Textbroker

Lola always assumed that her and her boyfriend Alpha Tyler were mates. On Tyler's 18th birthday, her world comes crumbling down. Broken hearted, she flees from her pack for an entire year. Tragedy forces Lola to return home where she finds the infamous Alpha Asher in charge. This time around, Lola may actually have a shot at happiness. That is, until she finds out who her mate truly is~~~for updates, aesthetics, and more, follow my ig xendmostmarsx, or my fb at Author Jane Doe!

9.7

250 チャプター

The Shadow Alpha

His eyes locked with mine and I could feel the strength of the mate bond gnawing at me, but I forced it down. Devin eyed me with annoyance and prominent in his gorgeous grey eyes.“Alpha Devin, this is my daughter.” Papa Jamie said with pride in his voice. Devin gave him a weird look, but turned to me instead. Before he could speak I cut him off with a surveying look from head to toe. He was still as hot as hell if not more; his body was more built and his face more chiseled than before. He looked all man and sue me for finding it sexy. mate bond. My eyes were void of emotion as I looked at the pack that flanked him and back into his stormy grey eyes. I stuck out my hand with a smirk on my face, “Welcome to the Blue Moon Pack.” He grasped my hand and shocks ran up my arm and through my body as it did his causing his eyes to widen, but before he could react I continued. “I am Alpha Allison Trust Wells.” My tone oozed confidence and mirth. I heard a few gasps, but the biggest reaction I got was from Devin whose eyes widened in shock.~~~A story of hurt, betrayal and second chances in a world of mystical creatures. Allison is a young Shewolf with a gift from the Goddess Selene. Join her as she navigates the web of secrets and lies weaved by the people she once thought of as family and learns forgiveness.Not all second chances are started on a clean slate...

9.6

70 チャプター

Revenge After Divorce

Olivia’s best friend Sandra turned against her, spoke ill about her to her husband, convinced him that she caused her fall that resulted in her miscarriage, stole from him and that she has been stealing from him for months. Also, that Olivia has been secretly taking prevention pills because she didn’t want to have a child with Nick. She convinced him that Olivia was still in love with her high school sweetheart, Marcus. In his anger, Nick sent his wife to prison and moved on with his wife’s best friend, Sandra. Will their relationship last, was Olivia going to get her revenge and her husband back?

9.6

497 チャプター

I Am His Luna

"Why are you apologizing?" "..." He didn't push me further when I didn't answer him. Instead, he suddenly leaned in closer to my ear and sniffed. I saw his throat swallow a little, and my heart skipped a beat along with him. "You..." His voice was low and husky, like music to my ears. "You smell wonderful," Enzo said.

108 チャプター

Alphas Broken Mate

** English is not my first language, and I know there is some grammar not being right. But I try my best.** Note to readers. ** this book/novel, contains sexual as well as abusive episodes.** Lina is a 17-year-old orphan living in a foster home, her life is what she think like living in hell. until she one day at school meet the new guy Alex. for some reason he calms her, make her feel things she thought she never had. Alex is 18 and the future Alpha from the Moon Stone Pack. he has been gone for 3 years for training and to learn. Alex is ready for his mate but hasn't found her yet. until he sees the quiet strange girl no one talks to. what will their story be? will he repair his broken mate? is she just a human? if not what exactly is she.

66 チャプター

Winning His Ex-Wife Back

Treated like a piece of trash by her husband whom she was forced into an arranged marriage with, Aliya tried to make her marriage work, despite her husband's cruel attitude toward her. She thought she could eventually change his mind from hating her, however, she realized along the line that some things are better left the way they are, to avoid destruction. Since she couldn't keep up with her husband promiscuous lifestyle and hurting her emotionally, Aliya decided to escape from this hell of a marriage when she was pregnant, but things changed with her husband as soon as she left, as the young man realized he couldn't do without her. Will she come back to the man that treated her like a piece of trash before? Will she find happiness and peace in her marriage even if she decided to come back?

8.8

148 チャプター

What Fees Does Textbroker Charge Authors For Custom Book Content?

