Lost Roses: A Novel

Martha Hall Kelly's 'Lost Roses' digs into the lives of three women just before and during the First World War, focusing on Eliza Ferriday and her mother Caroline—wealthy New Yorkers who are philanthropists—and a young Russian aristocrat, Sofya Streshnayva. The heart of the story is Sofya’s perspective, as the novel explores the complete societal collapse she faces during the Russian Revolution. While 'Lilac Girls' concentrated on WWII and the Ravensbrück concentration camp, this prequel shifts to a more domestic, but no less brutal, conflict.

It gets pretty dark. We see Sofya lose everything: her family's estate, her status, any sense of safety. The narrative contrasts her desperation with Eliza's relatively stable, though worried, life in America, as Eliza tries to help Russian refugees. Honestly, I sometimes felt the American chapters dragged a bit, like I was just waiting to get back to the chaos in Russia. But that contrast is probably the point—showing how the war shattered one world while another watched from a distance, trying to understand.

I adore historical fiction, and 'Lost Roses' by Martha Hall Kelly is one of those gems that stays with you long after the last page. If you're looking to buy it online, I've got some great options! Amazon is probably the most straightforward—they usually have both paperback and Kindle versions, often with Prime shipping. Barnes & Noble’s website is another solid choice, especially if you prefer physical books and want to support a dedicated bookstore chain. For ebook lovers, platforms like Kobo or Apple Books often have competitive pricing.

If you’re into secondhand books or want a more unique copy, check out AbeBooks or ThriftBooks. They sometimes have older editions or gently used copies at a lower cost. I’ve found some real treasures there! And if you’re outside the U.S., Book Depository offers free worldwide shipping, which is a lifesaver for international readers. Just a heads-up—prices can fluctuate, so it might be worth comparing a few sites before hitting 'buy.' Happy reading, and I hope you love 'Lost Roses' as much as I did!

Lost Roses' is this gorgeous historical fiction novel by Martha Hall Kelly, and while it isn't strictly based on true events, it's deeply rooted in real history. The book follows the lives of women during World War I, particularly focusing on the Russian Revolution's impact. What makes it feel so authentic is how Kelly weaves real historical figures and events into the narrative. For instance, the Romanov family and the fall of the Russian aristocracy are backdrop elements, but the main characters—like Eliza Ferriday—are based on real people. Eliza was a socialite and humanitarian, and Kelly took her letters and diaries to shape the story. The research is impeccable, and you can tell the author spent years digging into archives to get the details right. It's one of those books where fiction and history blur beautifully, making you Google things mid-read because you can't believe they actually happened.

That said, the emotional arcs and some side characters are fictionalized to drive the plot forward. The friendships, betrayals, and personal struggles are crafted to give us a visceral sense of that era. If you love historical fiction that feels like a time machine, this is a perfect pick. I finished it with a stack of history books beside me because it sparked such curiosity about the real women behind the story.

Reading 'Lost Roses' is one of those experiences where you finish the last page and immediately start Googling the real people. Martha Hall Kelly based it on actual historical figures, specifically her ancestor Eliza Ferriday and her friend Sofya Streshnayva. The backdrop of World War I and the Russian Revolution isn't just a setting; it's the brutal, factual stage these fictionalized characters move through.

That said, it's not a strict biography. Sofya's storyline, for instance, is heavily dramatized from fragments of real accounts—you get the emotional truth more than a documentary's precision. The novel uses the skeleton of history to flesh out the personal, intimate cost of those enormous events. It made me go down a rabbit hole reading about the real 'Little Mother's' societies and the Romanovs.

So, yes and no. The foundations are true, but the house Martha built on them is a meticulously researched work of historical fiction, aiming for emotional resonance over a strict chronology of facts. It definitely sent me to Wikipedia more than once.

'Lost Roses' unfolds against the turbulent backdrop of World War I and the Russian Revolution, weaving together the lives of women from vastly different worlds. The story splits between New York's glittering high society and the war-torn streets of St. Petersburg, with a third thread following a peasant family fleeing the chaos. The contrast is striking—lavish ballrooms where champagne flows freely versus frozen landscapes where survival hinges on a crust of bread.
Martha Hall Kelly's research shines in the details: the rustle of silk gowns at the Astor mansion, the scent of gunpowder in Russian alleys, and the eerie silence of abandoned estates. Historical figures like Eliza Ferriday mingle with fictional characters, grounding the drama in real events. The setting isn't just scenery; it's a character itself, shaping choices and destinies with every political tremor and social divide.

