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Peeves

I, Caspian Montgomery, have returned from the hellhole prison. I’ll use this Nine-Foot Titan Sword to move mountains, part the seas, cultivate myself to ascension, and rule the world.

9.5

3719 Chapters

My Most Precious Human

Lilith spent most of her life running away and hiding in various places. It was the price she paid for her freedom. She dared to be born as a lowly human and was immediately cast out by her family. After years of growing up as an abandoned child, those who cast her away suddenly found out that her body had a value. They thought of her as their slave who could be sold for a good price. That was when she decided to run and fight for a glimpse of a normal life. Unexpectedly, somewhere along her way, she found someone who was ready to protect her and grant her a life she had never even dared to dream of. Someone for whom she is the most precious human on Earth…

9.9

180 Chapters

Pampered by the Billionaire

Hannah Simons, a 25-year-old independent and beautiful lady. She believes that she’s the unluckiest woman in the world. She grew up in poverty with an unloving family. Thus, she strived hard to finish her studies and did everything in order to succeed. Still, she ended up with nothing, paying off the gambling debts of her father. Otherwise, she would marry the son of the gambling lord in the city. She was on the brink of giving up when she met a guy whom she thought was a pervert. Little did she know that he was Alexander Ricafort, the cold-hearted billionaire who owns the largest shopping malls in the country. Then, he offered to help her. "In one condition. Marry me, Hannah Simons." Alexander proposed in a deep cold voice. Hannah had no idea that her life was about to change after she accepted his proposal.

9.9

66 Chapters

My Ex-Wife and Kids Came In Like A Wrecking Ball

Rosalie Jacobs had been married to Byron Lawrence for three years before finally getting a divorce. The entirety of Coast City frowned upon her as the outcast wife of a rich family.Six years later, Rosalie returned to the country with a pair of twins and became a world renowned miracle doctor.Countless people flocked to marry her.Suitor No. 1 said, "Miss Jacobs, are your children missing a father? What do you think of me? If you agree, I will treat them like my own."Suitor No. 2, "Miracle doctor Jacobs, I was blown away by your beauty and talent when I first met you. I would like the chance to love you to the best of my ability for the rest of my life. President Lawrence is blind to turn his back on you. I would never leave you!"Just then, a little girl appeared. She hugged Rosalie's leg and said, "Mommy, daddy has been kneeling on the washboard for three days and three nights now. He asked if you’d calmed down yet. If you have, he wants to go to the Civil Affairs Bureau to get remarried."

8.2

2080 Chapters

Fated to the Lycan King

Lilah Winters has been on the run for the last seven years. Moving from pack to pack, and hotel to hotel. Lilah’s mother had been trying her hardest to keep her only child safe. Using any method she could to stay one step ahead of the man from her daughter's nightmares. Just days before her eighteenth, Lilah and her mother are in a car accident, throwing Lilah directly into the path of the very man she was trying to escape. Injured and barely conscious, Lilah has no choice but to accept his help. But that doesn’t mean that she is going to make it easy for him.

8.8

141 Chapters

The Human Mated to Three

Claire is a seventeen-year-old human and orphan living in foster care with her fourteen-year-old sister. She has been living in foster care since her parents died from an animal attack when she was thirteen years old and it has been hell. One day a couple comes to visit Claire claiming to have grown up with her father. They ask if she and her sister would come to live with them and she agrees thinking that once she turns eighteen she will be able to find a nice apartment for her sister but what she doesn’t know is that her life is about to change forever and she will be introduced to supernatural creatures she never thought were real. Stephen and Steven's knight are eighteen-year-old twins Alpha’s and they still haven’t found their mate. They are twins and know that they will share a mate when they find her. When their father tells them about finding his old Beta that got killed in a Rogue attack years ago daughter and that they will be moving in with them they have no idea that the older of the two is the girl they have been waiting for. But they are not her only mates their best friend Gwen smith’s mate as well. How will Claire react when she not only finds out that werewolves are real but also she is mated to three?

9.4

270 Chapters

Which Peeves Annoy Anime Fans About Filler Episodes?

5 Answers2026-02-02 01:22:33

Filler arcs have a knack for killing momentum, and I lose patience faster than I do waiting for the next season announcement. When an intense storyline in 'Naruto' or a tense battle in 'One Piece' pauses so the studio can buy time, it feels like being yanked out of a gripping movie to watch the credits and then come back five years later. That's the core peeve: disrupted pacing. The emotional beats that were building up suddenly feel watered down because the show has to pause and stretch.