3 回答2026-01-24 04:09:47

I got curious about this when I was pricing out a self-published novella, and I dug into how Textbroker structures fees so I could budget sensibly. Broadly speaking, they charge clients per word, and the final cost depends on the quality level you choose and the delivery route you take. There are a few ways to buy content: an open marketplace where any qualifying writer can pick up your brief, DirectOrders where you invite a specific writer, and a managed or full-service option where the platform coordinates writers and editing for you. Each of those paths pushes the price up or down.

For short custom book content—chapter drafts, scene rewrites, or web-serialized segments—you’re mostly looking at per-word rates tied to quality tiers. Lower-tier content is cheaper but requires more in-house editing; higher-tier writers cost more but usually need fewer rounds of revision. If you want a dedicated, experienced writer for a multi-chapter project, DirectOrders or a managed project are the realistic choices and they come with premium pricing. There are also add-ons to watch for: rush delivery, research-heavy assignments, and project management can carry extra fees. Some clients choose to buy editing or proofreading separately, which is another line item.

One practical note: for longer, book-length projects, many authors find the platform’s managed service or a negotiated fixed project price more predictable than pure per-word billing. Managed services often bundle editing, formatting guidance, and a degree of creative direction, but they’ll bill higher to reflect that coordination. Taxes or VAT may apply depending on where you’re based, and there can be minimum order amounts or prepayment requirements, so factor that into your cashflow. Personally, I treated Textbroker as a place to prototype or supplement content rather than ghostwrite an entire novel, but if your priority is speed and you budget for the higher tiers, it’s a workable option that saved me a ton of legwork.

How Does Textbroker Help Novelists Find Freelance Writers?

3 回答2026-01-24 10:38:55

I've found Textbroker to be like a little talent marketplace that helps novelists shortcut the hunt for reliable freelance writers. When I want help—say polishing a chapter synopsis, creating backmatter, or writing series character profiles—I set up a project with a clear brief that explains tone, word count, point of view, and any genre-specific beats. Textbroker organizes writers by quality levels; that means I can choose a tier that matches my expectations and budget. For tight, high-effort pieces I’ll target higher-rated writers, and for quick tasks like blurbs I might open an order at a lower level.

Beyond the quality tiers, the platform gives me control over how I recruit: I can publish an open order for anyone in the pool to pick up, invite specific writers to a direct order after checking their samples, or form a team for recurring work. The messaging and revision system makes it straightforward to ask for tweaks and protect continuity across multiple chapters. I also appreciate the built-in plagiarism checks and standardized payout process—payments are handled through the site so I don’t have to fuss with invoices.

For novelists who need consistent voice across a series, Textbroker makes it easy to trial several writers with short test pieces, keep the ones who fit, and then funnel future assignments to them via direct invites. It isn’t perfect—sometimes quality varies or you’ll need a round of edits—but it saves me heaps of time, especially when juggling worldbuilding documents, character bios, and promotional copy. Overall, it’s a practical, fast way to scale writing support without losing too much control, and I’ve come away with some great collaborators through the platform.

How Does Textbroker Ensure Quality For Manga Translation Content?

3 回答2026-01-24 19:34:32

You'd be amazed how many tiny checks need to line up before a translated manga feels natural on the page.

From what I’ve seen, the platform leans heavily on a layered workflow: qualified writers with specific language tests, client-facing style sheets, and editorial oversight. Translators usually have to prove their skills with written samples and language exams, and they’re classified into tiers so editors and clients can pick the right level for something as delicate as dialogue in 'One Piece' or the tone in 'Fullmetal Alchemist'. That tiering matters because manga isn’t just literal text — it’s voice, timing, and cultural cues.

Beyond selecting skilled translators, there’s a localization loop: glossaries for recurring terms, notes about onomatopoeia and honorifics, and instructions on whether to keep Japanese words or localize them. Editors check readability and consistency, plagiarism filters catch sloppy work, and clients can request revisions if speech patterns or jokes don’t land. For image text there’s coordination on text extraction and reflow so the translated lines fit bubbles. Personally, I’ve noticed that when these parts are actively used — clear briefs, samples, and a check by a native editor — the result reads less like a translation and more like the original intent, which is exactly what I want when I flip through a translated volume.

