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After five years in a world ruled by werewolves, I still haven't found a way back to the human world. So I did the only thing I could. I married my fated mate, Ryan Darcy, a devastatingly handsome Lycan Prince with a towering frame. The night we sealed our mate bond, we traded secrets. Leaning close, I whispered in his ear, "The truth is, I'm not from this world. Treat me wrong, and I'll disappear back to where I came from. You'll never find me again." Ryan immediately swears he'll love me more than life itself. He pulls me close, holding me so tight it's like he's afraid I'll disappear any second. But then Eleanor Darcy—his stepsister, sent away for a political marriage in another pack—returns. Bit by bit, I watch as Ryan's attention shifts to her. Devastated, I start looking for a way back to the human world. I throw myself at walls, try to hang myself, even jump into the lake, but nothing works. Ryan grows more distant with each passing day. "Susan, I expected better from you. Since when have you stooped to cheap attention-seeking stunts? 'Crossed over from another world?' You can't honestly expect me to buy that nonsense." That's when I realized he hadn't believed a single word I'd said.

9 Chapters

The Next Lord Of The Central City.

A dragging thirst and hunger for power, a desirous depraved woman, the one and only rightful heir to the throne and ruler for the people, scoundrels of vicious leaders, one crown. Who would be victorious? Fiora was only ten years old when everything was taken from her-her sovereignty, her family, her right to live. The all high and mighty Queen Helen, craftily worked her way into the life of his majesty, King Bard, alongside her twelve year old son. Months later, an unfortunate tragedy struck and claimed the life of the king, making Helen the ruler of the Central City. Her first decree as the queen commanded the banishment of poor Fiora, declaring it to be a punishment for murdering her own father, the late king Bard. The good doings of her late father attracted an uncommon favour as she finds herself in the domain of some good companions who risked their lives daily to inhabit her. Years later, she discovers there was more to her life than hiding in the corners, running from her true responsibilities. For the sake of her survival, along with everyone around her, she must find a way to break free of the invisible chains that encaged her from her true potentials.

49 Chapters

The CEO's Secret Woman

Viania Harper has a secret relationship with the CEO she works for. Initially she accepted all the rules given by Sean Reviano, the CEO, but everything changed when there was a misunderstanding that made their relationship fall apart. Sean Reviano is the CEO of Luna Star Hotel, one of the most popular Billionaires not only in America, but also Europe to Asia. In every relationship he has, there are always three unwritten rules. No Commitment. No Pregnancy. No Wedding. However, the arrival of Viania Harper changed everything.

9.5

81 Chapters

The Genius Delta

Jonathan Silvercloud: I'm your everyday 22-year-old billionaire tech genius. What young, extremely intelligent billionaires aren't that common? Guess that's only in comics. Also, like in comics, the most intelligent man or werewolf in the room doesn't find love. Or so I thought till Persephone Fayte landed a summer internship with my company. Persephone Fayte: I just landed my dream job. Okay, so it's a summer internship. Please don't rain on my parade. My sister and her mate are finally letting me leave Sicily and Europe! America and Silvercloud Industries, here I come! I'm ready to show everyone at Silvercloud what I am made of. I thought I was prepared for anything. I was unprepared for Jonathan Silvercloud. Also Including Two Short Side Stories: Cult Of Love (Rohan Rock & Shikoba Thorn) & Spy Games (Cillian MacCarthy & Tomila Đurić) The Genius Delta is the fourth full-length book in the Bloodmoon Pack series. You can read this as a standalone or in series order. Bloodmoon Pack Series: Book 1 - Alpha Logan Book 2 - Betas Surprise Mate Book 3 - The Reluctant Alpha Bloodmoon Novella - The Hunted Hunter Book 4 - The Genius Delta Bloodmoon Spinoff Series The Incubi Pack Series: Book 1 - Alpha of Nightmares Book 2 - The Hybrid Alpha Book 3 - Dream Mate Book 4 - Beta's Innocent Mate

