Library

The Hate You Give

Fate has a way of changing everything… Losing his father as a little boy, and his mother, as a teenager, pushed Darius King to grow up quite fast and with a thirst for revenge that drove him to crash every obstacle on his path in order to achieve his goal. Darius goes from a homeless boy to a billionaire bachelor. He has no time for love in his quest for righting wrongs of the past. What he doesn’t know is that love isn't something he can hide from. After losing her mother at a very young age, Alannah grew up with a monster of a father. He punishes her for sins he assumes his deceased wife made against him. Finally, her father does a business deal with Darius King, selling Alannah to the highest bidder.

36 Chapters

Love & Hate

" Tell me what can I do to make it up for you?" He asks, taking a seat on the table near the bed, sounding guilty. Tho, I don't trust his words or feelings it can always change. I faced him, grinning violently as I asked, "Can you let me go?" He smiled. "Except that." I knew he will say something like that. "I don't wanna do this marriage. " He cocks his brow up in amusement before he chuckled, "I thought I made it clear when we met that you don't have any choice to make while you are here with me. " I sighed, with an annoy, he continued. "Though, if that's how I can make up then let's make a deal. " "What deal?" °^°^°^°^°^ Elina's life turns upside down when she got kidnapped by the man who appears in her nightmares who is none other than the son of ruthless Mafia, Andrew, and he, himself a rumored to be the most dangerous mafia in reality. Elina soon starts to hear and see the things she has no idea of and tries her best to know the reason behind it but she wasn't ready to find and process something more horrifying about Andrew and her's unknown past that was kept hidden by her.

5.5

19 Chapters

Hate War

"Nina is that you. You look so beautiful" a guy said. "Have some drink" "No, she is leaving," said the harsh voice, and next thing I know champagne was all over my dress. I gasped as it stained it. Before I could react he grabbed me and dragged me to the pool area. I yanked my hand. "What the hell. You ruined my clothes" I half yelled. "What the fuck you are doing in my party looking like a slut" he yelled angrily while pinning me to the wall. Listening to his words my blood boiled. "Let me guess you came here to ruin my mood by showing your ugly face," he said letting me know his hate. "Stop giving so much importance to yourself. I'm here because of your mom. My face must be ugly but ugly souls like you are not even worth wasting my life's a single second" I said angrily pushed him but he didn't move. "I can hide my ugly soul behind this face but ugly ducklings like you carry their ugliness which can't even be hidden by beautiful dress because they stain everything around them with their ugliness," his words were hurting my soul but I won't cry. With all my power I pushed him making him fall in the pool. "Happy Birthday," I said with a smirk on my face but he didn't let me go. Things he did to me after it still send a shiver to my spine. One thing was clear on that day that I don't want to see his face again in this life. But I don't know what the hell I'm doing standing in front of him in Church wearing a wedding gown and looking at his angry victory smirk on his face with my glassy eyes.

101 Chapters

HATE ME

Extract. " Why are you here?" She asked, staring out the window. She has refused to face him since he entered the room, treating him as if he were a ghost. She was a ghost to everyone but not to him and she wondered why. " Came to see you. Did I come at a bad time?" He asked. With a crooked sigh, she finally turned to face him, revealing a tear streaked face. Anger rose in him. Moving towards him, she muttered through gritted teeth. " Every time is a bad time Ray, don't you understand that?" " I understand if you're angry, I can always come see you tomorrow..." She cut him off. " I don't want you to come see me tomorrow or the day after that! I need you to leave me alone! Stop trying to help me Ray, we both know it's not going to work. I wonder why you even bother. Just go away!" " Why do you keep pushing me away?! I want to help you, why won't you let me?" " Because it's of no use. No one can help me Ray, not even you. And you trying is going to hurt the both of us! Even more than we can ever imagine." She spat, tears clouding in her eyes again. She was always crying and frowning. Never smiled. He never thought she knew what it felt like to smile. " But I love you! I freaking do! Why can't you understand and let me stay?" He yelled, shaking her, tears forming in his eyes at the one girl he loved but keeps pushing him away. " Then hate me. If you truly love me Ray... You would hate me." She growled, staring deep into his eyes. Giving him a choice, to hate or love her...

