The Human Factor

Some people are trained to disappear. Others are trained to make problems disappear. Reid Calder operates in the space no one admits exists. His team is untraceable, unacknowledged, and brutally efficient. They are deployed when the mission cannot fail and cannot be traced. Control is the only reason it works. Distance is the only rule. Alexis Harper is not part of his system. She’s a linguistic and counterintelligence specialist designed for environments Reid’s team can’t survive. Unassuming when she wants to be. Invisible when it matters. Dangerous in ways that don’t leave bruises. She’s placed into his unit without his consent, into a world built on silence and authority, and she refuses to play small. They clash immediately. Reid sees her as disruption. Alexis sees him as arrogance wrapped in control. Their arguments are sharp, relentless, and impossible to ignore. Every room tightens when they’re together. Every exchange feels like a challenge neither is willing to lose. The closer they’re forced to work, the more volatile the tension becomes. Because some battles aren’t about dominance. They’re about restraint. And when two people trained to never lose control are pushed into constant proximity, the fallout is inevitable. Proximity Hazard is a slow-burn, enemies-to-lovers romance packed with covert operations, razor-sharp banter, forced proximity, and tension so thick it borders on reckless. Perfect for readers who crave dangerous men, brilliant women, and chemistry that feels like a threat.

Liam Dunlap, my girlfriend's junior apprentice, bragged that he could defuse a bomb with one hand. Then he slipped. The timer began to race. Terrified, he dropped his tools and ran. I stepped in at great risk and saved the hostage. For that, I was commended. Liam, on the other hand, was condemned across the internet and faced severe disciplinary action. My girlfriend tried to speak up for him, but I stopped her. "If you defend him now, not only will your promotion be revoked—people online will come after you too." Later, unable to bear the pressure, Liam jumped to his death. Every line of his suicide note blamed my girlfriend for not standing by him. She said nothing. She simply burned the letter in silence. After that, she rose step by step from a frontline officer to a model figure in the police force. On the day I was kidnapped by criminals, she came in person to defuse the bomb strapped to me—using only one hand. She looked coldly at the device on my chest and said, "See? It can be done with one hand. Why did you all have to drive Liam to his death back then? If I had protected him at the time, the one in my position today… should have been him." The bomb detonated. I died on the spot. After I opened my eyes again, I saw her running around desperately for Liam. She didn't know—the hostage was the mayor's son.

This is a story about Robots. People believe that they are bad, and will take away the life of every human being. But that belief will be put to waste because that is not true. In Chapter 1, you will see how the story of robots came to life. The questions that pop up whenever we hear the word “robot” or “humanoid”. Chapters 2 - 5 are about a situation wherein human lives are put to danger. There exists a disease, and people do not know where it came from. Because of the situation, they will find hope and bring back humanity to life. Shadows were observing the people here on earth. The shadows stay in the atmosphere and silently observing us. Chapter 6 - 10 are all about the chance for survival. If you find yourself in a situation wherein you are being challenged by problems, thank everyone who cares a lot about you. Every little thing that is of great relief to you, thank them. Here, Sarah and the entire family they consider rode aboard the ship and find solution to the problems of humanity.

Peter Cooper lives in the town of Capistrano. After being dumped by girlfriend Amelia his friend James arranges a job at Trans-Port, bossed by the famous Professor William Carver. Carver’s assistant is an American woman called Claire. Peter is pressurised into being a guinea pig for the company’s teleportation experiments and gets sent to another reality ‘The Projection’. On returning he's told Trans-Port have mentally imprisoned him in Capistrano slnce ten. The programme is a wormhole to another reality and Peter is forced to go back there and bring home its creator, his brilliant scientist father John, so Trans-Port's teleportation system can work successfully. The Projection is only programmed for John and Peter’s DNA. Peter finds the alternate reality called ‘Guildford’ similar to Capistrano but landscape and identities have changed. He meets another ‘Claire’, now English. She helps him find his ‘parents’ who informed his doppelganger (Other Peter) is a successful scientist, married to Amelia and working for Kilgore Industries in ‘Cambridge’. They are also building a teleportation device. Realising 'his' John might have gone there, Peter follows. At Kilgore he finds another ‘James’, now ‘Other Peter’s’ Project Manager. He pretends to be his doppleganger's non-existent brother to find out about an 'accident' on the site. That night a dream shows ‘Other Peter’ involved in a metaphysical reaction to the accident. John asks Peter to help him find out more about it. They force Amelia to take them to ‘Other Peter’ at Kilgore. They find him trapped between two states of reality just like Peter’s dream. Peter forces John to return to Capistrano but Carver appears telling him neither realty actually exists. The accident killed Peter and he is now purely cyber intelligence. But is this true? Can Peter’s REAL life still be saved?

When you're on the brink of death, does humanity still exist? Clementia must learn to trust people again after surviving a blocked elevator into a zombie apocalypse or risk losing everything in this horrific world. Every day for Clementia over the last two years has been a haze. She keeps her head down, hangs out with the folks she despises the most, and only leaves the house to work at her required internship. But everything changes the day the workplace elevator breaks down, trapping her as the screaming begins. When the doors eventually open, revealing a dystopian world ravaged by bleeding fangs and sickness, Clementia is thrust into a horrifying race for her life, stuck between strangers she's not sure she can trust and man-eating creatures hungry for her flesh. With that, she realized that the whole city was filled by those monsters. And she is now forced to flee for her life, and she must learn not only how to live in this new and frightening environment, but also how to fight her own inner demons before they lose her something more valuable than her life. But then she met Justine, the one who would help her live in this chaotic life, and together they will fight in a world where a virus has spread, turning the majority of the people into flesh-eating monsters, as they both connote safety and unity.

She trusted him with the end of the world. He left her for dead in it. When the zombie apocalypse hits, Maya Rodriguez already knows who she's going to survive with — and who she's going to survive for. What she doesn't know is that her boyfriend has other plans. Ones that don't include her. Abandoned, alone, and furious in a world that has just ended, Maya finds herself with an unlikely companion: LUS, a rogue AI life coach who is equal parts infuriating and inexplicably useful, and who may know more about how the outbreak started than he's letting on. Surviving the apocalypse turns out to be the easy part. Because the world Maya's navigating isn't just full of the undead. It's full of engineered soldiers — wolves in human skin, built by the same government programme that unleashed the virus. It's full of men who want to protect her, want to use her, want to earn her, and want to be forgiven by her. And it's full of one specific slow burn she has categorically refused to name. She's not the woman she was before the world ended. She's considerably more dangerous. ***A post-apocalyptic romance about survival, betrayal, rogue AI, and the specific problem of falling in love when everything is already on fire.