The Carousel

The year was 1934; I was twenty-two years old. I never thought of myself as anything special. I was barely making it through the Great Depression. There were many days I lived off of scraps. I was the king of odd jobs, just enough to get by. I had done it all, from being a field hand to a miner. It all changed one night when I stumbled across a traveling circus, Cirque du Lune. I had never seen such a sight. Instead of the usual menagerie, this circus was overrun with wolves. There was one performer who caught my eye; it was as if an angel had descended from heaven on a silk ribbon.

Fed up with her abusive husband, twenty-three-year-old Cara Hellington runs away from home and ends up in a notorious bar, destitute, sad, but relieved and free. When she gets into a verbal altercation with the snotty bartender over the ownership of her credit cards, an unlikely savior comes to her aid. Eros Kazan Alfred. He's tall, massive, rippling with muscles, and covered with dark tattoos. Everything Cara is not used to. Everything Cara is drawn to. When he buys her dinner, and she narrates her ordeal, Eros propositions her to marry him, and he'll make sure her abusive ex never sees or gets close to her again. But Cara is hesitant. Eros is a stranger. And judging from his appearance, he looks like trouble. The muddy kind. She should run towards the opposite direction, away from him. But she runs right onto his bed. After a hot sizzling night together, Cara is comfortable and confident in him taking good care of her. But tensions are rising all around them, as significant figures from their past will stop at nothing to bring them both down. Will they succumb under the wickedly twisted circumstances fate seems to be throwing at them?

I was in a car accident while saving my brothers. However, instead of gratitude, they urged the doctors to amputate my legs. "Carol, we're sorry," they said through tears. "We're useless… but don't worry. Even if we have to sell our blood or our kidneys, we'll make sure you're taken care of." Right after surgery, they abandoned me in a shabby apartment. Blood seeped through the sheets as they looked at me with teary eyes—then left in a hurry, claiming they needed to earn money for my treatment. I did not want to drag them down anymore. Enduring the pain, I crawled to the rooftop of a tall building, planning to end my life. That's when I saw it—inside a luxury hotel, a grand celebration was taking place. My brothers were there doting on another girl. She was eating an extravagant cake I had never even dreamed of, wearing a designer princess gown worth a fortune, sparkling with jewels. Everyone called her the Smith family's one and only princess. They had even hired a world-class symphony orchestra to play Happy Birthday just for her. While I lay bleeding in a dingy apartment, they would not spend a few dollars on bandages for me. I watched as my eldest brother gently fed her cake, his eyes full of tenderness. "Jasmine, only you deserve to be our one and only little sister." The second brother placed a tiara on her head with care. "Even for the smallest birthday, we won't let you suffer a single moment of disappointment." The third knelt to help her into a pair of crystal shoes. "Jasmine, you're our most precious darling." Then, standing on the stage, Jasmine held up the black credit card they had gifted her and smiled sweetly. "Brothers," she said, "Carol lost her legs saving you. Maybe you should go see how she's doing?" My eldest brother let out a mocking laugh. "She's not worth it. Now that she's crippled, she'll never be able to compete with you again. She got what she deserved."

I was the fiancee of Lucian Veris, the celebrated Swan Prince, who had offered up the principal role in exchange for my hand. On stage, he was proud and untouchable, yet he surrendered completely to the choreography I created for "Eternal Crown." When I came back after three years in Valmont, I discovered that the understudy who mirrored me had already claimed our private rehearsal hall. At the company's welcome gala, Lucian abandoned a room full of sponsors just to chase after the crying understudy. From behind the velvet curtain, I overheard words he had never spoken to me. "Elara, I chose you only because you reminded me of her. I was looking for a replacement. But you were different. Your choreography captivated me—more than she ever could. Just make sure she never finds out until the closing night of 'Eternal Crown.'" Then came the muffled sounds of their entanglement, followed by his whispered vow. "I'll give you the principal's place." Right there, in that same room, he had once held my hand and sworn that I, Astraea Lynelle, would be his only soulmate in this lifetime. I turned and walked away, the sharp echo of my pointe shoes striking with finality. Back in the dressing room, I dialed his greatest rival, Caelan Thorne. "Mr. Thorne," I said evenly, "I accept your offer to join your company. And one more thing—prepare a gift for me. I intend to turn Lucian's grand finale into the most spectacular downfall the art world has ever seen."

Beneath the opera house...indeed, someone is there. Watching and musing as he watches the theatre he loved and hated. Noelle is a talented dancer but is pushed aside in favour of the ballerinas. Until one night, he hears music and encounters the origin of many ghost stories; Julian is an enigmatic loner whose only companions are the rats. In Noelle, he sees the spark of talent and knows he can kindle it. And the story begins. Genius and passion are a painful mix...

Set in the mid-19th century, a masked benefactor purchases a supposed 'satanic' creature on London's black market. What he gets instead, however, is someone he never knew he would fall in love with, much less be loved back. As they both heal from the scars of their past, they find their fates are more interwoven than either would have ever imagined. *Contains themes from Beauty and The Beast, Phantom of the Opera, and Frankenstein* (I do not claim rights to the cover image)