The Day The Crayons Quit

My executive boyfriend's newly hired assistant caused trouble again. All because a client mentioned he was afraid of snakes, she sent him a king cobra as "exposure therapy." The client was bitten and nearly died. Because of that, the company lost a multimillion-dollar project and had to pay two million in medical compensation. Following the board's decision, I fired her on the spot. My boyfriend did not object. In fact, he cooperated with me throughout the paperwork. One year later, at the celebration party for Grant Hale's promotion to CEO, I saw that same assistant again, dressed head to toe in luxury, standing beside him. Before I could react, Grant threw a termination agreement at me and announced in front of everyone that Chloe Vance would be taking over my position. His eyes were full of hatred as he gritted out, "Natalie, I have waited countless nights for this day. Didn't you love firing people? "How does it feel to be fired in public?" Everyone thought I would make a scene. Instead, I laughed, calmly removed my employee badge, and walked out. What Grant did not know was that the only reason he had been able to sit in the CEO's chair was because I had guaranteed him. The moment I left, every ounce of power in his hands would be revoked. His good days were officially over.

"Let's just say I'm tired of playing games and want to quit this? I want to be close to you because I like you. I want to know if we both like each other or I just misinterpreted your actions?" "No, you're right," she admitted. "But just this afternoon you said I was a complication you didn't need." "Over-analyzing is second nature to me. It helps me more often than I care to count. But not this time." "It doesn't seem like that," she said deliberately. "Maybe you just realized that there is no good chance of success in a relationship with me." "I don't care about the future. The only thing that matters is what's here and what's now." He stepped towards her, then another, until he could almost inhale the scent of her skin. "What can you say, Lara?" He asked hoarsely. "Are you ready to take a risk with me?"

Annie Fisher is an awkward teenage girl who was bullied her whole life because of her nerdy looking glasses and awkward personality. She thought once she starts high school, people will finally leave her alone. But she was wrong as she caught the eye of none other than Evan Green. Who decided to bully her into making his errand girl. Will she ever escape him? Or is Evan going to ruin her entire high school experience?Find my interview with Goodnovel: https://tinyurl.com/yxmz84q2

Everyone said my good looks were what saved me from my family's downfall. It was how I managed to become a Donna. I was the only one who knew why he had to compromise to marry me. Xavier Whitmore, the tall and handsome Don, was unable to have physical relationships with a woman. When I shyly took off the gown on our wedding night, he sat in his chair and lit a cigarette before remarking in an icy voice, "I'm allergic to women. That said, you have my word that you will be the only woman in my life." He kept his promise. Though he never so much as touched me in the five years of our marriage, he provided me with a life of luxury and wealth. Although it was merely a title, being his only woman brought me happiness. Everything changed on the day my men and I were ambushed by a rival mafia family. We barely made it out alive. When I returned home, I found him locked in a tight embrace with his widowed sister-in-law, Alice Ortega. "Alice, I won't let you remarry. If you do, I'll make sure that man dies a thousand deaths." I scoffed. It wasn't so much that he couldn't handle being physical with a woman. It was simply that he could not be physical with anyone but her. In that case, she could have the pleasure of being the Donna.

In the seventh year of my marriage to Adrian Sandford, his ex, Celine Wheeler, came back. She posted: [We were young, reckless. We missed our shot. This time, I'm fighting for love.] That night, Adrian sat on the balcony, cigarette burning between his fingers, staring out till sunrise. My phone wouldn't stop buzzing either. Their friend group—everyone who saw them grow up—flooded the chat. Regret for them. Relief, too. They forgot I was still in there. Adrian had no clue how many times I replayed the years I chased him. Seven years. I'm tired.

Rhea Ravelle, heiress of a powerful and influential family, goes against her family's wishes and cuts ties with them. She chooses to marry Carter Jamison, a man with a failing career and two children born out of wedlock. For six years, she raises his children as if they were her own and helps Carter rebuild his crumbling business. Under her care, the kids grow into kind, well-mannered little stars, and Carter's company finally makes it big and goes public. But right at the celebration marking his entry into high society, the biological mother of his two children suddenly shows up. And Carter, who is usually so calm, completely loses it. He begs the woman to stay, making Rhea the laughingstock of the entire city. That night, he doesn't come home. Instead, he takes the children and runs straight back to his old flame, playing house as a happy family. Soon after, Carter files for divorce. "Thanks for everything, Rhea. But the kids need their birth mother." The children's mother also says, "Thank you for taking care of them all these years. But a stepmother will never compare to a birth mother." So blood beats love? If that's how it is, then she's done playing stepmother. However, the children reject their birth mother flat-out, and they don't want Carter either. They declare, "Rhea is our only mom! If you're getting divorced, then we're going wherever she goes!"