Margot Fonteyn: Autobiography

I gave Julian Marchetti thirty years of my life after the war ended. I built his empire, raised his children, and held the family together behind the scenes. But when he died, his will didn’t even mention my name. Half his fortune went to our children. The other half went to Lydia Carter, the daughter of the man who’d saved his life in Normandy. The same Lydia who’d stolen my identity.The same Lydia who’d built her entire life on the ruins of mine. All he left me was a single note, scrawled in his familiar handwriting. I loved you. We had thirty good years. But I owe Lydia. This is the least I can do. I dropped dead of a heart attack right there in his study, clutching that pathetic piece of paper. When I opened my eyes again, I was reborn in 1945, when the war had just ended This time I will not swallow my anger and suffer in silence; I will fight back. And I will take back every single thing that is rightfully mine.

I've devoted everything to sponsoring my deceased best friend's daughter, Lara Sandfield, so that she can learn dancing for the past ten years. Thanks to my efforts, she's able to get into the most prestigious art school. My only condition is that Lara has to wear the dress that was sewn by her mother, Kiara Cruz, prior to her death, when it's time for Lara to perform her first dance after her graduation. But on the day of the rehearsal, Lara actually starts a livestream and cuts the dress into shreds with a pair of scissors. Tears trickle down her cheeks as she accuses me of using this torn, old dress to humiliate her and guilt-trip her for the past ten years. "Look, everyone! This is Eliza's so-called 'blood, sweat, and tears'! She wants me to perform my first dance in this bunch of rags! "I'm the principal dancer who has been nominated by a prestigious director! If I were to perform in this dress, it'd ruin my future! I no longer owe Eliza anything!" As I stare at the derogatory comments aimed at me in the livestream, I leave a like there quietly. The dress that Lara has ruined is actually woven by Kiara using gold threads back when she was still alive. The internationally-renowned mentor, whom I've spent a fortune hiring for the past ten years, is actually my older sister, Lucy Newman, who has already retired for many years. Meanwhile, the prestigious dance director has only given Lara the position of principal dancer because she respects Lucy far too much. I leave a comment of my own in the livestream. "I hope you have a glorious future ahead of you." I wonder how Lara can continue dancing, now that she's lost everything in life.

I fought my sister, Anna, for two lifetimes to become the Donna. In my first life, I got what I wanted. I became Lorenzo's woman. People said he loved me as if I were the air in his lungs. When he learned that I loved to dance, he bought an entire ballet company to keep me onstage. Then he broke my legs. He confined me to a wheelchair and displayed me like an ornament. One day, he brushed his fingers across my face and finally told me the truth. "I've seen enough dancing," he said. "And the one I truly love was never you." I died in that room, swallowed by despair. In my second life, I stepped aside and gave the Donna's seat to Anna. "You go," I told her. "The one Lorenzo really loves is you." I believed that choice would save us. I believed Anna would have the happy ending I never did. Five years later, they sent her back. Her legs were intact this time, but she couldn’t move them either. Lorenzo no longer treated her as a person. He had turned her into a ballerina statue, encased in plaster and posed at what he called her most beautiful moment, frozen in place. His men delivered the message without a trace of feeling. "He got tired of watching the younger sister dance," they said. "So he preserved her at her most beautiful." When I opened my eyes again, I found myself in my third life. Once more, the Don's men delivered a ballet invitation. Anna and I stared at it. The same question burned in both of us. If neither of us was the one he loved, then who was Lorenzo really watching?

Svanna Rose is the black swan of their family. She's the main character that always play the role of antagonist to her own story. She is like Odile, the evil daughter of sorcerer who disguised as Odette. But who are we to judge her, if we are all pretending to be someone who aren't we? Who are we to judge her if she is also a victim of cruelty? Pursuing her dream to become the prima ballerina of the famous ballet 'The Swan Lake', she found herself stuck in a very dangerous situation. And all she can to do is to take a risk as she was claimed to be the black swan of Saint Vicenzo Santorini. Let's witness how she dance to the danger rhythm of uncertainty, as she slowly unveil the truth behind her cruel destiny. "My passion in dancing brought me to life, little did I know it also leads me to my own graveyard"

Seraphina Smith lived for the spotlight, a prima ballerina bathed in its every glow. But when a powerful sponsor fixates on her, that light morphs into a cage. Desperate, she flees, tumbling from her world of grace into the brutal, shadowed realm of Hugo Volkov, a ruthless underground boxer. He's an unexpected refuge, a dangerous calm in the storm she barely survived. Yet, as their forbidden connection deepens, Seraphina discovers her escape was just the beginning. The man she ran from is merely a ghost compared to the true threat, and Hugo Volkov isn't just her unlikely protector—he's the very reason her life is about to shatter all over again.

Since I was a kid, my parents drilled it in—you're gonna be a Corleone girl, Giovanni Corleone's property. "This is just an alliance. Don't expect anything more." That's what he said on our wedding night. So I played the part—quiet, polished, dutiful. Then year three hit, and suddenly Giovanni couldn't keep his hands off me. Every night, something new. I thought maybe—finally—he felt the same way I had all along. Then I caught him kissing his stepmom. Funny. Just the night before, he told me kissing me made him sick. "I've been practicing with her—for your sake." So yeah. All that heat? Just rehearsal for her. So I ran. Took back my life—and our unborn daughter. The Don lost his mind looking for me. Begged me to come back—with the kid. But I would not stop for him anymore. I turned and walked straight toward the stage that was always mine.