The Score

Keeping Score
Keeping Score
Quinn is everything I’ve ever wanted and never deserved. She’s the best friend, the best person, I’ve known in my entire life. Problem is, there’s always someone between us: Nate, our other friend. I know Quinn's heart is mine, but she cares for him, too. Oh, and then there’s my other love-football. With all of these obstacles, sometimes it feels like Quinn and I will never find our happy ending. But I’m not giving up on us. Contains sexual scenes and explicit content; recommended for those 18 and over.KEEPING SCORE is created by TAWDRA KANDLE, an eGlobal Creative Publishing Signed Author.
10
131 Capítulos
The Test Score Above My Head
The Test Score Above My Head
A month before the SATs, I, Jenny Reid, could see my score. Literally. It was just floating right above my head. But there was a catch. Every time I cracked open a prep book, my score would drop by ten points. But if I skipped a day of school? It jumped right back up by ten. So, I played the system. For a whole month, I barely lifted a finger. And on the day of the test, the number glowing over my head was a solid 1560. When the scores finally dropped online… I'd scored a 500. And the 1560? That was my little sister Patricia's score. My parents lost it. As punishment, they got me a grueling night-shift job at a local electronics factory. That first night, a bunch of guys I'd never seen before cornered me in the parking lot and beat me half to death. Fading in and out of consciousness, I heard my sister's voice right by my ear. "You just had to one-up me, didn't you? Thought you were so smart… but you never figured out I was the one controlling that number over your head." The truth hit me like a physical blow. The score had been her trick all along. I opened my eyes—and I was back. One month before the SATs. The number above my head read exactly 1300. "Hey," my sister said, all fake sweetness. "Want to study together tonight? We can go over the practice tests." I looked at the stack of papers in my own hands. Without a word, I pulled out my lighter and set them on fire right there in the driveway. "Exams are coming," I said, watching the flames. "I'm not studying." My score ticked up to 1310. My sister's face was this perfect mask of disappointment, but the second I turned away, I caught the sly smile she couldn't quite hide. She had no idea… the real performance, the one I'd been rehearsing just for her, was finally about to begin.
8 Capítulos
I'll Settle This Score for You
I'll Settle This Score for You
I am about to book a room at a hotel owned by Luca Conti, a consigliere under my command, when a sharp voice suddenly cuts in from behind me. "Aspetta. That's not your price." I turn around. A woman wearing a manager's badge stands there with her arms crossed, scrutinizing me as if I am an unsightly stain she can't wait to wipe away. "We don't allow prostitution here," she says coolly. "If you're receiving clients, there will be a fine." As she speaks, she hands me a penalty notice. The charges are clearly listed on the paper. "Illegal guest reception fee: 350 thousand dollars. "Special soundproofing fee: 150 thousand dollars. "Special cleaning fee: 100 thousand dollars. "Total fee: 600 thousand dollars." Receiving clients? I have simply come straight from a Mafia cocktail party without changing clothes—that's all. What exactly does she take me for?" I lift my gaze and answer evenly, "You're mistaken. I am not that kind of person. You can contact the hotel owner, Luca Conti, and ask him who I am." A sneer flickers through Sofia Rossi's eyes. She spits to the side, full of contempt. "Still claiming you are not a puttana? Women like you come here every week. Every single one of them swears she knows him. "Our boss is the consigliere to the Russo family, the most powerful Mafia family in Seneriffe. Do you really think he needs someone cheap like you? "I suggest you pay up now, subito, before your client loses patience and drags you into the street and rapes you." I do not waste another word on her. I take out my phone and send a message directly to my secretary, Marco Bianchi. "Notify Luca. Either this manager, Sofia Rossi, disappears from this city, or he does."
7 Capítulos
Why the Top Scorer Kept Failing
Why the Top Scorer Kept Failing
I'm on track to be a top student, but I end up taking the SAT twice. The first time, I score high enough to get into Westbridge University. The second time, my score qualifies me for Northfield University. Each time, I score over 1500. Yet when the admissions teams see my name, not a single school admits me. At first, I think it must be some kind of background check, certain they've found something in my record. But my parents are honest, hardworking people. They've never broken the law. They wouldn't even harm a fly. So I try a third time. My SAT score is 1580, and my GPA is still perfect. This time, I apply to Crestwood University, thinking I finally have it in the bag. The Crestwood University admissions officer arrives full of cheer, but the moment he sees my name, he freezes, immediately realizing there is no way I will be accepted. I rack my brain, trying to figure out what is wrong with my name. Why does seeing it make every school hesitate, even though my scores are perfect?
7 Capítulos
SCORED HER HEART, NOT THE PUCK.
SCORED HER HEART, NOT THE PUCK.
When NHL superstar Thane Slade suffers a brutal fall during the Stanley Cup Finals, he doesn’t just lose his career—he loses his name, his future, and the life he thought was untouchable. Then Madison Wallace walks into his hospital room. A quiet nurse with storms behind her eyes, Madison is undocumented, out of options, and hiding wounds deeper than the ones she’s paid to heal. She’s not supposed to get attached—even if she’s been his biggest fan. And he’s not supposed to care—not for anyone, especially not her. But somewhere between the silence and the scars, something dangerous blooms. Something real. Her secret could get her deported. His could destroy them both. And when love grows where lies once stood, one mistake shatters everything. By the time Thane learns the truth… Madison is gone.
Classificações insuficientes
114 Capítulos
GoodNovel Author's Guidebook
GoodNovel Author's Guidebook
Thanks for reading! If you didn’t find the answer to your question here, contact your editor who sent you the contract offer and tell him/her to improve this guidebook. Also, don't forget to take the small quiz in the last chapter and share your score with us in the comment!
9.7
10 Capítulos

