Library

Textbroker

Natalia’s life was not so easy before the marriage, but she really didn't expect that she would accidentally marry the most popular man in the pack. Adrian Miller, the future Alpha never taken her seriously in this loveless marriage. But Natalia never stopped making an effort to win his heart. She kept trying until it became too much for her, and she decided to leave him forever. However, she had a secret identity that was kept hidden from everyone. What would happen if everyone found out about it? What if he discovered she was the only person he had ever desired in his life? What if she decided not to forgive him and instead moved on?

9.3

534 Chapters

Hot Chapters

Taking Alpha's Twins Away After Divorce Chapter 447

Forever in the Past and Forever in the Future

*The sequel to this book will be here from now on----------Daughters of the Moon Goddess-----------All the chapters you purchased here will remain here. * Kas Latmus isn't even an omega with the Silver Moon pack. She's a slave. Her Alpha has abused her for years. On her seventeenth birthday, her wolf wakes up and insists the Moon Goddess is her mother. Kas knows it can't be true but she is too weak to argue until she starts to go through an unusual transformation and display abilities that are not normal for a werewolf. Just as Kas is ready to give up on life, the ruthless Bronx Mason, an Alpha werewolf with a reputation for killing weak wolves shows up and claims her as his mate. Will Kas be able to overcome years of abuse and learn to love the menacing Alpha that is her mate or is she too far gone to be able to accept him and become the Luna her wolf believes she should be?

9.7

221 Chapters

Hot Chapters

Forever in the Past and Forever in the Future Book 2: Chapter 53

Fake Marriage: The Trillionire Tycoon's Fiesty Bride

Evangline Carter was prepared to getmarried to the man she loved her entire life, but suddenly, she discovered that her fiance's heart was captured by another woman who was no other than her stepsister. She was humiliated, face slapped, destroyed for loving a man who despised her. She was willing to sacrifice her youth, time, energy, love and heart for that man, but all her good intentions lead to pain and mystery.Trying to drown her sorrow with alcohol after her ruined wedding with her fiance who hooked up with her stepsister. Evangeline unexpectedly had a one night stand with a stranger who turned out to be the rich and powerful Damien Cross.Damien Cross, the king of the Business world, was a man to be feared. A man who was known as the devil as just the sound of his name made people tremble, cold, ruthless, heart of ice, merciless but extremely enticingly handsome. There was not a single person in this world that dared to offend him. He had avoided many women who tried so hard to gain his attention. That was until his path unexpectedly collided with Evangeline."I need a wife." Damien declared and they both got a marriage license.After so many years of being in pain and heartache, it was now Evanglines turn to witness and experience a love grander than anyone.The smarter, feistier, witter and cunning Evangline who knew how to survive the cruel, backstabbing and harsh upper class society smiled.Challenges will arise, chaos will commence, and a lot of drama will ensue. But then again, what is a love story without interruption? The story of love without any drama is simply just a crush and the story of Eva and Damien was way different than just an ordinary relationship.

9.1

746 Chapters

Hot Chapters

Fake Marriage: The Trillionire Tycoon's Fiesty Bride Chapter 742

Billionaire's Accidental Wife

BOOK 1&2- Completed One night, one life-changing decision, and so they say, "What happens in Vegas stays in Vegas." Yet it was nothing but a stupid mistake. She awakens in an unknown suite, naked with a hot stranger in bed with a wedding ring on her fingers. But being confused was nothing compared to the fact that he was Shawn Richmond, the famous CEO-billionaire playboy. To make matters worse, he left her gaping and still naked. However, she didn't have a plan to see him, but fate wasn't done with her yet. In London, she saw him in the bar after getting herself drunk when she discovered her fiance was cheating on her and took all their life savings. Then, with sheer luck, Mr. Richmond offered her a job as her secretary in exchange for keeping their accidental marriage secret. How hard could it be? But being married to his boss wasn't always rainbows and sunshine; it was full of tears, betrayals, heartache, and when her life shifted from boring to running for her life, plus some Russian mobs, treasure hunters, and religious zealots after them for the rumored treasure left by Shawn's grandfather, their lives spiraled into a mess. Could his love save her? Or broke her even more? BOOK 2- The Accidental Past (Completed)

169 Chapters

Hot Chapters

Billionaire's Accidental Wife Chapter 2

The CEO's Second Choice

Elena Wiltshire's dreams were coming true; she just got accepted into her dream school without the sway of the powerful Wiltshire name! But when her twin sister's engagement to Sebastian Dumont, the wealthiest CEO in the UK, falls through due to her shameful ways, Elena is forced by the familial matriarchs to take her place to avoid an upper-class scandal. Will Elena survive being married to the cold, egotistical CEO especially when he's hiding a secret of his own?

