Library

Silverado: The Screenplay

He drove there to annihilate the whole pack which had the audacity to combat against Him, The Dark Lord, but those innocent emerald eyes drugged his sanity and He ended up snatching her from the pack. Lyceon Villin Whitlock is known to be the lethal Dark walker, the Last Lycan from the royal bloodline and is considered to be mateless. Rumours have been circling around for years that He killed his own fated mate. The mate which every Lycan king is supposed to have only one in their life. Then what was his purpose to drag Allison into his destructive world? Are the rumours just rumours or is there something more? Allison Griffin was the only healer in the Midnight crescent pack which detested her existence for being human. Her aim was only to search her brother's whereabouts but then her life turned upside down after getting the news of her family being killed by the same monster who claimed her to be his and dragged her to his kingdom “The dark walkers”. To prevent another war from occurring, she had to give in to him. Her journey of witnessing the ominous, terrifying and destructive rollercoaster of their world started. What happens when she finds herself being the part of a famous prophecy along with Lyceon where the chaotic mysteries and secrets unravel about their families, origins and her true essence? Her real identity emerges and her hybrid powers start awakening, attracting the attention of the bloodthirsty enemies who want her now. Would Lyceon be able to protect her by all means when she becomes the solace of his dark life and the sole purpose of his identity? Not to forget, the ultimate key to make the prophecy happen. Was it her Mate or Fate?

9.5

120 Chapters

The Badass and The Villain

Quinn, a sweet, social and bubbly turned cold and became a badass. She changed to protect herself caused of the dark past experience with guys she once trusted. Evander will come into her life will become her greatest enemy, the villain of her life, but fate brought something for them, she fell for him but too late before she found out a devastating truth about him. What dirty secret of the villain is about to unfold? And how will it affect the badass?

Not enough ratings

33 Chapters

The Swap

When my son was born, I noticed a small, round birthmark on his arm. But the weird thing? By the time I opened my eyes again after giving birth, it was gone. I figured maybe I'd imagined it. That is, until the baby shower. My brother-in-law's son, born the same day as mine, had the exact same birthmark. Clear as day. That's when it hit me. I didn't say a word, though. Not then. I waited. Eighteen years later, at my son's college acceptance party, my brother-in-law stood up and dropped the truth bomb: the "amazing" kid I'd raised was theirs. I just smiled and invited him and his wife to take their "rightful" seats at the table.

8 Chapters

The Chosen One

Alex found himself entangled in a destiny, just when he was about to enjoy his teenage days. He reluctantly accepted to save his hometown from a calamity which had been happening for some years. He discovered some secrets in the course of saving his people from the calamity, to his surprise. How on earth is the people he regarded to be his biological parents for eighteen years not his? Will he eventually accept his destiny? Will he embrace his identity? Watch out as secrets unfold.

30 Chapters

The Noble's Promise

"Jayden, your grandfather gave a promise to Queen Camellia, the mother of King Henry to protect their kingdom after the death of her King consort. And as you know about the backstabbing of Edward II. It seems like we are incompetent in fulfilling the promise of your grandfather. For protecting the throne of Orbloem and giving its actual Ruler back the only way possible is to have a relationship with the Bloemen Royal Family other than Frienship. As Rosaleigh is the crown princess of Orbloem and you're the heir apparent to Swedwish throne. I want you to marry Rosaleigh." Grandmama adjured. Without any further thoughts I stood to my feet and picked up the box from the mahogany table. "Your wish my command mormor." I smiled and bowed at her before leaving the library. Being Born to a royal family is not a cake walk. We're taught to abide by our elder's wish. And here it was about the promise my late grandfather made to Queen Camellia. Or'bloem is a comparatively small monarchy than Swedway. And the only way I see to regain and protect Orbloem's land is to marry Rosaleigh. I am a Royalty and fulfilling my grandfather's promise is my duty. I'll fulfill a NOBLE PROMISE. *** Jayden Alexander Krigston wants to marry Rosaleigh Isabelle Bloemen to fulfill his grandfather's promise. In that attempt he indeed falls in love with Rosaleigh. But as always fate has another plans.. How will Jayden being a NOBLE fulfill the PROMISE? Copyrights © 2020 by B_Iqbal

