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Simon Tolkien

"Life and Death are like green and red: you can't be both, but you can be neither. " Will you accept if you were given a chance to live forever? Or would you rather live with the fact that life ends with death? For Simon, there is no other choice than to live until everyone dies. All he wants is to be dead, but how?

55 Chapters

Love You

Paul Henry had to be discharged from the army due to paralysis of his legs, half a year his temper was not very good, so Grandpa Dylan Henry wanted Paul to get married so that he could feel a little happier. Fiona also ran to find Paul because of this news, he said he wanted her to help him get out of here. Without thinking, she agreed. Paul was brought home by Fiona to provide accommodation and meals. Although it is very difficult to earn money to support him, she feels a love that she has never had before. Paul wants to go abroad to treat his feet, before leaving he just leaves her a piece of paper. When Fiona came home from work to find him gone, life became as dark as before meeting him. She was angry and didn't want to talk to him, Paul had to comfort her for a long time before she could forgive him.

Not enough ratings

24 Chapters

Broken Luna, Rising Wolf

Ayla Stable spent years suffering abuse and humiliation from her own pack, and her own family hates her. But when she meets her fated mate on her eighteenth birthday… Alpha Darius Vale, her lifelong tormentor. Her world collapses with one cruel sentence spoken before the entire pack. Rejected. Disgraced. Broken. She runs away, and Ayla finds refuge in a pack that becomes the family she never had. With them, she discovers strength, purpose, and a version of herself she never believed possible. When Ayla returns home years later, she’s different— confident, powerful, and no longer willing to bow. Her old pack needs her. Her former mate wants her. And Ayla carries truths that could change everything. But confronting the past means facing the man who destroyed her… and the future she never thought she’d be forced to choose. Forgiveness. Revenge. Love. There is too much at stake. Ayla must decide what and who is worth fighting for.

180 Chapters

BOUND BY THE MOON

“Darkness and Light must unite and find a balance… or the world will fall.” When the moon's light vanishes and rogue wolves rise with unnatural strength, the balance between fate and chaos begins to crack. Selene, a fragile orphan with a weak wolf and a mysterious past, has always been dismissed as powerless—but the Moon Goddess has other plans. Everything changes the night she collides with Alpha King Ronan—a cold, battle-hardened leader who vowed never to love, scarred by his parents’ tragic bond. Their fated connection shouldn't exist, but the prophecy says otherwise. Thrown into a dangerous spiral of secrets, betrayals, and forbidden power, Selene and Ronan must confront enemies lurking within and beyond their packs. As prophecies awaken and war brews, love may be their greatest strength—or their undoing. Can two broken souls defy destiny, or will the darkness consume them before they embrace the light?

116 Chapters

Rise & Reign Of The Forsaken Luna

Elara lived in fear as a forgotten omega. Her life shattered when Alpha Justin, her fated mate, formally rejected her and left her for dead in a lonely, boring world. But fortunately for Elara, betrayal only gave way for a rare, ancient power within her. Barely alive, Elara was found by Alpha Fenris Stone, the dark, powerful leader of the Shadowood Pack. Under his watchful eye, her wounds healed, and a threatening power tied to the Moon Goddess exploded. Elara is reborn, transforming into the prophesied Queen Luna. Now, she must return to confront the Alpha who wronged her, reclaim her destiny, and embrace the fierce love of the warrior who saw her true strength.

11 Chapters

Owned on the Ice M/M Romance

Noah’s a rising hockey star with a mouth that gets him in trouble and a body built to break rules. Sterling is the team's billionaire owner—older, untouchable, and dangerously in control. They were never supposed to cross that line. But one reckless moment changes everything. Now, Noah can’t stop thinking about the man who sees right through him. And Sterling? He’s losing control in ways he swore he never would. It was supposed to be a mistake. It’s starting to feel like an obsession.

9.8

245 Chapters

What Inspired Tolkien To Write The Hobbit?

2 Answers2025-09-01 13:15:51

Just thinking about the origins of 'The Hobbit' gets me excited! Tolkien’s journey into the world of Middle-earth was fueled by his love for mythology and linguistics. Imagine a professor, surrounded by books, scribbling away in his spare time, contemplating the intricacies of language. Tolkien, with his deep affection for ancient lore, wanted to create something unique. His inspiration struck when he began to put together a tale for his children, capturing their imaginations and his own. You can almost picture him telling bedtime stories, shaping a whole universe filled with hobbits, dragons, and adventures.