Beyond pacing, there's the drop in quality that often accompanies filler. Background art gets simpler, fight choreography becomes repetitive, and writers sometimes fill time with forgettable side characters or contrived conflicts that don't tie into the main plot. It makes binges choppy—I've rewatched series and skipped straight through fillers because they offered nothing of lasting value. When a filler manages to add genuine character depth or worldbuilding, I cheer quietly, but more often they just stall momentum and test my patience. Still, I can't quit some series; that blend of frustration and loyalty is oddly personal to me.

Which Peeves Upset Readers About Unreliable Narrators?

1 Answers2026-02-02 21:25:46

Unreliable narrators are one of my favorite storytelling toys—when they’re used well they make you grin like you just found a secret door, but when they’re mishandled they can leave you feeling cheated and annoyed. I love being led down a rabbit hole and discovering the floor wasn’t where I thought it was, but there are certain moves that consistently grind my gears. A lot of readers feel the same: trust is the currency of fiction, and once an author spends it recklessly, the whole experience can sour. I’ll happily forgive a narrator who bends the truth if the story pays back that deception with insight, emotion, or a satisfying twist; what I can’t stand is being toyed with for the sake of shock alone.

The usual peeves cluster around a few predictable sins. First up, withholding crucial information just to pull a last-minute twist—if the book withholds the keys and then expects me to clap when the door opens, that feels cheap. Great examples like 'Fight Club' and 'The Murder of Roger Ackroyd' work because they plant clues that reward a smart re-read; bad examples hide the furniture and then act surprised when you trip. Another big one is inconsistent voice: if the narrator’s personality keeps shifting to suit the plot, it kills immersion. A narrator who’s unreliable because of motive, psychology, or limitations is intriguing; a narrator who’s unreliable because the plot demands it and there’s no internal logic is frustrating.

I also get annoyed by narrators who use their unreliability as a moral get-out-of-jail-free card. If the narrator lies to themselves or to us, there needs to be emotional truth underneath—otherwise it’s just a gimmick. That’s why 'Lolita' remains haunting rather than merely manipulative: Humbert Humbert’s distortions reveal a desperate interior life, not just a trick. Conversely, when an unreliable voice is explained away by vague trauma or an offhand diagnosis, I feel short-changed. Then there’s the trope of the ‘idiot narrator’ who’s intentionally dense so the reader can feel clever—if the character is contrived to artificially produce humor or surprise, it stops being clever and starts feeling lazy. Lastly, the lack of payoff drives people up the wall: if the deception isn’t tied to character growth, theme, or a meaningful revelation, it’s just a puzzle missing its corner pieces.

What makes me come back to these narrators, though, is when authors play fair. Leave breadcrumbs, make motives believable, and let the narrator’s unreliability illuminate character and theme rather than just shock. I adore books and films that reward attention—re-reading 'Gone Girl' or watching 'Shutter Island' again and catching the hints is a delicious feeling. At heart I want to be surprised and respected at the same time: surprise that feels earned, and respect that treats me like a thinking reader. When that balance clicks, I’ll gush about it for weeks; when it doesn’t, I’ll grumble and close the cover with a sigh.

Which Peeves Annoy Manga Readers About Rushed Endings?

5 Answers2026-02-02 22:02:29

Lately I've been stewing over how many series sprint to the finish like they're late for a train. The biggest itch for me is the compression of plot: things that breathed and mattered for dozens of chapters get squashed into two-page explanations or a single confrontation. That means characters who grew slowly suddenly act out of left field, motivations vanish, and villains turn into one-note threats that disappear as quickly as they were introduced.

Beyond the narrative cram, the art often takes a hit. Panels look rushed, backgrounds vanish, and important beats get invisible because the mangaka had to hand in pages yesterday. All of this leaves me with a sense of being cheated — I invested years and I want the closure to feel earned. Even simple fixes like a proper epilogue, a short extra arc, or a few bonus chapters can restore trust. I still hunt for those little closure crumbs and feel a sting when a finale skips the payoff I wanted.

Which Peeves Frustrate Viewers About CGI In Movies?

