4 Respostas2026-04-02 09:51:54
Kalau mau nonton 'Perfume: The Story of a Murderer' dengan subtitle Indonesia, aku biasanya cek platform legal dulu seperti Netflix atau Disney+. Sayangnya, film ini agak jarang tersedia di layanan streaming utama, jadi kadang harus hunting di situs khusus film klasik atau platform regional seperti Viu. Aku juga pernah nemuin versi sub Indo-nya di situs penyewaan digital seperti Google Play Movies, tapi harganya cukup mahal untuk sewa 48 jam.
Kalau opsi legal nggak ada, beberapa forum komunitas film seperti Kaskus atau grup Facebook pecinta karya Patrick Süskind (penulis novel aslinya) suka berbagi link alternatif. Tapi hati-hati sama malware dan pop-up mengganggu. Oh, dan jangan lupa pakai VPN biar lebih aman! Film ini worth it banget buat dinikmati, apalagi buat yang suka atmosfer Gothic ala Eropa abad ke-18.
3 Respostas2026-04-02 00:53:23
Aroma yang menusuk hidung dan cerita yang gelap bercampur jadi satu dalam 'Perfume: The Story of a Murderer'. Jean-Baptiste Grenouille, si tokoh utama, lahir di pasar ikan yang kotor dan bau di Paris abad ke-18. Dari kecil, dia punya indra penciuman super tajam, tapi anehnya, dia sendiri nggak punya bau badan sama sekali. Hidupnya berubah ketika dia ngecium bau seorang gadis penjual buah plum—bau yang bikin dia terobsesi buat nyiptain parfum sempurna dengan menangkap esensi kecantikan manusia.
Demi obsesinya, Grenouille jadi pembunuh berantai yang nargetin gadis-gadis muda. Setiap korban dia bunuh buat diekstrak baunya. Puncaknya, waktu dia berhasil nyiptain parfum yang bikin semua orang jatuh cinta padanya, bahkan para hakim yang mau menghukum mati dia. Tapi endingnya ironis banget—dia balik ke kota kelahirannya dan menuang seluruh parfum itu ke badan sendiri, trus dimakan sama orang-orang yang terpesona sama baunya. Ceritanya nggak cuma tentang pembunuhan, tapi juga eksistensi manusia dan arti cinta yang diukur dari bau.
3 Respostas2026-04-02 19:17:30
it's a bit of a rollercoaster. Sometimes it pops up, sometimes it vanishes—typical Netflix region shenanigans. Last I checked, it wasn't available in Indonesia, but VPNs might help if you're desperate. The film itself is a wild ride, blending obsession and artistry in a way that sticks with you. If you can't find it, the book by Patrick Süskind is even more immersive, though way darker. Maybe try Amazon Prime or local streaming services—they often have hidden gems Netflix misses.
Honestly, the hunt for subs feels like part of the experience. I remember stumbling upon the German DVD version years ago and piecing together the plot like a puzzle. There's a weird charm to that, but I'd kill for a proper Sub Indo release. Till then, fingers crossed Netflix adds it back!
3 Respostas2026-04-02 15:18:31
Oh, 'Perfume: The Story of a Murderer' is one of those films that sticks with you long after the credits roll. The main character, Jean-Baptiste Grenouille, is played by Ben Whishaw, and he absolutely nails the role of this eerie, obsessed perfumer with a chilling lack of empathy. The supporting cast includes Dustin Hoffman as Giuseppe Baldini, the perfumer who mentors Grenouille, and Alan Rickman as Richis, the father of the girl Grenouille becomes fixated on. The Indonesian dub, if I recall correctly, does a decent job of capturing the tone, though nothing beats Whishaw's original performance—his whispers and intensity are haunting.
I first watched this with a friend who's into psychological thrillers, and we spent hours dissecting Grenouille's character. The way the film blends obsession, artistry, and horror is just mesmerizing. Even the soundtrack, with its eerie, almost suffocating compositions, adds to the unsettling vibe. If you haven't seen it yet, I'd highly recommend the original with subtitles to fully appreciate the actors' performances.
