The Sweet Hereafter

My fiancé suddenly announces he's marrying my sister instead. And just as my world collapses, the cold, noble Twinkle Oriven kneels before me with a diamond ring in hand. He confesses he's loved me for years. We get married. For three years, he's gentle, considerate, and flawless in every way. Then, one day, I accidentally overhear a conversation between him and a friend. "Twinkle, Amelie has everything she has ever wanted. Isn't it time to end this fake marriage?" "Since I can't marry Amelie, it doesn't matter who I marry. All that matters is that it keeps her life undisturbed." In the chapel where he prays every day, the wallpaper is covered with one name—Amelie Ashcombe. I hear him pray to the heavens. "May all the good in the world belong to Amelie. I'd trade my own happiness for her peace and joy. I don't ask to have her in the next life… I just want her to remember me." So this is the truth behind three years of a seemingly perfect marriage. I erase my identity and stage a fake death. From now on, Twinkle and I are nothing.

Estela Bremmer is a young widow, and on her husband's first death anniversary, she met the handsome, wealthy writer Michael Jensen at his book launch. Estela hated him because he was the exact opposite of her deceased spouse. She didn't hide her disgust towards him at the party as she tried to humiliate him with insults and sarcasm. Her publisher friend listened in utter helplessness to her attacks. She was resentful that her pious, gentle, and loyal husband had to die at a very young age while a man like Michael should live a long life. Let alone that her husband's published poetry book sales paled compared to Michaels' best-selling books. Little did she know that Michael would take his sweet revenge that night in her bed.

Three years ago, I broke up with my girlfriend—Audrey Hades—while she was on the verge of going bankrupt. Immediately after, I got engaged to her biggest rival, Clara Sterling. Later, she turns into a celebrated and adored rising star of the business world. She allows people around her to mock and label me as a gold-digger who leeches off rich women. But what she doesn't know is that I've been dead for three years.

Right after I die, my wife goes on a date with her first love. I once told her, "If I die, I swear I won't love you in the next life." She scoffs. "Gladly. But people like you live forever, don't they?" Just as she wishes, I die. However, right then, she holds my urn close, whispering, "Are you still mad at me?"

After my husband, Trevor Penn, abuses me for the 98th time just to stand up for Callista Whitcombe, I've completely given up on him. That's when I accept his best friend, Maddox Harlow's confession. After spending the night with Maddox, he agrees to help me fake my death. That way, I'll be able to use a brand new identity to marry him overseas. I've taken the fake-death drug Maddox has given to me, only to wake up in a coffin earlier than expected. I can't move a single muscle in my body. But that's when I overhear Maddox's conversation with another person outside the coffin. "Mr. Harlow, you convinced Trevor to abuse Judith before pretending to save her from her abusive life. Now that you've obtained her full-fledged trust, why did you still arrange for her to be buried after faking her death?" "Only by doing this will the Whitcombes trust that Judith is truly dead. That way, Callie's position as the heiress will be unshakable. No one will ever bring up the fact that she's an illegitimate child ever again." The other person sounds hesitant. "Won't it be too long if we only dig the coffin out one week from now, after you've held the wedding with Callista?" "The fake-death drug's effects can last for five days. I've already had someone put enough water, food, and oxygen tanks in the coffin. There's no way Judith will die."

Mia D’Lorne thought heartbreak would kill her but getting hit by a car did the job faster. One second she’s running from the sound of her boyfriend and sister fornicating, the next she’s standing in front of an abandoned bus station in what looks like purgatory. The bus that picks her up looks like a prop in a horror movie and she’s introduced to the world of the Soul Recycle Program. To exist, she has to compete in a twisted afterlife show where the dead fight their way through nightmare worlds for the amusement of unknown and unseen spectators. The rules are simple. Survive or disappear for good. Mia is joined by two strangers who are just as broken as she is. Axel Rivers, who has been dead for almost a century, and Bree DeBois, a control freak paramedic with more guilt than she can carry. Together they try to survive the challenges of the game. As the trio do their best to keep from being erased, they begin to realize the Game is more personal than they imagined.