Oh, the 'lesbian seduced' trope—such a specific, delicious tension. I've always found it works best when the 'seduction' isn't just about physical firsts, but about emotional or psychological discovery. 'Fingersmith' by Sarah Waters is the classic, of course, but I'd argue the real seduction in that book is the reader's own assumptions being twisted. The power dynamics, the layers of deception—it’s less about one character leading another astray and more about them both being caught in a much larger, grittier trap. The intimacy feels earned precisely because it’s dangerous.
A more modern, softer take I adore is 'The Lady's Guide to Celestial Mechanics' by Olivia Waite. Here, the seduction is intellectual and artistic. One woman introduces the other to a whole new world of science and purpose, and the romantic feelings bloom from that shared passion. It's a gentle, convincing unraveling of a sheltered life. For something with a sharper, more forbidden edge, 'The Dark Wife' by Sarah Diemer (a lesbian retelling of the Hades/Persephone myth) frames the seduction as an escape from oppression into a powerful, chosen darkness. The allure isn't manipulative; it's transformative.