5 Answers2026-02-02 22:19:30

Whenever CGI refuses to sit quietly in the background, my skin crawls in the best possible nerdy way. I get it — digital tools can do jaw-dropping things, but the things that frustrate me most are the little betrayals of reality: mismatched lighting, shadows that don’t fall where they should, and faces that feel like wax people from 'Final Fantasy: The Spirits Within'. Those tiny glitches yank me out of the story faster than a loud edit.

Beyond faces, physics is a huge one. When objects hover, clothes or hair clip through bodies, or explosions have no weight, I notice. It’s not just technique — it’s that sense of authenticity. Practical effects in 'Jurassic Park' still feel alive because they obey gravity and texture. When CGI ignores those rules, the scene loses impact.

I also hate inconsistent grain and color. If the digital element is too clean compared to the film stock, it reads as pasted-on. Fixes like adding film grain, matching lens distortion, and integrating subtle motion blur can save a shot. In short: make it obey reality, then surprise me — that's when CGI truly shines, and I’m left smiling rather than squinting.

Which Peeves Annoy Book Clubs About Character Arcs?

5 Answers2026-02-02 18:03:00

Some days I find myself quietly fuming during book-club discussions when character arcs behave like yo-yos—up, down, and back to exactly where they started with zero consequence. It kills the momentum of a novel if the author treats growth as optional or reversible. If a protagonist faces trauma, I want to see the fingerprints of that event in later choices; glossing over it with a line of dialogue or a montage feels lazy.

Another big thorn for me is sudden, unexplained competence—people don’t become masters overnight unless the story earns that leap. When a character miraculously learns swordplay or legalese between chapters without training scenes or believable motivation, the arc rings false. Likewise, forced redemption arcs that hinge on a single noble act rather than a slow, messy rebuilding of trust grate on me. Book clubs love to debate messy transformations, but when arcs are cheapened for plot convenience, the conversation dies. I’d rather argue about a morally ambiguous, inconsistent character than pretend a paper-thin change satisfied me, and I always leave thinking about how much better the story could have been if the growth had been earned.

Which Peeves Bother Fans About TV Series Pacing?

1 Answers2026-02-02 15:10:28

Nothing grinds my gears more than pacing problems that rob a show of its emotional payoff. I get especially irritated when a series spends entire seasons building tension, expanding mysteries, or developing relationships, then collapses into a frantic sprint to the finish. Fans will forgive a slow burn if it feels deliberate, but when the final season of a show starts cramming resolutions into two episodes, it feels disrespectful to the story. The classic examples are all over the place — some viewers point to complaints about the later seasons of 'Game of Thrones' feeling rushed, or how 'Lost' stretched mysteries so long that many felt unsatisfying. It’s not just finales: uneven pacing within a season where one arc drags for episodes while another is shoved in at the last minute creates whiplash, and that’s a huge peeve for people who invest emotionally in characters and pay attention to setup and payoff.

Another big one is filler versus meaningful content. I don’t mind a leisurely episode that explores character backstory or worldbuilding, but filler that exists just to pad episode counts — especially in anime like 'Naruto' or long-running shows that insert irrelevant subplots — kills momentum. Fans notice when an episode doesn’t advance the plot or develop anyone; it makes rewatching a slog. Conversely, exposition dumps are equally annoying: when shows try to fix pacing by dumping thirty minutes of explanation to catch everyone up, it feels lazy and robs moments of subtlety. Also, the misuse of cliffhangers and manufactured tension is a pet peeve. When every episode ends with a fake shock to keep viewers hooked, it cheapens the real stakes and makes big reveals less impactful.

I also get frustrated by tonal whiplash caused by pacing decisions. A season that oscillates between slow, contemplative episodes and rushed, plot-heavy ones can make characters act inconsistently because the writers are trying to serve two different rhythms. Time skips are another double-edged sword: they can be great for advancing a story, but when they gloss over important character development, fans feel shortchanged. And then there’s the streaming vs. weekly release debate — binge-watching can expose pacing flaws (a slow middle arc becomes apparent when you watch several episodes in one sitting), while weekly shows sometimes suffer from cliffhanger inflation to maintain conversation between episodes. At the end of the day I love shows that respect pacing like a muscle — stretch when needed, strike when it counts — and I get really excited when everything lines up and those long-awaited payoffs actually land.