The creation of 'The Hobbit' blossomed from his interest in nature and the landscapes that brought him joy. He took inspiration from the rolling hills of the English countryside, where he often wandered, bursting with ideas for adventures waiting to unfold beneath the sunlit skies. The beauty of simple things—a meal shared, a friendship kindled, and the courage found within—definitely influenced his writing. Plus, let’s not forget his experiences in World War I. Those challenging times made him yearn for escape and wonder, something to uplift the spirit, which translated beautifully into the charm of the Shire and the thrill of quests. Every page brims with echoes of both his personal life and broader human themes, making it such a relatable tale. I'm really drawn to how it combines fantasy with a sense of home, a journey that reflects our own lives.

What strikes me the most is how he wasn't just telling a story for children. Beneath the surface, there are themes of loss, friendship, and the quest for identity. It resonates with many of us, doesn't it? Exploring terrains unknown, battling inner fears—what a ride! It’s amazing that a simple bedtime story led to an epic saga that influences countless works even today, reminding us just how powerful storytelling can be.

Why Did Christopher Tolkien Edit Silmarillion After JRRT'S Death?

5 Answers2025-08-27 13:44:52

I still get a little chill thinking about the attic light and the smell of old paper—my mental image of Christopher Tolkien hunched over piles of his father's drafts feels oddly domestic and heroic. What pushed him to edit 'The Silmarillion' after J.R.R. Tolkien died wasn't a single reason but a tangle of duty, love, and necessity. He was the literary executor: legally and morally responsible for his father's legacy. More than that, he had the rare, intimate knowledge of the drafts—the hundreds of pages of variant tales, poems, timelines, and sketches that never became a finished, publishable book. Dad (so to speak) left us a mythology in fragments, with changing names, shifting chronologies, and different narrative tones. Someone had to take those shards and shape them into a readable whole.
On a personal level, Christopher wanted to honor his father's creative intention. He wasn't trying to stamp his own voice over the material; he tried to choose and harmonize texts so readers could experience the mythic sweep Tolkien had spent his life inventing. That involved hard editorial decisions—choosing which versions of episodes to include, smoothing contradictions, and sometimes interpolating connecting passages. He also wanted to protect the material from being butchered by less sympathetic hands and to bring it to a public that had already fallen in love with 'The Lord of the Rings'. In the end, his choices made a coherent 'The Silmarillion' possible, even if scholars and fans would later argue about the compromises he had to make.

Why Did J.R.R. Tolkien Write The Hobbit Novel?

4 Answers2025-08-30 18:53:17

There’s something very cozy about how 'The Hobbit' began — for me it always feels like a bedtime story that grew legs. I like to imagine J.R.R. Tolkien sitting down to amuse a small group, because, in a way, that’s exactly what happened: he wrote the tale largely to entertain children (his own and others) and because he loved telling stories. He was a language nerd through and through, and his fascination with words and old myths naturally bubbled into a charming little narrative about a reluctant hero, treasure, and dragons.

Beyond the immediate spark, though, he had broader intentions. Tolkien’s work on ancient languages and northern mythologies meant he wanted to create a world that felt rooted and real. 'The Hobbit' started as something light but tapped into deeper veins of folklore, philology, and his desire to craft stories that felt like genuine myth. Publishers and a bit of luck helped it reach readers, and the book’s success convinced him to dive further into his legendarium — which eventually led him to expand into 'The Lord of the Rings'. For me, the book’s origin is a lovely mix of private amusement and a scholar’s restless creativity — it’s like finding a small sketch that becomes a sprawling painting, and I still love rereading it when I need to feel small and adventurous at the same time.

What Is The Order Of JRR Tolkien Books In The Middle-Earth Saga?

5 Answers2025-09-01 04:19:54

When diving into the enchanting world of J.R.R. Tolkien's Middle-earth, it feels like embarking on a grand adventure through some of the most intricately crafted storytelling ever. The journey begins with 'The Hobbit', published in 1937, where we meet the charming hobbit Bilbo Baggins. This light-hearted tale of adventure and treasure sets the stage for the epic saga that follows. After Bilbo’s escapades, we plunge into 'The Lord of the Rings', which is divided into three volumes: 'The Fellowship of the Ring', 'The Two Towers', and 'The Return of the King'. These stories intensify the stakes and interweave complex characters, making it essential to read them in order.