9.9

107 Chapters

He Hurt Me, Now He Wants Me Back

"You were just a tool, Imogene." Her heart stopped. "And I was foolish enough to believe you cared." *** Imogene Scott had always known her place—by Damien Shaw’s side, even when his love was a distant dream. Marrying her only because of an unexpected pregnancy, Damien’s affection never blossomed. Instead, her devotion turned him from a mere sales manager into the billionaire CEO of IMU, one of Europe’s most powerful tech empires. But her sacrifices weren’t enough. After losing their baby, Damien’s coldness deepened, sealing their marriage with an unspoken “no meddling” rule. Imogene’s reward? Watching Damien parade countless mistresses, all while she buried her own dreams to fuel his. She believed, naively, that one day he’d see her worth. But when he fell in love with her stepsister and served her with divorce papers, Imogene’s world shattered. Realizing she was nothing more than a pawn in Damien’s game, she vanished—pregnant and determined to protect her unborn child. Three years later, Imogene returns, not as the broken woman who fled but as a renowned artist and mother to their two-year-old daughter. Now, Damien realizes what he’s lost and wants her back. But this time, Imogene is ready to fight, and she’s not making the same mistake twice.

9.5

287 Chapters

Mafia’s Property.

“Fuck you, Carlo! I will not be marrying your son!” My body trembled slightly not just from anger, but fear also. “You will, piccolina,” he said in a low growl. “And if you curse at me again or use any foul language in my home, you'll be sent back to the dungeon.” My father was an abusive drunkard who made my life miserable, but there was hope, because I had just graduated high school, I planned to attend a college hours away from home where I could love dad from afar without having to be constantly hurt. I could almost taste my freedom until the devil, Don Carlo Moretti, showed up at my doorstep. Carlo was a dangerous mafia don, feared by many in both Europe and outside Europe. He was a heartless and cold-blooded murderer. A man who always got what he wanted—including me, his son’s betrothed. I was his now… his property as he always says…

278 Chapters

Which Movies Feature Madly Deeply As A Central Love Theme?

6 Answers2025-10-22 23:34:06

My guilty pleasure is digging into movies where love isn't polite or comfortable but furious and weather-changing. If you want the phrase 'madly, deeply' made literal, start with 'Truly, Madly, Deeply' — it's almost prescribed: grief and devotion mix into a sweet, sharp ghost story where someone refuses to let go. Then there are classics like 'Vertigo', where obsession reshapes reality, and 'Fatal Attraction', which shows love turning violently possessive. Both are darker takes, but they capture that single-minded, almost irrational devotion.

On the flip side I adore films that are all-consuming without being destructive: 'Eternal Sunshine of the Spotless Mind' explores the tender and stubborn parts of love, the bits you try to erase but can't. 'Romeo + Juliet' (the Baz Luhrmann version) dresses youthful, frantic passion in neon and chaos. If you like quiet devastation, 'Brief Encounter' and 'The Bridges of Madison County' are compact, aching proofs that a short affair can feel eternal. Even 'Blue Valentine' punches hard with its up-close dissection of love's rise and collapse. These movies aren't just about romance; they're studies of how love can commandeer a life, and that’s why they stick with me.

Which Themes Drive The Central Conflict Of A Fragile Enchantment?

9 Answers2025-10-28 22:05:55

Lately I keep turning over the way 'a fragile enchantment' frames fragility as a battleground. For me, the central conflict swirls around the idea that magic isn't an unstoppable force but something delicate and politicized: it amplifies inequalities, corrodes trust, and demands care. The people who can use or benefit from enchantments clash with those crushed by its side effects — think noble intentions curdling into entitlement, or a well-meaning spell that erases a memory and, with it, identity.

On a more personal note, I also see a tug-of-war between preservation and progress. Characters who want to lock the old charms away to protect them face off with those who argue for adaptation or exposure. That debate maps onto class, colonial hangovers, and environmental decay in ways that enrich the story: the enchantment's fragility becomes a mirror for ecosystems, traditions, and relationships all at once. I find that messy, heartbreaking middle irresistible; it’s not a tidy good-versus-evil tale but a tapestry of choices and consequences, and I keep finding details that make me ache for the characters.

Which Characters Are Central To Bound By Fate'S Story?

8 Answers2025-10-28 17:31:13

I still get butterflies thinking about how 'bound by fate' stitches its cast together—it's basically a study in tangled relationships and stubborn people refusing to accept destiny.