9.5

40 Chapters

The Mate You Give

Wealth, fame, power, Alpha Davien is the stereotypical playboy who has both the looks and commitment issues. Leading one of the most powerful packs in the whole of New York, life couldn't be much better for him. That was, till his father made an announcement that changed his all so perfect life. With his father stepping down from chairman and their company merging with their number one rival. Davien was left with no choice but to agree to a marriage between himself and the heir of their rivals to preserve the peace and keep his inheritance. Infamous for rejecting three mates in a row, Davien is certain that his so called marriage would end as miserably as any other of his entanglements. However, on the night of his engagement party to Silvia, the eldest daughter and heir to the company, a surprise guest arrives at the event. Kian Saint. The nineteen year old rebel son of the rival company, rumoured to have gone to prison abroad and was deported. Tension rises when Davien and Kian both discover that they're actually each other's mate! Determined not to lose his inheritance, Davien offers Kian a large sum of money with the intention of rejecting the mate bond. Things go south when Davien hears what Kian has to say... "Do I look stupid? Why should I accept this small amount when I can become your husband and have all your money to myself?" Conflicted, he tries to approach Silvia but is left stunned at what she has to say. "I'll admit, I'm a bit shocked myself, but I'm glad Kian has a mate! As long as you keep my brother happy, I won't run your company into the ground." Left with no other choice, the playboy Davien marries an omega seven years younger!

Not enough ratings

10 Chapters

Give My Wolf Back

Before married, Hannah was The Most Exalted Princess. She had thought a lot about her wedding. Her wedding would definitely be the most outstanding and enviable beyond anyone's. Meanwhile, her mate must be the most mighty and noble among the werewolf. And she would walk to him with her brother's gaze and the blessing of all werewolves. Her happiness would be waiting for me. Her fate was left undecided until ‌her 18th birthday… Abraham was the Alpha of the Black Pack, married Luna. But, as the male protagonist, he did not show up at the wedding ceremony. He didn't admit that Hannah was his Luna! He already had a lover in his heart! When Hannah and Abraham meet first, he emitted an extremely strong scent but he looked at she with such hatred and disgust at the same time. she did feel terrible. It felt like the volcano would erupt and the world would end in the next moment.Hannah expected the worst, thinking that she would be killed. Little did she know that death was the easy way out when her sentence was handed down and Fate intervened. Love or vengeance sometimes the lines that are drawn become a little blurred, and temptation is too much. Can Hannah forgive the pain he caused her?

3.8

80 Chapters

Do Audiences Love Or Hate The Soundtrack'S Modern Remix?

5 Answers2025-10-17 14:19:36

My take is that the modern remix of a beloved soundtrack is like spice in a recipe — some folks love the kick, others swear by the original flavor. I’ve seen reactions swing wildly. On one hand, remixes that preserve the core melody while freshening the production can feel electrifying. When a familiar leitmotif gets a new beat, slicker mixing, or cinematic swells it can reframe a scene and make people rediscover why they loved the tune in the first place. I often hear younger listeners praising how remixes make classics feel relevant on playlists alongside pop, lo-fi, and electronic tracks. It’s also common to see a remix breathe life into a franchise, drawing curious newcomers to check out the source material — that crossover energy is really exciting to watch on social platforms and streaming charts.

On the flip side, there’s a devoted corner of the audience that hates when the remix strays too far. For those fans, the original arrangement is inseparable from memory, atmosphere, and emotional beats in the story. Overproduction, heavy tempo changes, or adding trendy genres like trap or dubstep can feel disrespectful — like the identity of the piece is being diluted. I’ve been in comment sections where purists dissect each synth layer and mourn the lost warmth of analog instruments. Sometimes the backlash isn’t just about nostalgia: poor mastering, lazy reuse of samples, or losing the original’s harmonic nuance can genuinely make a remix worse, not better.

In practice, whether audiences love or hate a remix often comes down to context and craft. Remixes that succeed tend to honor motifs, keep emotional pacing, and introduce new textures thoughtfully — remixers who study why a piece moves people and then amplify that emotion usually win fans. Conversely, remixes aimed only at trends or marketability without musical respect tend to cause the biggest blowback. Personally, I get thrilled when a remix opens a new emotional window while nodding to the original; when it’s done clumsily, I’ll grumble, but I appreciate the conversation it sparks around how music shapes memories and fandom — that part is always fascinating to me.

Do Critics Love Or Hate The Director'S Bold Casting Choices?