9.8

69 Chapters

Hot Chapters

The CEO's Second Choice 36. Early Morning Lovin'

The Devil's Love For The Heiress

Have you ever had “A Man Who Got Away?” Sarah Kate Wright, a beautiful heiress to Wright Diamond Corporation, let Carlos Ronaldo slip through her fingers. He loved her, but she did not see him. He left Braeton City without saying goodbye. After nine years, Carlos became widely known as “The Devil” on court. Hot, famous, and rich, he became every woman's desire. He returned to Braeton City and came face to face with… the girl he left behind. *** "Why did you leave without a word?” Kate asked, looking straight into his grey eyes. "You were my world, but you did not see me,” Carlos replied. It was funny how the tables turned because after Carlos left, all Kate could see was him. *** Book 4 of The Wright Family Series Book 1: Mommy, Where Is Daddy? The Forsaken Daughter's Return Book 2: Flash Marriage: A Billionaire For A Rebound Book 3: I Kissed A CEO And He Liked It Book 5: I Fell For The Boy His Daddy Was A Bonus Each book can be read as a standalone. Follow me on social media. Search Author_LiLhyz on IG & FB.

124 Chapters

Hot Chapters

The Devil's Love For The Heiress Chapter 82: How To Take A Bath

What Fees Does Textbroker Charge Authors For Custom Book Content?

3 Answers2026-01-24 04:09:47

I got curious about this when I was pricing out a self-published novella, and I dug into how Textbroker structures fees so I could budget sensibly. Broadly speaking, they charge clients per word, and the final cost depends on the quality level you choose and the delivery route you take. There are a few ways to buy content: an open marketplace where any qualifying writer can pick up your brief, DirectOrders where you invite a specific writer, and a managed or full-service option where the platform coordinates writers and editing for you. Each of those paths pushes the price up or down.

For short custom book content—chapter drafts, scene rewrites, or web-serialized segments—you’re mostly looking at per-word rates tied to quality tiers. Lower-tier content is cheaper but requires more in-house editing; higher-tier writers cost more but usually need fewer rounds of revision. If you want a dedicated, experienced writer for a multi-chapter project, DirectOrders or a managed project are the realistic choices and they come with premium pricing. There are also add-ons to watch for: rush delivery, research-heavy assignments, and project management can carry extra fees. Some clients choose to buy editing or proofreading separately, which is another line item.

One practical note: for longer, book-length projects, many authors find the platform’s managed service or a negotiated fixed project price more predictable than pure per-word billing. Managed services often bundle editing, formatting guidance, and a degree of creative direction, but they’ll bill higher to reflect that coordination. Taxes or VAT may apply depending on where you’re based, and there can be minimum order amounts or prepayment requirements, so factor that into your cashflow. Personally, I treated Textbroker as a place to prototype or supplement content rather than ghostwrite an entire novel, but if your priority is speed and you budget for the higher tiers, it’s a workable option that saved me a ton of legwork.

How Does Textbroker Help Novelists Find Freelance Writers?

3 Answers2026-01-24 10:38:55

I've found Textbroker to be like a little talent marketplace that helps novelists shortcut the hunt for reliable freelance writers. When I want help—say polishing a chapter synopsis, creating backmatter, or writing series character profiles—I set up a project with a clear brief that explains tone, word count, point of view, and any genre-specific beats. Textbroker organizes writers by quality levels; that means I can choose a tier that matches my expectations and budget. For tight, high-effort pieces I’ll target higher-rated writers, and for quick tasks like blurbs I might open an order at a lower level.

Beyond the quality tiers, the platform gives me control over how I recruit: I can publish an open order for anyone in the pool to pick up, invite specific writers to a direct order after checking their samples, or form a team for recurring work. The messaging and revision system makes it straightforward to ask for tweaks and protect continuity across multiple chapters. I also appreciate the built-in plagiarism checks and standardized payout process—payments are handled through the site so I don’t have to fuss with invoices.

For novelists who need consistent voice across a series, Textbroker makes it easy to trial several writers with short test pieces, keep the ones who fit, and then funnel future assignments to them via direct invites. It isn’t perfect—sometimes quality varies or you’ll need a round of edits—but it saves me heaps of time, especially when juggling worldbuilding documents, character bios, and promotional copy. Overall, it’s a practical, fast way to scale writing support without losing too much control, and I’ve come away with some great collaborators through the platform.

How Does Textbroker Ensure Quality For Manga Translation Content?

3 Answers2026-01-24 19:34:32

You'd be amazed how many tiny checks need to line up before a translated manga feels natural on the page.