At the center are Lyra and Kaden: Lyra is the reluctant anchor who can sense and mend the Threads, and Kaden is the reckless foil with a past tied to the old Binding Wars. Their push-and-pull is the engine—she’s careful and guilt-worn, he’s brash and haunted—so scenes that force them to rely on each other are always electric. Around them orbit Mina, Lyra’s childhood friend who becomes a political wildcard; Captain Aric, a mentor figure who represents the military’s pragmatic side; and Darius, a rival whose moral ambiguity keeps you guessing.

The real wild card is the Weaver, a near-mythical antagonist who manipulates fate’s fabric and forces characters to confront what they owe the world versus what they want. Secondary players like the Seer of Rourke and the Bound Youths add texture: they’re not just scenery, they push the main pair into tough choices. I love how the cast makes the theme—choice versus destiny—feel personal, and I keep returning to it for those messy, human moments.

Why Is The Matter With Things Central To The Novel'S Theme?

6 Answers2025-10-28 18:44:20

Objects in a story often act like small characters themselves, and that’s exactly why 'the matter with things' tends to sit at the center of so many novels I love. When an author fixes our attention on the physical world—the worn coat, the chipped teacup, the fence post bent under years of wind—those things become shorthand for memory, trauma, desire. They carry history without shouting, and a cracked watch can tell you more about a character’s losses than a paragraph of exposition.

I like how this focus forces readers to pay attention differently: instead of being spoon-fed motivations, we infer them from objects’ scars and placements. Think about how a glowing neon sign in 'The Great Gatsby' reads almost like a moral landscape, or how everyday clutter in 'House of Leaves' turns domestic space into uncanny territory. That interplay—objects reflecting inner states and social decay—creates a kind of narrative gravity. For me, it’s the difference between a story that shows you events and one that invites you to excavate meaning from the crumbs left behind. It leaves me sketching scenes in my head long after I close the book.

Which Anime Features Blight As A Central Threat?

7 Answers2025-10-22 06:00:07

Blight as a plot device often takes on a slow, creeping, atmospheric role in some of my favorite series. The clearest and most beautiful example is 'Mushishi' — that show treats mysterious, blight-like phenomena as natural, almost ecological forces. Episodes revolve around mushi causing crops to fail, people to fall into strange sicknesses, or entire ecosystems to fall out of balance. It's not about flashy battles; it's about quiet consequences and the sadness of a world where inexplicable rot or decay upends lives. The way the show frames these incidents makes the 'blight' feel ancient and inevitable, something that must be understood rather than simply destroyed.

If you want other takes, 'Kabaneri of the Iron Fortress' gives you a more action-oriented version: an infection that turns people into monstrous, contagious beings and forces humanity into fortified trains and stations. 'Made in Abyss' isn't labeled as a blight, but the Abyss's curse functions like one — descending brings increasing sickness, madness, and physical breakdown. Even 'Dr. Stone' plays with the idea: the global petrification acts like a sudden, world-spanning blight that resets civilization, and the story becomes about curing and rebuilding. Each show treats the idea differently — spiritual, biological, or metaphysical — and I love how versatile that single word can be in storytelling.

Which Novels Feature Cursed Black Hearts As Central Devices?

9 Answers2025-10-22 14:31:05

I get a little giddy thinking about cursed objects, and cursed hearts are such a favorite trope of mine because they show how love, guilt, and magic can get tangled. If you’re asking about novels where a 'black heart'—literal or figurative—drives the plot, the classic place to start is 'The Picture of Dorian Gray'. Wilde doesn’t hand you a literal black organ, but the portrait functions exactly like one: it absorbs Dorian’s moral rot and becomes the repository of a corrupted self, which reads like a cursed heart in narrative form.

From there, I jump between literary and genre picks. 'Heart of Darkness' doesn’t have an enchanted talisman, but Conrad’s exploration of moral decay treats the human heart as a site of blackness and curse. Toni Morrison’s 'Beloved' is another heavy, eerie example: trauma, memory, and the past conspire to make the heart a haunted, darkened place that haunts characters and community. On the YA/fantasy side, 'Heartless' by Marissa Meyer uses the idea of heart—romantic and symbolic—as a kind of curse that shapes a ruler’s fate. These aren’t all literal black hearts, but they all put a corrupted heart (souls, portraits, hauntings) at the center.