But wait, there's more! If you’re truly looking to immerse yourself in every detail, consider checking out 'The Silmarillion', although it was published posthumously in 1977. It's not a chronological part of the story but rather a collection of legends and lore that set the foundation for Middle-earth, featuring tales like that of Beren and Lúthien, which add an extra layer of depth to the universe. So, start your journey with 'The Hobbit', then read 'The Lord of the Rings', and for the die-hard fans, explore 'The Silmarillion'! Grab some snacks and get comfortable—it's a world worth getting lost in.

Each book invites you to paint vivid pictures in your mind, and I can never get enough of the rich landscapes, whether it’s the Shire's serene hills or the towering majesty of Mount Doom. Tolkien crafts these moments so well that you practically live them, and they stay with you long after the final page has been turned.

Who Is Simon Tolkien And What Are His Notable Books?

3 Answers2025-08-28 03:57:14

I get oddly excited when family trees collide with bookshelf shelves — Simon Tolkien is one of those cases where the name opens a door, but the person inside has his own story. He’s the grandson of J.R.R. Tolkien and the son of Christopher Tolkien, but he didn’t simply ride on the family coat of arms. After training and working for years as a barrister, he shifted into fiction writing and has carved out a quiet niche in contemporary crime and historical novels.

His best-known book to many readers is the crime novel 'The Final Witness', which introduced his interest in legal and moral ambiguities. He followed that vein with other novels that lean on courtroom tension, fractured families, and the slow unspooling of secrets — themes that feel lived-in, probably because of his legal background. Later work shows a move toward broader historical canvases and character-driven family sagas, so if you like authors who can switch from tight procedural detail to sweeping personal histories, he’s worth a look. I’ve shelved his books next to other writers who started in law and drifted into fiction; there’s a certain forensic attention to motive and consequence that I keep coming back to.

When Did Simon Tolkien Release His First Novel?

3 Answers2025-08-28 08:41:22

I've been known to dig through family trees of writers for fun, and Simon Tolkien's publishing debut always caught my eye. His first novel, 'The Final Witness', was released in 1999. I picked it up partly out of curiosity—how does a descendant of a legend carve out their own voice?—and found a gritty, modern piece that leaned into crime and courtroom drama rather than fantasy realms.

The book arriving in 1999 felt like a statement: he wasn't trying to live in the shadow of 'The Lord of the Rings', he was building his own lane. Over the years I've kept an eye on his trajectory; the way he handled legal and moral complexities in that first novel set the tone for the work he continued to produce. If you want to see how literary lineage and personal style can coexist, start with 'The Final Witness' and then look up interviews from the late '90s—there's some fun back-and-forth about legacy, expectation, and authorial choice that I still enjoy revisiting.

Which Capo Suits Simon & Garfunkel The Sound Of Silence Chords?

3 Answers2025-08-26 01:50:57

I still get a little thrill when that opening fingerpicked phrase comes in — it’s perfect for a quiet evening with a mug of tea. If you want to play 'The Sound of Silence' and are asking which capo to use, the short practical route is: you don’t need a capo to play it, but a capo makes it easy to match your singing range or the recording.

Most folk players use simple Em-based shapes: Em, D, C, G (and sometimes Am for the bridge). Played open (no capo) those shapes sound in a deeper, more somber register that suits a low voice. If you want a brighter tonal color or need to raise the key to sing higher, try capo on the 1st, 2nd, or 3rd fret — each fret raises the pitch by a semitone. I usually start with capo on 2 when I’m busking; it gives the guitar a bit more sparkle and fits a lot of baritone-to-tenor ranges without forcing me to strain.

A quick practical tip: place the capo, play an Em shape, and sing the first line. If your voice feels comfortable, you’re done. If it’s too low, move the capo up one fret and try again. For chords use Em (022000), D (xx0232), C (x32010), G (320003) and a gentle Travis-picking or thumb-forward strum to keep the song’s mood. Play around with capo placement until the guitar sits under your voice like a cushion — that’s the real magic for this tune.

Which Picking Fits Simon & Garfunkel The Sound Of Silence Chords?

3 Answers2025-08-26 13:12:57

I get a little giddy every time someone asks about picking for 'The Sound of Silence' because it’s one of those songs that lives or dies by how you touch the strings. If you’re working with the common acoustic arrangement (think slow, moody Em-based progressions that cycle into D, C, G, Am territory), the picking that fits best is a gentle, rolling arpeggio with an alternating-thumb bass. Imagine your thumb as the heartbeat—it hits the root bass on beats 1 and 3 while your index, middle, and ring fingers sprinkle the higher strings on 2 and 4. A simple pattern I use is: T (bass) — i — m — a — m — i, which gives you a 6-note feel that breathes without sounding busy.