Finally got around to 'Lost Roses' last month, mostly because I loved 'Lilac Girls' so much. Honestly, I found the characters here a bit harder to lock onto at first—the book jumps between three women across World War I, which is a lot. Caroline Ferriday is the link from the previous novel, an American socialite trying to help, but she felt more like a connector than a fully standalone focus for me. The real heart, I think, is with the two Russian women: Eliza, the aristocrat fleeing the revolution with her family, and Sofya, her cousin who stays behind and gets trapped in the chaos. Their sections had this raw, desperate energy that Caroline's philanthropic missions lacked.

Eliza's journey from a life of balls and servants to being a refugee scrubbing floors in Paris was brutal. You see her privilege stripped away layer by layer. Sofya's plot is even darker, hiding from the Bolsheviks in her own country. The book is really about how war shreds these lives in different ways, depending on where you stand. I wish it had stuck with just the Russian perspectives; Caroline's story, while noble, kept pulling me out of the more intense atmosphere.

If you're after the paperback or hardcover of 'Lost Roses', Amazon usually has stock with Prime shipping, and their 'look inside' feature lets you check a sample first. I've also seen it on the shelves at Barnes & Noble, though you might want to call your local store to confirm it's in.

A place people sometimes forget is Bookshop.org—it supports independent bookstores, and I've had good luck finding titles there when they're out of stock elsewhere. The pricing is competitive with the big retailers, too.

For a digital copy, Kobo or Apple Books are solid choices if you're not tied to the Kindle ecosystem. I ended up getting the audiobook version on Audible because the narration is really well done for the historical setting.

'Lost Roses' follows three unforgettable women whose lives intertwine amid the chaos of World War I. Eliza Ferriday is a New York socialite with a heart for philanthropy—her journey to St. Petersburg to rescue her godmother, Sofya Streshnayva, a Russian aristocrat, forms the core. Sofya’s world crumbles as the Revolution erupts, forcing her into desperate survival. Then there’s Varinka, a cunning peasant girl entangled in Sofya’s fate, whose choices blur the lines between betrayal and survival.

Martha Hall Kelly paints these women with raw authenticity. Eliza’s privilege clashes with her compassion, Sofya’s resilience hides grief, and Varinka’s desperation makes her tragically human. Their stories mirror the era’s upheaval—opulent ballrooms versus bloodied streets, loyalty versus survival. The novel’s power lies in how their bonds fracture and reform, like roses surviving a storm.

In 'Lost Roses', Martha Hall Kelly weaves a tapestry of resilience and female solidarity against the backdrop of World War I. The novel explores how war fractures lives but also forges unbreakable bonds between women from vastly different worlds—aristocratic Eliza Ferriday, Russian peasant Sofya Streshnayva, and rebellious Varinka. Their struggles mirror the era’s upheaval: Sofya’s family torn apart by revolution, Eliza’s humanitarian efforts amid chaos, and Varinka’s desperate survival. The theme of sacrifice pulses through every page, whether it’s Sofya risking everything for her child or Eliza smuggling refugees to safety. Kelly contrasts opulent pre-war St. Petersburg with the grit of war-torn Europe, underscoring how privilege shatters but humanity endures. The novel’s heart lies in its quiet moments—women stitching hope into letters, sharing secrets in candlelight—proving courage isn’t always loud but often whispered between sisters of the soul.

Another standout theme is the cost of naivety. Eliza’s initial romanticism about Russia clashes with its brutal reality, while Sofya’s aristocratic blindness to peasant suffering fuels the revolution. The book doesn’t shy from showing how idealism curdles into survival instinct. Yet it balances darkness with tenderness, like Sofya’s love for her son transcending even hunger. Historical details—like the Romanovs’ downfall or the Russian Civil War’s atrocities—anchor these themes, making 'Lost Roses' both a lesson in history and a hymn to the tenacity of women.