If you prefer something explicitly physical—a mummified heart, an enchanted organ, a talisman labeled as a 'black heart'—you’ll mostly find those in darker fantasy, gothic romances, and folk-horror novels or novellas; indie fantasy and urban fantasy authors love crafting that object as a cursed MacGuffin. Personally, I love how authors take the heart—so intimate and visceral—and turn it into a moral or magical fulcrum; it’s dramatic, terrible, and oddly beautiful.

Which Novels Use Too Close To Home As Central Conflict?

8 Answers2025-10-22 22:02:37

Some novels hit so close to home that they stop being entertainment and start feeling like a personal reckoning. I’ve found that books where the central conflict is domestic guilt, buried trauma, or a single moral choice spiraling outward tend to ache the most. Titles that sit heavy with that kind of intimacy include 'We Need to Talk About Kevin' — where parental responsibility and the possibility of monstrous things growing inside a child is the engine — and 'Beloved', which forces families to face the living echoes of slavery and a past that refuses to stay buried. 'Atonement' is basically a meditation on a single falsehood shattering lives; the conflict isn’t some distant battle, it’s the narrator’s own conscience.

Similarly, 'Everything I Never Told You' and 'Little Fires Everywhere' put family expectations and secrets front and center, revealing how small cruelties morph into life-defining tragedies. 'Room' turns captivity and motherhood into an unbearably personal crisis, and 'A Little Life' drags you through long-term abuse and friendship in a way that makes it feel impossible to remain detached. Reading these, I often found myself checking my own decisions and how they ripple; once I finished 'We Need to Talk About Kevin' I sat in silence for a long time thinking about fear, responsibility, and the stories we tell ourselves about who we failed. They’re not always comfortable, but they’re the books that stick to your ribs and make you examine the parts of life you usually tuck away. I walked away from each of them changed, quieter, and oddly grateful for the honesty they demanded of me.

Does ProQuest Ebook Central Offer Popular Anime Novels?

3 Answers2025-08-15 21:10:28

I’ve spent countless hours diving into anime novels, and while ProQuest Ebook Central isn’t the first place I’d look for them, it does have some academic or licensed content related to anime culture. The platform leans more toward scholarly resources, so you’ll find critical essays or analyses on series like 'Neon Genesis Evangelion' or 'Attack on Titan' rather than the actual light novels or manga adaptations. If you’re researching anime’s impact on literature or society, it’s a goldmine. But for raw fan content—like 'Sword Art Online' novels or 'Re:Zero'—you’re better off with dedicated platforms like BookWalker or J-Novel Club. ProQuest’s strength is depth, not fandom.

Is ProQuest Ebook Central Available For Public Library Access?

3 Answers2025-08-15 14:04:40

it's a fantastic resource. While it's primarily geared toward academic institutions, some public libraries do offer access through partnerships or subscriptions. It depends on your local library's budget and agreements. I recommend checking your library's digital resources page or asking a librarian directly. Many libraries are expanding their digital collections, so even if they don't have it now, they might in the future. The platform has a vast collection of ebooks, from academic texts to popular titles, making it a valuable tool for anyone looking to dive deep into a topic or just enjoy a good read.

Which Characters Are Central To The Story Of Us And Why?

4 Answers2025-08-28 15:51:22

There are a few people who always show up in the way I tell our story: you, me, and the version of ourselves that remembers the little things. To me, you are the character who moves the plot — the impulsive idea, the laugh that starts a chain reaction, the apology that shifts the direction of the next scene. I’m the one who notices the choreography of days, who keeps receipts of what we promised and what we forgot. Those two roles alone create sparks and pauses; that’s where the main drama and tenderness live.

Beyond us, there are quieter but essential characters: Habit, who wears the same jacket every morning and keeps us tethered; Memory, who edits the film late at night; and Time, who is both friend and antagonist, erasing and revealing at odd intervals. I think of them as active participants — Habit shapes our routines, Memory colors our arguments into stories, and Time tests whether our gestures mean anything when stretched out. When I tell people about us, I talk about those visible moves and those invisible forces, because together they explain why we keep trying, why we fail sometimes, and why certain small acts keep glowing long after the scene ends.