Where Can I Legally Stream A Lifetime To Settle The Score?

4 Respostas2025-10-20 02:28:36

I'm thrilled you asked about 'A Lifetime to Settle the Score' because tracking down legal streams is one of my favorite little hunts. If you want the quickest route, use a streaming availability checker like JustWatch or Reelgood—type in 'A Lifetime to Settle the Score' and they’ll show current options by country: subscription platforms, rentals, purchases, and free-with-ads services. Those sites also list whether the version has subtitles or dubs, which matters if you prefer original audio.

If you don't find it there, check the big storefronts directly: Apple TV/iTunes, Google Play Movies, Amazon Prime Video (as a buy/rent title), and YouTube Movies often carry international or niche titles even when they’re not on subscription services. Also peek at library-based services like Kanopy and Hoopla—your library card can sometimes unlock high-quality streams for free. Personally, I always compare rental price and video quality before choosing; nothing kills the mood like a grainy stream when a crisp HD option is five bucks more. Happy watching—I hope the version you find has good subtitles and maybe some special features to enjoy.

Who Composed The Haunting Score For Mystery Bride‘S Revenge?

5 Respostas2025-10-20 05:58:34

If you love eerie soundscapes, the composer behind 'Mystery Bride's Revenge' is Evelyn Hart. Her name has been buzzing around the community ever since the soundtrack first surfaced — not just because it's beautifully moody, but because she manages to make silence feel like an instrument. Evelyn mixes sparse piano, bowed saw, and whispered choir textures with modern electronic pulses, and that mix is what gives the score its uncanny, lingering quality. The main theme — a fragile, descending piano motif threaded through with a lonely violin — is the piece that really hooks you and won't let go.

I can't help but gush about how she uses leitmotifs. There's a delicate melody that represents the bride: innocent, almost lullaby-like, but it's always presented through slightly detuned instruments so it never feels entirely safe. Then, as the revenge threads into the story, a low, metallic drone creeps under that melody and the harmony shifts into clusters of dissonance. Evelyn's orchestration choices are small but meticulous — a music box altered to sound like it's underwater, a distant church bell sampled and slowed until it's more like a heartbeat. Those touches turn familiar timbres into something uncanny, and they heighten every twist in the narrative.