30 Chapters

The Lycan’s Consort

“Consider it your blessed day, Fake fairy. Don't dare to cross my path ever again unless you stop loving your dear life.” His aqua-blue eyes pierced my soul, forcing me to stay still as his fierce voice churned my inside. He casted me a look of pure contempt before giving me the warning which screamed pure death. Pearl Addison, the human girl, landed in New York to find her college sweetheart cum fiance Jordan who vanished into the thin air, without being noticed. But on the very first day she crossed the path of Andreas Ronan Sinfield who was a powerful and mysterious Lycan king and the monarchical bloodline of the Seinfeld lineage which has been existing since medieval times. He developed strong revulsion toward her on their first meeting and first touch. Pearl was terrified of him to the core, seeing his monstrous behaviour and inhumane sight as He scared her with his half Lycan face without realising her human nature. Her six months stay in the foreign land tangled her into ominous experiences among feral beasts in the city and fate tossed her in the arms of Andreas who despised her for a reason unknown to her. But what about the alluring scent she emitted around him which should only come from his fated mate who died years ago? Consipiries, Betrayal, killings, lies, battles and Revenge took the shapes in between the unexpected love between two different souls. Would Pearl manage to slip from under his puissant wings when she happened to see his real identity or would He bind her to himself forever? After all He had some plans for her which she wouldn't be able to deny. As He, himself is the law in the city known by the name of the “Lethal Senator”.

7 Chapters

Who Wrote The Wife You Left. Novel And Screenplay?

4 Answers2025-10-20 09:17:01

I dug around several book and film databases to try to pin down who wrote 'The Wife You Left.' and came up empty of a single, definitive credit. I checked common places I use first — library catalogs, ISBN listings, and retailer pages — and there wasn’t a widely recognized, mainstream edition with a clear author that pops up in multiple sources. That usually means one of three things: the work is very obscure or self-published, it goes by a different title in major databases, or it exists primarily as an uncredited/indie film project.

If you want a firm citation the fastest way is to look at the book’s copyright page or the film’s closing credits and official festival/program materials. For books, the publisher, imprint, and ISBN will tell you who to credit; for films, the screenplay credit should be on IMDb or the film’s official press notes. I’m left intrigued by the mystery around 'The Wife You Left.' — feels like a hidden gem that needs a deeper dig through physical copies or festival programs.

Are There Major Differences Between The Proposition And Its Screenplay?

3 Answers2025-10-16 23:27:21

I've gone back and forth over 'The Proposition' and its screenplay enough times that they feel like two different experiences to me. The screenplay, written by Nick Cave, reads like a piece of dense, literary prose: there are moments of brutal dialogue, little interior beats and stage directions that push character motivation forward. On the page you get more of Cave's voice — the moral puzzles and poetic brutality are spelled out in ways that sometimes don't fully survive the translation to the screen.

On film, John Hillcoat leans into landscape, silence and image. Scenes that in the script are heavy with lines become long, aching shots of desert and behavior. That changes the emotional center: the screenplay emphasizes argument and negotiation, while the movie makes you feel the isolation and inevitability. Some scenes from the published script were trimmed or reshaped; I noticed small subplots and extended conversational passages that never made it to the final cut. That creates different rhythms — the movie breathes, the script talks.

Also, the soundtrack by Nick Cave and Warren Ellis plays a huge role in shifting tone. On the page you can imagine the mood, but the score fills in the silences and sometimes replaces exposition. Performances furthermore add layers — actors soften or harden lines, making certain moral choices feel more ambiguous on screen than they read on paper. For me the screenplay is a darker, more explicit moral tract, and the film feels like a visual, almost elegiac version of the same cruel tale. I love both for different reasons, and they keep nudging each other in my head.

Is The Lovers Movie Based On A Book Or Original Screenplay?

4 Answers2025-08-29 12:20:23

I'm picturing a few different films when you say 'the lovers movie', so I usually start by narrowing it down. A lot of titles use the word 'Lovers' or 'The Lovers' and whether it's based on a book depends entirely on which one you mean. If you want a quick rule: check the opening or closing credits for a 'based on' line or look up the film's writing credits—if it says 'screenplay by' (or 'written by') with no source novel credit, it's probably an original screenplay.

If you want examples to orient yourself, some romance films are famously adapted from novels while many indie relationship dramas are original scripts. For instance, big adaptations like 'The Notebook' or 'Call Me By Your Name' clearly list their novel sources everywhere, while festival films often advertise being original. If you tell me which 'Lovers' you're asking about—year, director, or a lead actor—I can dig into that specific film and give you a definitive source trace instead of a general method. Either way, I can walk you through reading the credits or using IMDb/Wikipedia and production press notes to confirm it.

How Did Andrew Stanton Develop Finding Nemo'S Screenplay?