5 Answers2025-10-17 11:31:26

Critics often split down the middle on bold casting, and the reasons for that split are way more interesting than a simple love-or-hate headline. I tend to think of it like a film studies seminar where everyone brings different textbooks: some critics put performance and risk-taking at the top of their rubric, while others prioritize cultural context, historical accuracy, or sheer plausibility. When a director casts someone against type — a comedian in a devastating dramatic role, an unknown in a part dominated by stars, or an actor from outside the expected demographic — those who celebrate transformation get excited. They love seeing fresh textures and contradictions; a risky choice can illuminate themes or breathe new life into familiar material, and critics who value interpretation and daring will often champion that. I’ve seen this happen with radical turns that steal awards season attention and reframe careers.

On the flip side, there’s a real hunger among some critics for accountability. Casting choices can’t be divorced from politics anymore: accusations of tokenism, whitewashing, or stunt-casting for publicity will get dragged into reviews. If a director’s choice feels like a gimmick — casting a megastar purely to drum up headlines, or picking someone who doesn’t fit the character’s cultural or experiential truth — critics will push back hard. They’ll question whether the choice serves the story or undermines it, and they’ll call out filmmakers who prioritize buzz over coherence. That’s why the same boldness that wins praise in one review can earn scorn in another; the difference often lies in whether the performance justifies the risk and whether the surrounding production supports that choice.

Ultimately I think critics don’t operate as one monolith; they’re a chorus with different harmonies. Some cheer because casting can be radical and reparative — giving voice to underseen talent, upending typecasting, or amplifying essential themes. Others frown because casting can be lazy or harmful when mishandled. For me personally, I’m drawn to choices that feel earned: if an unexpected actor brings depth and reframes the material, I’m on board. If the decision reads like PR before art, I’ll join the grumble. Either way, those debates are part of the fun — they keep conversations lively and force filmmakers to justify their bold moves, which is kind of thrilling to watch.

Why Did The Film Men Who Hate Women Spark Global Controversy?

3 Answers2025-10-17 22:44:12

It landed in my head like a jolt — equal parts admiration for its craft and a queasy feeling that kept nagging afterwards. The film known in Swedish as 'Män som hatar kvinnor' and widely released in English as 'The Girl with the Dragon Tattoo' stirred controversy because it sits on a razor’s edge between exposing social rot and potentially exploiting traumatic subject matter. The graphic depiction of sexual violence and the relentless spotlight on misogynistic crimes made many viewers, critics, and survivors question whether the imagery served the story or simply sensationalized abuse.

Beyond the raw content, language and marketing amplified the backlash. The literal title 'Men Who Hate Women' reads like an accusation and primes audiences to see the film as a polemic; some praised that bluntness as necessary to name systemic violence, while others felt the title and some promotional choices traded on shock value. Directors and cinematographers who choose to linger on certain scenes run the risk of being accused of voyeurism rather than critique, and that tension fueled most of the debate.

I personally ended up torn — I respect that the story forces a conversation about institutional misogyny, corruption, and how women’s suffering is often invisible, but I also understand why some people felt retraumatized by the approach. The film made me think harder about how filmmakers portray violence and who gets to decide when realism becomes harm, and I still replay scenes in my head when those arguments come up.

Do Fan Sites Give Me Half Book Translations Online?

3 Answers2025-10-15 01:14:17

Lately I’ve been poking around a lot of translator blogs and fan forums, so here’s how I see it: yes, many fan-run sites do publish partial book translations online. Sometimes it’s just a single chapter or a teaser excerpt that a volunteer translated to drum up interest; other times whole arcs show up but are chopped into pieces as the translators work. The quality swings wildly — some people put real effort into producing clean, readable prose with notes and cultural explanations, while others slap a machine pass or rough literal draft up just to get content out fast.

There are a few things I’ve learned to watch for. Legal status is messy: volunteers often do it without permission, which leads to takedown notices or disappearing uploads. Trustworthy groups will credit the original, list the translator, and post updates about progress or licensing—if you can’t find that, be cautious. Also, fan translations are great for discovery: I’ve used snippets to decide if I wanted the official release. But I try to support creators when official versions exist (buy the book, subscribe, or tip the translator’s Patreon). If you’re hunting partial translations, follow individual translators’ blogs, check community threads, and favor projects that explain their workflow. Personally, I’ll read a teaser or two online like a sample chapter, but when a title clicks I go buy the official edition — it just feels better to reward the people who made it.

Is Sold To The Alphas I Hate Adapted Into An Audiobook?

