renaissance and Revolutions,' highlighting the cultural rebirth and subsequent political upheavals. The 'Industrial and Ideological' period would explore the 19th century's transformations, while 'War and Welfare' might cover the 20th century's conflicts and social reforms. This approach not only clarifies the continent's evolution but also connects seemingly disparate events into a cohesive narrative, making history feel alive and interconnected.

Who Are The Main Protagonists In 'Europe Central'?

4 Answers2025-06-19 09:53:26

In 'Europe Central', the main protagonists are a mix of historical and fictional figures, each navigating the tumultuous landscape of World War II Europe. The novel centers on composers Dmitri Shostakovich and Kurt Weill, whose lives and art are intertwined with the political chaos of their time. Shostakovich, tormented by Stalin’s regime, struggles to compose under the threat of purges. Weill, exiled from Germany, grapples with identity and survival. Their stories are juxtaposed with lesser-known figures like the radio operator Elena, who becomes a symbol of resistance. The book’s brilliance lies in how it humanizes these characters, showing their fears, compromises, and quiet acts of defiance.

Then there’s the enigmatic General Vlasov, a Soviet officer who defects to the Nazis, embodying the moral ambiguities of war. His arc is a haunting exploration of betrayal and ideological whiplash. The protagonists aren’t just individuals—they’re conduits for larger themes: art under tyranny, the fragility of loyalty, and the cost of survival. Vollmann’s kaleidoscopic approach makes 'Europe Central' feel less like a novel and more like a symphony of voices, each note resonating with history’s weight.

What Is The Narrative Style Of 'Europe Central'?

4 Answers2025-06-19 08:05:09

'Europe Central' by William T. Vollmann employs a kaleidoscopic narrative style, blending historical fact with lyrical fiction. The book jumps between perspectives—soldiers, artists, dictators—each voice distinct yet interconnected, like instruments in an orchestra playing different notes of the same symphony. Vollmann’s prose is dense, almost baroque, with paragraphs stretching for pages, immersing you in the weight of wartime Europe. He doesn’t shy from ambiguity; moments of tenderness coexist with brutality, mirroring the era’s chaos. The structure isn’t linear; it loops and spirals, forcing readers to piece together the mosaic of Central Europe’s moral dilemmas.

What stands out is how Vollmann humanizes history. A German composer’s guilt isn’t just described—it’s felt through fragmented monologues and imagined letters. The narrative shifts from third-person omniscient to first-person confessional, making the past visceral. This isn’t a textbook but a fever dream of history, where Stalin and Shostakovich argue in surreal dialogues. The style demands patience, rewarding those who relish complexity with a haunting, unforgettable portrait of power and art.

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