From what I’ve seen, the platform leans heavily on a layered workflow: qualified writers with specific language tests, client-facing style sheets, and editorial oversight. Translators usually have to prove their skills with written samples and language exams, and they’re classified into tiers so editors and clients can pick the right level for something as delicate as dialogue in 'One Piece' or the tone in 'Fullmetal Alchemist'. That tiering matters because manga isn’t just literal text — it’s voice, timing, and cultural cues.

Beyond selecting skilled translators, there’s a localization loop: glossaries for recurring terms, notes about onomatopoeia and honorifics, and instructions on whether to keep Japanese words or localize them. Editors check readability and consistency, plagiarism filters catch sloppy work, and clients can request revisions if speech patterns or jokes don’t land. For image text there’s coordination on text extraction and reflow so the translated lines fit bubbles. Personally, I’ve noticed that when these parts are actively used — clear briefs, samples, and a check by a native editor — the result reads less like a translation and more like the original intent, which is exactly what I want when I flip through a translated volume.

Which Textbroker Plans Suit Indie Game Narrative Development?

3 Answers2026-01-24 08:39:03

I get asked this a lot by friends building small games, and my practical take is to match the plan to what stage your narrative is at and how much polish you truly need.

For early prototyping and rapid iteration, the open, pay-per-piece approach is great — it's cheaper and fast. Use lower-tier authors for proof-of-concept dialogue, quest hooks, or scene summaries so you can explore tone and pacing without blowing the budget. Expect uneven quality and plan to do edits yourself, but it’s perfect for shipping a playable version to test systems and player reactions.

When you start locking down story beats, characters, and branching logic, move to higher-rated writers via direct invitations. Invite 4– or 5–star authors for key scenes, emotional beats, and the central questlines. If you need long-term consistency across many scripts — branching dialogue trees, item descriptions, in-universe flavor text — a private team grouping or managed collaboration is worth the extra cost because it preserves voice and reduces rework. Also budget for an editor familiar with interactive narratives; I’ve saved time by hiring one to unify terminology and fix logic loops. In games that aim for the emotional heights of 'Disco Elysium' or the tight punch of 'Hades', that extra investment in vetted writers is where the narrative shines. Personally, I tend to mix the cheap and the curated: prototypes with open orders, then polish the core with invited pros — it's balanced, practical, and keeps my story intact while staying on budget.

Do Publishers Use Textbroker For Trailer And Blurb Copywriting?

3 Answers2026-01-24 18:05:02

I've watched this quietly for years and the short version is: yes, but with caveats.

Smaller presses and a lot of indie authors absolutely use services like Textbroker or other content mills for blurbs and short marketing copy because they're cheap and fast. I’ve seen dozens of covers where the blurb feels serviceable but a little flat — the hallmark of someone who followed a generic brief instead of capturing the book’s unique voice. For big-name titles like 'The Hunger Games' or major trade releases, you’ll rarely see that route taken; those houses either have in-house copy, seasoned freelancers, or specialized agencies writing jacket copy and trailer scripts.

Trailer copy is a different beast. A good trailer needs rhythm, cinematic beats, and an ear for pacing; that usually calls for a writer with experience in screen or video copy, not just someone who writes short articles. If a publisher uses Textbroker for trailers, they’ll often pick top-tier contributors and then heavily rewrite or edit the output. So while the platform is in play, the polished text readers see typically goes through more hands. My take: budget-friendly, sometimes useful, but you get what you pay for and you’ll often need an editor on hand to make it sing.

Can Textbroker Produce Anime Synopsis Or Episode Scripts?

3 Answers2026-01-24 02:44:32

Yes — Textbroker can absolutely be used to get anime synopses or episode scripts written, but there are some important caveats to keep in mind. I’ve commissioned plot synopses and beat outlines before, and the platform handles straightforward briefs really well: you can ask for a one-paragraph series pitch, a 500–800 word episode synopsis, or even a detailed beat sheet that breaks the episode into scenes. Writers there will often work from a mood reference (say, aiming for the noir tone of 'Cowboy Bebop' or the high-energy pacing of 'My Hero Academia') and can adapt voice and pacing if you give clear samples.

Quality varies a lot by the brief you provide and the writer you get. If you need a script formatted like a teleplay — sluglines (INT./EXT.), scene descriptions, action lines and dialogue with character names in all caps — state that in the brief and attach a template or example. Ask for revisions and show a sample of the exact tone you want. For derivative work that uses established characters or storylines from existing franchises, remember the legal side: creating fan scripts referencing copyrighted characters can be a gray zone unless you own the rights or are doing it strictly for non-commercial, transformative purposes.

In short, for original synopses, outlines, and scripts Textbroker is a practical, budget-friendly option as long as you craft a strong brief, pick experienced writers, and clarify format and usage rights up front. Personally, I find it great for getting a solid draft quickly to iterate on, though for final scripts I sometimes want a specialist to polish the dramatised beats.