5 Answers2025-10-16 06:34:48

I get excited whenever someone asks about an audiobook for 'Sold To The Alphas I Hate' because I love sinking into voiced performances. I checked the usual places I pour through for audiobook releases — Audible, Apple Books, Google Play, indie audiobook services, and audiobook sections of retailers — and I couldn't find an official, commercially released audiobook for 'Sold To The Alphas I Hate'. That usually means either the rights haven't been arranged for audio production, or the creator hasn't commissioned one yet.

If you still want an audio experience, there are a few safe workarounds I've used: Kindle and many e-readers have built-in text-to-speech or read-aloud features that can be surprisingly pleasant with the right voice settings; browser extensions and apps can also read ebooks aloud. You might also find fan-read narrations or chapter readings on YouTube or podcast-style uploads, but those can be hit-or-miss and sometimes get taken down for copyright reasons. If the story is on a platform like Wattpad or Royal Road, authors sometimes post voice clips or link narrations themselves. Personally, I hope it gets a polished audiobook someday — it would be fun to hear the characters brought to life — but for now, TTS and fan narrations are my go-tos.

Are Fanfiction Or Spin-Offs Available For Sold To The Alphas I Hate?

5 Answers2025-10-16 10:37:24

My curiosity got the better of me and I dug into this one: yes, there’s a decent amount of fan-created stuff floating around for 'Sold To The Alphas I Hate'. I found short one-shots, longer multi-chapter fanfics, and a surprising number of alternate-universe retellings where people turn the premise into high-school AU, mafia AU, or even sci-fi AUs. Most of those live on places like Archive of Our Own and Wattpad, and a few smaller blogs on Tumblr or personal sites host illustrated side stories.

If you want the official side of things, there aren’t widespread mainstream spin-off novels published by major houses that I could point to, but the original author sometimes posts side chapters or epilogues on their page or newsletter. Meanwhile, fans write their own “canon-adjacent” spin-offs — sequels following secondary characters, next-generation pairings, or swapped-perspective retellings — and label them clearly with tags and warnings.

My tip: search by the book title plus terms like ‘side story’, ‘sequel’, ‘AU’, or ‘one-shot’ and sort results by kudos or followers to find the most polished pieces. I keep a little folder of favorites; some of them rival the original in sheer entertainment value, and that’s always a delight to stumble on.

Who Wrote The Lyrics For 'Give It To Me Right' Song?

5 Answers2025-09-27 07:17:50

The song 'Give It to Me Right' is performed by Melanie Fiona, a true powerhouse in the soul and R&B genres. Her ability to convey raw emotion through her music is simply incredible. The lyrics were penned by a talented team, including herself, which is often the case with her work. Having a hand in writing helps give her songs that personal touch, making them relatable and authentic.

It's fascinating to explore how artists collaborate in the writing process, isn’t it? This track showcases a blend of catchy hooks and heartfelt themes. You can practically feel the intensity in her delivery, as if she's sharing a secret with the listener. I've found that good lyrics can really elevate a song, turning it into an anthem that stays with you long after it’s played.

Melanie Fiona is definitely an artist to keep an eye on if you're into R&B. Her storytelling, especially in 'Give It to Me Right', resonates so strongly, discussing themes of love and desire. It’s lovely when music becomes a shared experience that sparks conversation, don’t you think?

What Is The Story Behind 'Give It To Me Right' Song?

5 Answers2025-09-27 20:59:35

The story behind 'Give It to Me Right' is captivating and filled with personal experiences that many listeners can relate to. When I first stumbled upon this song, I was struck by its powerful and emotional undertones. The song is about the longing for genuine love and connection. The artist, Melanie Fiona, channels a sense of urgency and yearning that resonates deeply, making it feel as if she’s living through her words in real time.

What makes it even more compelling is the idea that love, while ideally beautiful, can be fleeting and frustrating. The lyrics suggest a plea for honesty and directness in relationships, akin to the intensity of wanting what you want and wanting it now. As someone who has faced this struggle, I felt a rush of empathy every time I listened, reflecting on moments of my own life where I wished for clarity in love.

I appreciated how it blends soulful melodies with an upbeat rhythm, creating the perfect synergy of heart and energy. It’s a jam that not only gets stuck in your head but also makes you think about your desires and romantic experiences. This duality, a dance between heartache and empowerment, is something I find so powerful in her music. Each listen feels like a cathartic release, and I can't help but hit replay every now and then. It's definitely a song worth experiencing in its entirety!

