Structural Dissociation: A Proposed Modification Of The Theory

On the third anniversary, which also happens to be Natalie Sherman's birthday, her husband, Lester Garrison, gives her a very special gift—a divorce agreement. Calmly, Lester picks up a pen and drops his signature on the bottom left corner of the agreement. Then, he pushes the document in Natalie's direction. "Rene is very stubborn, and it's very difficult for me to appease her. Only when I'm divorced will she agree to accept me as her lover. "I've already signed the divorce agreement. You should do the same. Don't worry, we're just faking this divorce." Lester's tone is very casual, not to mention he sounds emotionless, too. It's as though he's discussing what to have for dinner tonight.

On the day Clara forced me to sign the divorce papers, I got bound to a self-sabotaging system. The system commanded me to slap her hard and tell her to get lost. I trembled in fear because Clara was a ruthless person. If I dared to stop her from getting back together with the love of her life, she would utterly destroy me. But the system threatened me: "If you don't self-sabotage, you will die soon." Left with no choice, I slapped her. As soon as I hit her, I ran out of the house, terrified. The system then told me to smash a police car on the side of the road. I suspected the system wanted me dead. However, after I smashed the police car's side view mirror, I realized that the system was trying to sabotage someone else's life instead.

Peter Cooper lives in the town of Capistrano. After being dumped by girlfriend Amelia his friend James arranges a job at Trans-Port, bossed by the famous Professor William Carver. Carver’s assistant is an American woman called Claire. Peter is pressurised into being a guinea pig for the company’s teleportation experiments and gets sent to another reality ‘The Projection’. On returning he's told Trans-Port have mentally imprisoned him in Capistrano slnce ten. The programme is a wormhole to another reality and Peter is forced to go back there and bring home its creator, his brilliant scientist father John, so Trans-Port's teleportation system can work successfully. The Projection is only programmed for John and Peter’s DNA. Peter finds the alternate reality called ‘Guildford’ similar to Capistrano but landscape and identities have changed. He meets another ‘Claire’, now English. She helps him find his ‘parents’ who informed his doppelganger (Other Peter) is a successful scientist, married to Amelia and working for Kilgore Industries in ‘Cambridge’. They are also building a teleportation device. Realising 'his' John might have gone there, Peter follows. At Kilgore he finds another ‘James’, now ‘Other Peter’s’ Project Manager. He pretends to be his doppleganger's non-existent brother to find out about an 'accident' on the site. That night a dream shows ‘Other Peter’ involved in a metaphysical reaction to the accident. John asks Peter to help him find out more about it. They force Amelia to take them to ‘Other Peter’ at Kilgore. They find him trapped between two states of reality just like Peter’s dream. Peter forces John to return to Capistrano but Carver appears telling him neither realty actually exists. The accident killed Peter and he is now purely cyber intelligence. But is this true? Can Peter’s REAL life still be saved?

A human girl is taken in and raised by a werewolf pack. She awaits the day when she turns nineteen and can leave to return to her own people. However, unforeseen circumstances ruin her plans and she's plunged deeper into the world of the supernatural.

I am a postgraduate archaeology student whose fieldwork combines GIS technology with excavation, and during one project I become entangled in a concealed emotional relationship with two lecturers. Linus is restrained, intellectually rigorous, and emotionally distant, offering a sense of order and safety rooted in academic discipline, while Theo is charismatic, passionate, and ethically unstable, drawing me into intensity and risk. What begins as professional admiration develops into intimacy shaped by secrecy, hierarchy, and blurred boundaries. As the excavation exposes layered traces of past lives, I am forced to confront my own desire, ambition, and guilt, and the story ultimately centres not on choosing between two men, but on learning how to live with complexity and accept the consequences of crossing lines.

Tommy lunges for my face and bombards me with his mouth. His hands are everywhere and I can feel his erection against my hip. Don’t get me wrong, Tommy gets me hot. I usually end up not minding the things we do, but he is just so damn aggressive. I try to push him off to at least get some air, but he slams my back against the door and pushes his body into me harder. My head slams into the door and I see stars for a second. ********************************** Ryan has had the biggest crush on Carter Moore since her first day of middle school. Now a junior in high school, she not only sees him every day, but sits next to him in Band. Suddenly, Carter asks her out. The two begin dating, but Ryan's past brutality at the hands of her ex-boyfriend, Tommy, threatens to tear them apart, especially with Tommy's sentencing hearing coming up.