Listening to the score on its own is one thing, but hearing it while watching the game/film/novel adaptation (depending on how you first encountered 'Mystery Bride's Revenge') is where Evelyn's skill really shines. She times moments of extreme quiet to make the eventual musical eruptions hit harder. The percussion isn't conventional — it's often composed of processed natural sounds and objects, which gives the hits a raw, human edge without being overtly percussive. And she isn't afraid to let textures breathe: long, sustained chord clusters that evolve slowly over minutes, creating a sense of time stretching. That patience in composition is rare and it makes the emotional payoffs much stronger.

All told, Evelyn Hart's score is one of those soundtracks that haunts you in the best way — it creeps back into your head days later and colors your memories of the scenes. It's cinematic, intimate, and a little unsettling in the exact way the story needs. For me, it's the kind of soundtrack I return to when I want to feel chills and get lost in a story all over again.

Who Composed The Score For Fated Bonds; Revenge Of The Broken Luna?

5 Respostas2025-10-16 04:06:15

I dug into the usual places — end credits, soundtrack stores, streaming platforms, and even the indie forums I lurk in — and couldn't find a single, clearly credited composer for 'Fated Bonds; Revenge Of The Broken Luna'. The production seems to treat the music like part of the overall package rather than a headline name; on the materials I could find the score is either attributed to a studio music team or not listed at all. That usually means the soundtrack was handled in-house or by a small freelance collaborator who wasn’t given a standalone credit.

From a fan’s perspective, that’s a little frustrating because the music really stands out: moody strings, atmospheric pads, and occasional choral textures that lift emotional moments. If you want a solid lead, check any end-credit footage or the game’s official social posts — sometimes composers are mentioned in a dev blog or a soundtrack release much later. For now, I’m keeping an ear out and a hopeful appreciation for whoever crafted those themes; they nailed the tone and left an impression on me.

Who Composed The Blood Hunt Soundtrack And Original Score?

5 Respostas2025-10-17 21:24:09

If you’re digging into the music behind 'Vampire: The Masquerade — Bloodhunt', I get that curiosity — the soundtrack really helps sell the whole night‑time, vampiric street brawl vibe. The music you hear in the game isn’t the work of a single famous film composer; it’s a blend of original score crafted for the game by Sharkmob’s audio team together with outside producers and licensed tracks. In short: the core atmospheric score was produced in‑house by the developers’ composers and sound designers, but the full soundtrack experience includes external collaborators and licensed songs that round out the playlist.

On a practical note, if you want the precise credits for individual tracks, the most reliable places are the in‑game credits and the official soundtrack listings on streaming platforms or the game's website. Those listings break out who composed each piece, who produced the tracks, and which ones were licensed from independent artists or labels. From what I’ve followed in the community, the original cues that set the moody, electronic, and gritty tone were handled internally by Sharkmob’s audio leads working with freelance composers and producers — that’s pretty common in modern multiplayer titles, where an in‑house team composes the main motifs and external artists contribute texture, beats, and licensed songs.

I’m a sucker for video game scores, so I spent a bunch of time tracking down the credits and listening to individual tracks to pick apart the mix of synth atmospherics, club‑style beats, and tense orchestral hits that make 'Bloodhunt' stand out. The result feels like a dark club soundtrack crossed with cinematic horror cues: pulsing rhythms for movement, brooding pads under tense moments, and sharper percussive hits for combat. It’s that hybrid approach — in‑house composers laying down thematic material, plus producers and licensed artists adding flavor — that gives the soundtrack its identity and lets matches feel both cinematic and grounded in urban nightlife.

If you want a deeper dive, checking the game’s official soundtrack release (where available) or the credits screen will show individual composer names for each piece. Either way, I love how the music supports the gameplay: it never tries to be the star, but it amplifies every rooftop leap and alley ambush in a way that stuck with me long after I logged off.

How Does The Helltown Soundtrack Compare To The Original Score?