5 Answers2025-08-30 03:06:24

Sometimes a whole movie feels like the slow unfolding of one stubborn idea, and that's how I see how Andrew Stanton built 'Finding Nemo'. He carried the emotional anchor—a father's obsessive search for his lost son—through constant rewriting. Early on, Stanton sketched the characters and the journey in rough storyboards, then ran them as story reels with the team. The beats shifted a lot; Marlin's paranoia and Dory's upbeat amnesia didn’t arrive fully formed but were refined by repeatedly playing the scenes out in sequence.

I was struck reading about how he and his collaborators treated the screenplay as something you can draw, test, and rework. They did research trips to aquariums and watched scuba footage to get authentic movement and lighting, but the script’s heart stayed personal: parent-child fear and courage. Practically, Stanton spun ideas with storyboard artists, reshaped scenes after internal screenings, and let the visuals drive many rewrites—so the screenplay emerged from a loop of drawing, watching, laughing, and cutting until the emotional throughline was unmistakable.

Who Wrote The Screenplay For The Goodbook Adaptation Film?

3 Answers2025-08-30 00:04:15

This question can point in a few directions, so I’d like to be a little detective with you rather than guess wildly. If by "the goodbook adaptation film" you literally mean a movie adapting the Bible (often nicknamed the 'Good Book'), there are several high-profile films and different screenwriters behind them. For instance, 'The Passion of the Christ' lists Mel Gibson and Benedict Fitzgerald on the screenplay side, while 'Noah' was developed by Darren Aronofsky and Ari Handel. Credits can be messy — some films list a "screen story by" person and a separate "screenplay by" credit, or have multiple rewrites and shared credits.

If you instead mean a movie adapted from a book titled 'The Good Book' or a similarly named novel, then I’ll need the exact title and year to give you the precise name. A quick way I always use when I’m trying to settle credits after an argument among friends is to check the film’s opening/closing credits, the Blu‑ray booklet, or the film’s IMDb/Wikipedia page (look for the "Writers" section). Tell me the exact title or the year, and I’ll track down the credited screenwriter for you — I love this kind of minutiae, it’s my favorite kind of trivia to bring up over coffee.

Who Wrote The Screenplay For Fast Times At Ridgemont High?

4 Answers2025-08-31 06:14:14

I still get a little thrill whenever the opening credits roll for 'Fast Times at Ridgemont High'—that soundtrack, those faces, and the brisk, witty dialogue. The screenplay was written by Cameron Crowe, who adapted it from his own Rolling Stone piece about American high schools. He was crazy young when he went undercover to report on teen life, and that curiosity really shows in the film’s sharp, lived-in details.

Watching it as a kid on a weekend afternoon, I always noticed the little beats that feel like someone who actually listened to teenagers wrote them. Beyond the obvious laughs, Crowe's script helped shape a whole generation of teen comedies and gave us characters that still feel oddly real. If you’ve ever found yourself quoting a line with friends, you’re basically celebrating his knack for capturing awkward, sincere teen moments—and I kind of love that about it.

Who Wrote The Dead Poets Society Book And Screenplay?

3 Answers2025-08-29 13:20:15

I still get a little goosebumps thinking about that opening scene—so here's the short, friendly version from someone who keeps both the movie and the tie-in paperback on the shelf.

The screenplay for 'Dead Poets Society' was written by Tom Schulman. He wrote the script that became the 1989 film directed by Peter Weir, and that screenplay even won the Academy Award for Best Original Screenplay. The film version is the one most people know: Robin Williams as John Keating, the unorthodox English teacher who urges his students to "seize the day."

There’s also a novel people often talk about when they want to relive the story in book form. That novelization of 'Dead Poets Society' was written by Nancy H. Kleinbaum (often credited as N. H. Kleinbaum). It’s based on Schulman’s screenplay and tends to expand on character interiority and small scenes in ways the movie can’t. If you loved the film’s emotional beats, the Kleinbaum book is a cozy, accessible way to dig a bit deeper into the characters’ feelings and the boarding-school atmosphere.

Personally, I like keeping both around: the screenplay for the crisp cinematic structure and Schulman’s original dialogue, and Kleinbaum’s novelization for the quieter moments you wish had more page-time. If you’re curious, watch the film first and then read the book—it's a small ritual I recommend whenever I reintroduce friends to 'Dead Poets Society'.

Is The Book Method Effective For Screenplay Writing?