Do Viewers Love Or Hate The Final Season'S Darker Tone?

4 Answers2025-10-17 23:59:42

People have wildly different takes on darker final seasons, and I love getting into the weeds about why that split exists. For me, whether viewers love or hate a bleak finale usually comes down to two big things: whether the darkness feels earned, and how invested people are in the characters’ emotional payoff. Shows like 'Breaking Bad' leaned into darkness and got massive praise because Walter White’s descent felt consistent and the writing honored the setup. Contrast that with seasons that suddenly pivot into bleakness without the groundwork — that’s where the outrage tends to flare, because it feels like an emotional bait-and-switch.

There’s also a pattern in how fandoms react online. If a darker turn aligns with the show’s earlier themes — moral ambiguity, the cost of power, existential dread — the core audience often responds positively, even if they leave the theater feeling unsettled. When a finale’s darkness is accompanied by strong direction, pacing, and meaningful consequences, it becomes cathartic rather than cruel. I think back to 'Mad Men' and how its somber, reflective ending landed because it echoed the show’s whole tonal arc. On the flip side, 'Game of Thrones' season eight is the textbook example of viewers hating a darker tone because they felt character logic and pacing were sacrificed; fans poured energy into thinkpieces and meme wars because it felt like the payoff didn’t honor the journey.

Tone aside, execution is king. A bleak ending that’s slow-burn and thematically consistent gets praised; sudden nihilism without payoff gets roasted. And then there’s the cultural angle: different audiences want different things. Some prefer hopeful or redemptive closures and feel betrayed by bleakness, while others crave realism and the courage to end on a hard note. I also notice that nostalgia plays into reactions — when a long-loved series goes dark at the end, people personalize it as a loss, not just an artistic choice. That’s why you’ll see heated debates that mix legitimate critique with emotional responses. Directors and showrunners who take risks will always split the room, but I admire creators who risk alienating some viewers for the sake of a coherent thematic statement.

Personally, I lean toward darker finales when they’re earned and layered. I don’t want shock for shock’s sake; I want consequences that resonate and make me rethink earlier episodes. A bleak ending that recontextualizes the series can be exhilarating — it stays with you, sparks conversations, and even inspires fan creations that try to repair or reinterpret the narrative. So yeah, viewers both love and hate darker final seasons, often in equal measure, and that tension is part of what keeps the medium exciting. I usually side with nuance: give me depth and honesty over cheap twists any day.

How Does The Ending Resolve Conflicts In A Vow Of Hate?

5 Answers2025-10-17 22:22:50

I find the way stories close a vow of hate to be one of the most satisfying and painful things in fiction; it's where emotion meets consequence and the author either pays off or fractures the promise that drove the plot. In many classics, that vow becomes the engine of plot and character — think of the slow, almost scientific pursuit in 'The Count of Monte Cristo' where the protagonist's oath of revenge maps out a moral geography. By the end, the resolution isn't just about whether the targets get their comeuppance; it's about what the vow has done to the seeker. Revenge fulfilled often leaves an emptiness or a lesson, and narrative endings will either underline that hollowness or let the character find unexpected peace.

There are a few common patterns I notice across novels, films, and games. First, there's the consummation arc where the revenge is executed and the protagonist faces the fallout: sometimes satisfaction, sometimes ruin. 'Kill Bill' feels cathartic because the vow is laser-focused and its payoff is kinetic, yet even there you get a meditation on cost. Second, the redemption arc flips the energy: the protagonist confronts the hatred, recognizes how it warped them, and chooses forgiveness or a new path. 'Les Misérables' and parts of 'Wuthering Heights' hint at this generational letting-go, where younger characters dissolve inherited grudges. Third, authors sometimes go for mutual destruction or poetic justice — both sides suffer and the ending reads as a cautionary tale. 'Oldboy' and certain noir endings use shock to show the vow's toxicity. A fourth, subtler path is the ambiguous closure: the vow remains but is reframed, leaving readers to wrestle with unresolved ethics.

How the conflict itself is resolved often depends on whether the story prioritizes moral clarity or emotional truth. Techniques like confessions, reveals, sacrificial acts, or even legal/social reckonings are tools to collapse the feud. Epilogues and time-skip endings show aftermath and healing, while deaths or irreversible acts underscore tragedy. Personally, I love endings that complicate the vow rather than simply tick a revenge box — where the character's internal change is the actual resolution. That sort of finish lingers with me long after the credits roll or the last page turns.