For more texture, try Travis-style fingerpicking: keep the thumb alternating between two bass strings (root and the fifth of the chord) while your fingers arpeggiate the top strings. This lets the tune sit spaciously under the vocal—perfect for the song’s haunting mood. During the verses, pull back the intensity and leave tiny gaps; during the chorus or build-up, broaden the dynamics, maybe switch to fuller arpeggios or light strums. Little ornaments—hammer-ons on the 2nd or 3rd fret, or letting one string ring—make it feel lived-in.

If you’re new, start slow with an Em chord and practice the thumb-on-1-and-3 rule, then add fingers. Once it’s comfortable, play around with tempo and dynamics to match your singing range. The picking should serve the lyric’s quiet menace, so keep it simple and expressive.

What Strumming Works Simon & Garfunkel The Sound Of Silence Chords?

3 Answers2025-08-26 00:48:20

Funny thing — the first time I tried to sing along to 'The Sound of Silence' I overcomplicated the strum and lost the song’s hush. The original Simon & Garfunkel vibe is more about gentle arpeggios and space than aggressive beating, so if you want that classic feel, start fingerpicking a simple pattern: bass note, then two or three higher strings in a steady roll. For Em, try plucking the low E (bass), then D, then G+B together, then high E — think of it as 1 - & - 2 - & in a slow 4/4. That gives you the intro’s intimate pulse without sounding busy.

If you prefer a strummed version (easier for sing-alongs or busking), use a soft, syncopated folk strum: down, down-up, up-down-up (D, D-U, U-D-U) at around 80 BPM, with the first down a bit stronger. Let the chords ring and don’t mute everything — the song needs that lingering resonance. Em, C, G, and D work nicely in rotation, and you can add a gentle palm-muted downstroke on the next beat to create dynamics. I like to emphasize beats 1 and 3 lightly and leave space on 2 and 4; it keeps the melancholy without dragging.

A couple of practical tips: use a light pick or fingertips for warmth, and practice slowly with a metronome. If your voice sits higher or lower, slap on a capo to match your range — the patterns translate perfectly. Most importantly, listen to the silence between notes; the feeling matters more than flashy technique.

How Did Morgoth And Sauron First Meet In Tolkien Lore?

2 Answers2025-08-27 06:15:32

There’s a moment in Tolkien’s legendarium that always feels like a missing panel in a painting: the first meeting of Morgoth and the Maia who would become Sauron. Tolkien never gives a cinematic, handshake-and-words scene in 'The Silmarillion' — instead we get hints and theological drift in 'Valaquenta' and expanded notes in 'Morgoth’s Ring' and 'Unfinished Tales'. From those sources the picture that emerges is less about a single encounter and more about a gradual drawing-in. Sauron began as Mairon, a Maia of Aulë, a being who loved order, skill, and craft. Melkor’s voice promised power and a sweeping order of his own, and that attraction, combined with Mairon’s impatience with perceived inefficiency, made him vulnerable to Melkor’s seduction.

When I first read this, curled on a couch with a mug gone cold beside me, it struck me how human the dynamic feels: admiration turned to envy, competence turned to a taste for domination. Tolkien hints that many Maiar followed Melkor into darkness, not necessarily for hatred of the other Valar but because Melkor offered agency and dominion. Sauron’s switch is described as a willing submission to what he thought would be a more effective order. He became a chief lieutenant in Melkor’s service in Middle-earth, learning treachery, organization of evil, and the arts of domination that would later reappear in the Second Age. Scholars who dig into 'Morgoth’s Ring' emphasize that Sauron’s corruption was deliberate and deliberate-seeming: he rationalized Melkor’s goals into a vision of controlled order rather than mere malice.

If you want a mental image, picture Melkor as a forceful professor giving an alluring lecture on control, and the gifted, meticulous student Mairon leaning forward, convinced. Tolkien never scripted their first eye contact; instead, he lets readers infer the seduction through motives and consequences scattered across texts. That subtlety is part of the fun: it lets fans and scholars fill in the conversational blanks. For me, that gap keeps the story alive — it’s tempting to write fan-scenes, forum threads, or little plays that imagine the first whisper. If you’re into that, reading the relevant chapters in 'The Silmarillion' and then the notes in 'Morgoth’s Ring' is a great way to see how Tolkien slowly laid the tracks for that fateful relationship.