3 Answers2025-11-17 16:21:26

Diving into the book method for screenplay writing, I feel it's a fascinating approach that brings a fresh perspective. As someone who's often felt confined by traditional screenplay structures, exploring this method opened up a world of creativity for me. Books can delve deeply into character development, backstories, and intricate plot lines, and adopting these elements can elevate a screenplay considerably.

When I think about it, books allow a level of exploration that screenplays typically skim over due to their time constraints. For instance, novels can take pages to develop a character's psyche or set up a plot twist. Using this method, I started drawing from my favorite novels, blending their rich narratives into my scripts. I found that while screenplay writing demands brevity and visual flair, infusing the emotional depth and narrative complexity from novels can lead to more engaging stories.

However, it's crucial to adapt these techniques wisely. Screenplays aren’t meant to be floods of exposition; they need action and dialogue to convey emotion. Balancing depth with succinctness is key. Books can serve as a treasure trove of inspiration—think of the ripples in 'The Catcher in the Rye' or the world-building in 'The Hobbit.' Both have sparked ideas that drove my writing forward in unexpected ways, creating a more robust screenplay in the process.

It's like merging two art forms—poetry and film—in a beautiful dance. My screenplay writing truly reached a new level when I embraced this method, bringing that passionate love for storytelling from novels into the dynamic world of film.

What Common Mistakes To Avoid In A Screenplay Outline?

1 Answers2025-10-09 15:47:17

Creating a screenplay outline can be such a fun adventure, but trust me, it’s also easy to trip over common pitfalls if you’re not careful! One mistake I often see is skipping character development. You might have a fantastic plot in mind, but if your characters feel flat or lack depth, viewers won’t connect with them. It’s vital to carve out distinct arcs for them. Make sure every significant character has a journey, showing how they change over the course of the screenplay.

Another tricky area is pacing. A screenplay should flow like a good action scene—smooth and engaging. I learned the hard way that overloading the outline with too much information or exposition at once can drag the pacing down. Instead, sprinkle in the details gradually to maintain tension and keep the audience hooked. Think about how 'Inception' masterfully navigates complex ideas but keeps the action tight and thrilling.

Lastly, don’t forget the importance of structure! While creativity is crucial, adhering to a basic three-act structure can help guide your story effectively. I used to go off on tangents that had no bearing on the main storyline, leading to confusion. Following that familiar arc ensures there’s a beginning, middle, and satisfying end. So, keep these aspects in mind to avoid getting wrapped up in your own creative labyrinth!

I’ve dabbled in writing scripts now and then, and while I enjoy the process, some mistakes can really hinder progress! One major thing is the tendency to get lost in subplots. It’s super tempting to dive into multiple stories when outlining, but having too many side stories can dilute the main narrative. I’ve learned it’s best to keep the focus on the primary plotline while hinting at subplots that enrich the world, not distract.

Also, clarity is key! If my outline is cryptic or vague, how can anyone visualize the script? Make sure your outline is concise and easy to follow. Use bullet points or clear headings for each act/scene, so you can see the flow of your story at a glance. I find it helps to visualize how each scene transitions into the next, which makes it engaging for readers too!

Lastly, I’ve sometimes rushed through revisions because I thought I had it all figured out. Mistake! Take your time to revisit and refine the outline. Even small tweaks can lead to significant improvements later on. So, start out right and keep polishing!

Outlining a screenplay is way more than just putting down ideas, and I’ve had my share of eclectic learnings! For one, I found that a lack of conflict is a huge red flag. Every good story thrives on conflict, whether it's external struggles or internal dilemmas the characters face. So, when outlining, ask yourself, “What’s at stake?” It’ll keep the narrative tension alive.

Another thing I’ve noticed from different discussions is overlooking the theme. If your story doesn't have something to say, it can feel aimless. A solid theme adds layers to your outline, giving depth. Don’t be afraid to explore different angles—have fun with metaphors or motifs in your writing. Lastly, be wary of not allowing room for flexibility! While outlines are crucial, I've seen stories benefit from organic growth during the writing process. It's all about balance, I guess!

Is Power Book 2 Based On A Book Or Original Screenplay?

3 Answers2025-07-20 11:07:42

I've been following 'Power Book II: Ghost' since it first aired, and I love digging into the origins of my favorite shows. This one is actually an original screenplay, not based on a book. It's a spin-off from the original 'Power' series created by Courtney Kemp and produced by 50 Cent. The story continues the drama surrounding Tariq St. Patrick, picking up right where 'Power' left off. The writing is sharp, and the characters feel fresh yet connected to the original series. I appreciate how it expands the 'Power' universe without relying on existing book material, making it a unique experience for fans like me who crave more of this world.