5 Respostas2025-10-17 14:40:22

Lately I’ve been switching between the 'Helltown' soundtrack and its original score a lot, and they feel like two different sides of the same coin. The soundtrack hits hard and fast — catchy, bold, and immediate. It’s full of songs that would work perfectly as playlist singles: punchy choruses, memorable hooks, and moments that lean on recognizable genres so you get an instant mood. By contrast, the original score is quieter in terms of surface flash but deeper in how it shapes the show’s emotional spine. The score sneaks under dialog, stretches themes across scenes, and gives the world a sustained tonal identity that you only really feel when you listen in sequence or watch the series again with it cranked up.

On a technical level the differences are telling. The soundtrack sessions often mix vocals front-and-center, tighter beats, and production choices that favor radio-ready clarity. Instruments are layered to make each song stand out on its own. The original score, meanwhile, breathes—there’s more room, longer motifs, and recurring melodic ideas that evolve. It uses ambient textures, subtle percussion, and sometimes odd instrumentation or electronic flourishes to mirror the narrative’s shifts. I noticed the composer leaning into leitmotifs that return in different guises: slow strings in one episode, a pulsing synth the next, then a distorted guitar wash when things break down. That kind of thematic development makes the score feel like it was written to live with the story rather than to be replayed as standalone ear candy. Also, small details like purposeful silences, diegetic sound layering, and the way transitions are handled show how the score is engineered to serve pacing and tension.

Listening habits shape which one I reach for. If I’m driving or need something energetic for cleaning my apartment, the soundtrack is my go-to. It’s immediate and fun, and a couple of tracks even make me think of summer road trips. If I’m rewatching episodes, working on art, or just want to get lost in atmosphere, the score wins — it’s immersive and reveals new things on repeated listens. I also appreciate how the soundtrack acts as an entry point for casual listeners: a friend who’s never seen 'Helltown' told me they loved a particular song and that curiosity led them to the show. The score’s replay value is more subtle; it rewards patience and attention.

In the end I don’t really pick one as strictly better — they complement each other. The soundtrack brings the hype and memorable moments, while the original score quietly builds the emotional through-line and world texture. Personally, I keep coming back to the score when I want the spine-tingling mood of the series, but the soundtrack is the one on heavy rotation when I want instant energy. Both make 'Helltown' feel alive in different, very satisfying ways.

Who Composed The Score For The Escape Room Soundtrack?

4 Respostas2025-10-17 17:43:08

For me, the music in 'Escape Room' is what turns the rooms into characters—tense, mechanical, and oddly melodic. The composer behind that pulse is Marco Beltrami. I love how his work gives the film its heartbeat; he’s the same composer who’s done memorable things on films like 'A Quiet Place' and a bunch of thrillers and horror pieces, so his touch makes sense. The score mixes jagged strings, ominous low brass, and industrial percussion in ways that feel handcrafted to every trap and twist.

I still find myself humming a motif from the film when I’m thinking about tense set pieces. Beltrami’s knack for blending orchestral drama with modern sound design makes the soundtrack feel cinematic but also intimately creepy. It’s the kind of score that sneaks up on you—subtle in one scene, all-consuming in the next—and that’s why it stuck with me long after the credits rolled.

What Score Fits To Chose Between Begging EX And Dangerous Flings?

3 Respostas2025-10-16 12:52:09

Right off the bat, I’d give 'To Chose Between Begging EX' a 7.5/10 and 'Dangerous flings' a 6.8/10 — but those numbers come with caveats. 'To Chose Between Begging EX' hooked me with its emotional beats and memorable lead, the kind of story that lingers after you close it. The pacing stumbles a bit in the middle, and a few supporting arcs feel undercooked, but the soundtrack moments and a couple of genuinely clever twists push it upward. I love how it leans into character flaws without making everything bleak; there’s growth and regret in equal measure. If you value atmosphere and character-driven scenes over a perfectly tight plot, this one rewards repeat visits.