3 Respostas2026-04-02 06:24:06
The ending of 'Perfume: The Story of a Murderer' is both haunting and poetic. After Jean-Baptiste Grenouille creates the perfect perfume using the essence of virgins, he returns to his birthplace in Paris. There, he pours the perfume onto himself, and the crowd, overwhelmed by its beauty, devours him in a frenzy of adoration. The next morning, only his clothes and the empty bottle remain. It's a chilling commentary on obsession and the destructive power of art taken to its extreme. The film leaves you with this surreal image of love turning into cannibalism, a metaphor for how society consumes and discards genius.
I still get chills thinking about how the director captured Grenouille's eerie satisfaction in that moment—like he finally achieved the connection he always craved, even if it meant his own annihilation. It's one of those endings that lingers, making you question the price of perfection.
3 Respostas2026-04-02 14:56:59
Rumor has it that 'Perfume: The Story of a Murderer' might get a sequel, and the Indonesian fanbase is buzzing with excitement! The original film, based on Patrick Süskind's novel, was such a hauntingly beautiful dive into obsession and scent. If a sequel does happen, I really hope it captures that same eerie elegance. The first movie left such an impression—Jean-Baptiste Grenouille’s character was both terrifying and mesmerizing.
I’ve been scouring forums and social media for any official announcements, but so far, it’s just whispers. Some fans speculate it could explore Grenouille’s legacy or even a new protagonist with a similar twisted relationship with fragrance. Either way, if it gets subtitled in Indonesian, I’ll be first in line to watch. The blend of dark fantasy and psychological thriller is just too good to pass up.
4 Respostas2026-04-23 09:53:41
Man, tracking down 'Perfume: The Story of a Murderer' felt like its own little adventure! Last I checked, it's floating around on a few platforms—Amazon Prime Video usually has it for rent or purchase, and I think I spotted it on Apple TV too. It’s one of those films that pops in and out of availability, so if it’s not there, try JustWatch or Reelgood to sniff out where it’s streaming currently.
What’s wild is how this movie sticks with you—the visuals, the eerie vibe, that ending! It’s based on Patrick Süskind’s novel, and the adaptation nails the book’s unsettling beauty. If you’re into atmospheric thrillers, it’s worth the hunt. Sometimes smaller platforms like Tubi or Peacock surprise you with older gems, so keep an eye out.
4 Respostas2026-04-23 08:58:37
I stumbled upon 'Perfume: The Story of a Murderer' years ago, and it left this weirdly beautiful stain on my brain. It's about Jean-Baptiste Grenouille, this dude born with an inhuman sense of smell but no personal scent of his own. He becomes obsessed with capturing the 'perfect' fragrance—which, horrifyingly, involves murdering young women to distill their essence. The book (and later film) dives into obsession, artistry, and the grotesque lengths people go to for beauty. What stuck with me was how the story makes you understand his madness without condoning it—the descriptions of scents are so vivid, you almost smell the rot beneath the flowers.
Patrick Süskind’s writing is hypnotic; he turns something monstrous into a twisted fairy tale. The ending? Absolutely bonfire-of-the-vanities-level chaos. Grenouille’s final act flips everything on its head, leaving you torn between disgust and a perverse awe.
5 Respostas2025-06-19 20:11:57
El final de 'El perfume: Historia de un asesino' es tan impactante como el resto de la novela. Grenouille, el protagonista obsesionado con capturar esencias humanas, logra su obra maestra: un perfume que sublima el aroma de víctimas asesinadas. En el clímax, es capturado pero usa el perfume para manipular a la multitud, provocando un frenesí colectivo donde lo devoran en un acto de adoración caníbal. Su muerte es irónica—el genio olfativo reducido a nada, como el olor que siempre anheló.
Lo fascinante es cómo el autor juega con temas de identidad y vacío. Grenouille, carente de propio aroma, se convierte en una figura mesiánica efímera. Su desaparición física contrasta con su legado olfativo, que perdura pero nadie recuerda su origen monstruoso. El desenlace subvierte expectativas: no hay castigo moralista, solo una reflexión perturbadora sobre la naturaleza humana y el arte.