Which Textbroker Plans Suit Indie Game Narrative Development?

3 回答2026-01-24 08:39:03

I get asked this a lot by friends building small games, and my practical take is to match the plan to what stage your narrative is at and how much polish you truly need.

For early prototyping and rapid iteration, the open, pay-per-piece approach is great — it's cheaper and fast. Use lower-tier authors for proof-of-concept dialogue, quest hooks, or scene summaries so you can explore tone and pacing without blowing the budget. Expect uneven quality and plan to do edits yourself, but it’s perfect for shipping a playable version to test systems and player reactions.

When you start locking down story beats, characters, and branching logic, move to higher-rated writers via direct invitations. Invite 4– or 5–star authors for key scenes, emotional beats, and the central questlines. If you need long-term consistency across many scripts — branching dialogue trees, item descriptions, in-universe flavor text — a private team grouping or managed collaboration is worth the extra cost because it preserves voice and reduces rework. Also budget for an editor familiar with interactive narratives; I’ve saved time by hiring one to unify terminology and fix logic loops. In games that aim for the emotional heights of 'Disco Elysium' or the tight punch of 'Hades', that extra investment in vetted writers is where the narrative shines. Personally, I tend to mix the cheap and the curated: prototypes with open orders, then polish the core with invited pros — it's balanced, practical, and keeps my story intact while staying on budget.

Can Textbroker Produce Anime Synopsis Or Episode Scripts?

3 回答2026-01-24 02:44:32

Yes — Textbroker can absolutely be used to get anime synopses or episode scripts written, but there are some important caveats to keep in mind. I’ve commissioned plot synopses and beat outlines before, and the platform handles straightforward briefs really well: you can ask for a one-paragraph series pitch, a 500–800 word episode synopsis, or even a detailed beat sheet that breaks the episode into scenes. Writers there will often work from a mood reference (say, aiming for the noir tone of 'Cowboy Bebop' or the high-energy pacing of 'My Hero Academia') and can adapt voice and pacing if you give clear samples.

Quality varies a lot by the brief you provide and the writer you get. If you need a script formatted like a teleplay — sluglines (INT./EXT.), scene descriptions, action lines and dialogue with character names in all caps — state that in the brief and attach a template or example. Ask for revisions and show a sample of the exact tone you want. For derivative work that uses established characters or storylines from existing franchises, remember the legal side: creating fan scripts referencing copyrighted characters can be a gray zone unless you own the rights or are doing it strictly for non-commercial, transformative purposes.

In short, for original synopses, outlines, and scripts Textbroker is a practical, budget-friendly option as long as you craft a strong brief, pick experienced writers, and clarify format and usage rights up front. Personally, I find it great for getting a solid draft quickly to iterate on, though for final scripts I sometimes want a specialist to polish the dramatised beats.

Do Publishers Use Textbroker For Trailer And Blurb Copywriting?

3 回答2026-01-24 18:05:02

I've watched this quietly for years and the short version is: yes, but with caveats.

Smaller presses and a lot of indie authors absolutely use services like Textbroker or other content mills for blurbs and short marketing copy because they're cheap and fast. I’ve seen dozens of covers where the blurb feels serviceable but a little flat — the hallmark of someone who followed a generic brief instead of capturing the book’s unique voice. For big-name titles like 'The Hunger Games' or major trade releases, you’ll rarely see that route taken; those houses either have in-house copy, seasoned freelancers, or specialized agencies writing jacket copy and trailer scripts.

Trailer copy is a different beast. A good trailer needs rhythm, cinematic beats, and an ear for pacing; that usually calls for a writer with experience in screen or video copy, not just someone who writes short articles. If a publisher uses Textbroker for trailers, they’ll often pick top-tier contributors and then heavily rewrite or edit the output. So while the platform is in play, the polished text readers see typically goes through more hands. My take: budget-friendly, sometimes useful, but you get what you pay for and you’ll often need an editor on hand to make it sing.

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