' Dangerous flings' hits different: it’s punchier and more surface-level fun, closer to a guilty-pleasure romp. I’d score it 6.8/10 because it delivers on style and cheeky setups but doesn’t always back them with depth. The art direction and set-piece chemistry are strong, and it’s extremely re-readable for those quick mood boosts. That said, it can feel formulaic at times and a few scenes ride on trope energy rather than meaningful stakes. I’d recommend this if you want something light, flashy, and entertaining without digging too deep.

Ultimately, both pieces have their charms — one leans inward and thoughtful, the other outward and playful. For me those scores reflect how they make me feel: moved and contemplative versus amused and energized, and I’m cool with revisiting both in very different moods.

Does An Occult Adventure Have A Soundtrack Or Score Release?

5 Respostas2025-10-16 11:28:35

Surprise — yes, 'An Occult Adventure' does have an official soundtrack release, and I’m still thrilled by how well it matches the game’s mood.

The soundtrack was put out digitally (think Bandcamp and the usual streaming services) and there were a handful of physical copies pressed for backers and early supporters, so if you missed those they can be rare but show up on resale or the developer’s store now and then. The OST bundles the atmospheric tracks, a few leitmotifs that recur across the adventure, and a bonus EP of ambient cues that were used in transitional scenes. I love how the slower piano pieces double as background meditation music while the synth-heavy tracks ramp up tension during puzzle segments.

If you want the cleanest audio, grab the lossless downloads from the official storefront; for casual listening, it’s also on Spotify/YouTube. Personally, I’ve queued the main theme on rainy days — it still gives me chills and perfectly captures that occult vibe.

How Do Composers Score A Scene With A Woman Villain Present?

3 Respostas2025-08-26 12:40:46

When I'm scoring a scene that features a woman villain, I often treat her like a living contradiction — someone who can be elegant and dangerous at the same time. I usually start by asking myself what the director wants us to feel first: fascination, dread, sympathy, or a nasty cocktail of all three. That decision determines the palette. For instance, low-register strings or a solo cello can give weight and menace, while a breathy contralto vocal line or a childlike music-box motif layered underneath can hint at seduction or warped innocence.

Technically I lean on leitmotif work: give her a small, malleable motif that can be stretched, inverted, and reharmonized as the scene changes. If she’s manipulative, I might write a motif built from a minor second and a tritone to make listeners subconsciously uncomfortable. Rhythmic treatment matters too — a heartbeat rhythm on low toms or a delayed click-track can imply control. Instrumentation choices are a huge storytelling shorthand; an alto sax or muted trumpet can feel smoky and dangerous, whereas distorted synths or prepared piano push things modern and uncanny.

Beyond notes and instruments, I always keep room for silence and space. Letting a line hang, or dropping everything out when she speaks, can be more piercing than constant scoring. I love small production tricks — reversing a vocal sample of the villain’s spoken phrase, or filtering a melody through reverb so it becomes a memory — because they let the music comment on the psychology without spelling it out. After a late-night mix I’ll often step outside, listen to passing traffic, and think, did I make her interesting or only scary? That question usually gets the next tweak.

What Movie Score Captures The Deepest Emotional Moments?

3 Respostas2025-08-25 10:50:53

There are a few scores that hit like a punch to the chest, but for me nothing captures the deepest emotional moments better than John Williams' work in 'Schindler's List'. The solo violin — Itzhak Perlman's playing — is so naked and human that it feels like the soundtrack is breathing with the people on screen. I watched the film late one winter night, headphones on, and the melody lingered long after the credits. It's not grandiosity that does the work here; it's restraint. The way Williams lets the violin speak when words fail makes grief and memory tangible in a way that sticks with you.

What I love about this score is how it uses silence and space as much as sound. There are stretches where the orchestra barely touches the melody and suddenly the emotion doubles because your brain fills in the rest. That economy — simple themes repeated and gradually altered — turns the music into a living memory. If you want a moment that absolutely guts you, cue the theme during the scenes where the film trusts the audience to feel rather than to be told. It’s haunting, and oddly consoling: a reminder of how music can hold sorrow without trying to explain it.

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